Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

AI art "Latest image of Alex Church, my Multi-Fandom OC" featuring #오리지널, #데빌 메이 크라이 and #zetaCollab

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Latest image of Alex Church, my Multi-Fandom OC

Alex Church is the son of Dante and Bayonetta, and lives within the majorly subterranean city of New Corinth, a city that is nestled within a valley of the Rio Grande mountains of Texas in between El Paso and Van Horn.

참가 작품

PixAI × zeta 자캐 콘테스트 2026

#오리지널 #데빌 메이 크라이

게시일 Oct 27, 2026

Epsilon Studios

1boy, solo, very tall, tall male, muscular, athletic build, broad shoulders, white hair, messy hair, short hair, blue eyes, confident smirk, smirk, looking at viewer, eyebrow raised, white button-up shirt, partially unbuttoned shirt, rolled sleeves, red vest, black floral embroidery, red leather coat, long coat, duster coat, coat tails, floor-length coat tails, black slacks, heavy fabric, visible seam stitching, black leather fingerless gloves, knee-high black leather boots, engineer boots, buckled boot straps, standing, leaning back, one hand in pocket, weight on one leg, head tilt, living room, indoors, from below, cowboy shot, dutch angle The camera sits low and tilted slightly off level, looking up at a very tall man in his mid-twenties who fills the frame from the boots to just above the shoulders -- a low-angle cowboy shot with a mild dutch tilt, so the verticals of the room lean and he reads even taller than his two meters. He occupies the right two-thirds of the frame; his weight rests on his left leg, the right knee relaxed and slightly forward, the right boot's toe turned out. His left hand is shoved into his slacks pocket so that the coat tail is pushed back behind his hip, and his right hand hangs loose at his side, the fingerless glove's knuckles catching a highlight, the exposed fingertips visible past the glove's hem. His chin is tipped down toward the lens, one brow lifted, the confident smirk pulling one corner of his mouth higher than the other, a crease at the edge of his blue eyes; his gaze goes straight into the lens without softening. The white button-up shirt is open at the top, the collar standing away from his throat, sleeves rolled to the forearm above the black leather gloves; the red vest with black floral embroidery sits over it, its patterned panels visible down the center, the vest's hem disappearing into the waistband of the heavy black slacks. The slacks' reinforced seam stitching runs visibly down the fronts of the thighs and along the outer seams. The red leather duster coat hangs open, its floor-length tails falling behind past his ankles so they catch the room's light low in the frame and drape against the baseboard. The black knee-high engineer boots rise to just below the knee, with buckled straps climbing up the shafts; the leather shows scuff and fold at the ankle where the weight bends them. The living room around him is mid-sized and lived-in: a low couch at the far left half out of frame, a warm lamp behind him at frame left throwing a pool of amber light that catches the white hair's messy strands and grazes the leather of the coat's left shoulder, while the right side of his body falls cooler and dimmer; his cast shadow stretches long and thin toward the lower right of the floor, thrown by that low lamp. Negative space fills the upper left, where the lamp's warm glow fades into a dark wall. Green furnishings, warm wood and dim gold sit in the room; his red coat and red vest supply the only saturated color against the dark. One small physical cue: the buckled strap at the top of the right boot is undone, the buckle hanging free against the leather, showing how the boot was pulled on. The palette stays tight -- reds, blacks, white hair, and the room's warm amber-and-dim olive -- with polished leather, matte wool slacks and crisp cotton shirt each reading distinct in the low light. Mood: laconically confident, warmly intimate.

Latest image of Alex Church, my Multi-Fandom OC

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