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C9I

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C9I

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1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
매개변수 표시
원본 프롬프트
Melancholic dark art illustration of a lonely, sad raven perched on a massive, broken brass scale of justice. The scale is heavily tipped and corrupted: one side is weighed down by heavy gold chains and a king's crown, while the other side holds a single, withered white feather and a crushed flower. The raven has drooping, rain-soaked feathers, its head bowed low, looking down with glossy, sorrowful eyes. Heavy rain, cold gray fog, a ruined courthouse in the blurred background. Injustice, deep sorrow, broken systems, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, grays, subtle cold blue tones, cinematic shot, film grain, by Zdzisław Beksiński, masterpiece, 8K --ar 3:2 --v 6
모드
pro
크기
992 x 992
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.25k

비슷한 작품

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AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
1 animal, solo, raven, black corvid, perched, perched on scales, scales of justice, broken brass scales, tipped scales, corrupted scales, gold chains, chains, king's crown, crown in pan, white feather, single feather, withered feather, crushed flower, wilted flower, head bowed, looking down, glossy eyes, sorrowful, drooping feathers, wet feathers, rain-soaked, heavy rain, rain, fog, gray fog, ruined courthouse, blurred background, depth of field, bokeh, charcoal texture, ink texture, hyperdetailed, chiaroscuro, strong shadow, desaturated, monochrome palette, cold blue tones, cinematic composition, film grain, wide shot, low angle, dark fantasy, gothic, melancholic, no humans Low-angle wide shot, camera set slightly below the scale's central pivot and tilted a few degrees off level, so the tilted brass beam cuts a hard diagonal across the frame from upper left to lower right. The massive broken scale of justice dominates the midground, its ornate brass column rising out of cracked wet flagstones in the foreground; verdigris and black tarnish bloom across the metal, the beam's central pivot is snapped and splinted with wire, and one hanger ring is bent open so its pan hangs crooked. The raven perches on the high, lifted end of the beam, claws clamped around the tarnished brass, its body leaning into the downward slope, head bowed low so the beak points almost straight down at the lighter pan; its feathers hang in soaked, clumped points, water beading along the spine and dripping from the tail tip, and a single fat drop falls free of the lowest feather. Its one visible eye is glossy and wet, catching a cold pinpoint of light, lids heavy, gazing down into the pan below. Right side of the beam is driven low and heavy: a deep pan piled with tangled heavy gold chains, links thick as fingers, coiled and spilling over the rim and hanging in loops beneath the pan, the gold the only warm note in the frame, muted to dull ochre by the wet. A king's crown rests in the lower pan, half sunk among the chains, one point bent, its jewels dark and clouded, gold filigree packed with grime. Left side rides high and light: a single withered white feather lying alone in the shallow pan, its barbs broken and splayed, and beside it a crushed flower, petals flattened and bruised to a gray-violet pulp, stem snapped. A fine chain of water runoff traces the beam's tilt and gathers at the low end before falling. Behind, a ruined courthouse recedes into cold gray fog: broken portico columns, a cracked pediment, boarded windows, all dissolved by shallow depth of field into soft hulking masses, only their silhouette edges readable. Heavy rain falls as long slanted streaks through the whole frame, dense in the far fog and sharp in the near foreground; where the rain crosses the fog it reads brightest, and the flagstones below are a mirror of puddled water broken into rings by impact. The single cold light source sits high and behind, above and left of the frame, so the scale's upper surfaces and the raven's back are rimmed in pale blue-gray while the undersides, the crowned pan and the courthouse face fall into deep black; the raven throws a hard wet shadow down the slope of the beam. Palette is closed: desaturated blacks, charcoal grays, wet slate, one cold blue tone in the fog and highlights, and the dull drowned gold of the chains and crown, nothing else admitted. Everything is rendered in hyperdetailed charcoal and ink texture: granular black stroke, dry-brush edges on the feathers, ink bleed into the fog, heavy film grain over the whole plate, the blacks crushed and the highlights scraped thin. The composition weights the frame to the right, the light pan and the feather small and stranded at the top left, the rain and the fog swallowing the far end of the courtyard. Quiet, inconsolable grief.
C9I
AI artwork
Avatar image of C9I
1 object, no humans, still life, massive antique brass scale, ornate brass beam, two hanging pans on chains, floating in a dark empty void, left pan overflowing, glowing golden coins, piles of fake gold coins exceeding the rim and spilling outward into the void, toxic neon-colored flowers, neon green and magenta blossoms, right pan holding a single dark obsidian heart, heart heavy and glossy black, scale tilted completely and absurdly toward the gold side, lopsided beam, steep impossible tilt, dark raven perched on the central beam, raven watching the pans, head lowered toward the gold, dark surrealism, cinematic lighting, deep shadows, high contrast, film grain, empty black background, no text, no lettering, no watermark, no signature, clean image surface, wide shot, from below, dutch angle, low key lighting, rim light, volumetric haze A wide 16:9 composition viewed from below and slightly to one side, a dutch angle canting the whole frame so the brass scale floats diagonally in a completely empty black void — no floor, no horizon, no ground plane, nothing but darkness around it. The massive antique scale hangs in mid-air, its central beam and central pivot post cast in ornate aged brass with verdigris in the engraved crevices, two pans suspended by three chains each from the beam ends. The beam is tipped at an absurd, physically impossible angle — the left pan dragged low, the right pan flung high — as though the entire apparatus has abandoned any pretense of balance. The left pan overflows: a mound of bright glowing fake golden coins heaped far above the rim, coins sliding over the edge and tumbling loose into the void, each coin throwing a hard warm glint from an unseen source; among and atop the coins, toxic neon-colored flowers — blossoms in acid green and hot magenta — spill over the lip and trail vines down past the pan's underside. The right pan rides high and holds only one thing: a single heavy dark obsidian heart, faceted, glassy black, catching a thin cold rim highlight along its upper curve, its weight betrayed only by the chain pulled taut and straight. On the central beam near the pivot a dark raven perches, claws gripping the brass, body hunched forward, head angled down toward the low gold pan, one eye fixed on the coins, beak slightly parted — watching without judgment or with too much of it. Lighting is cinematic and single-source from upper left: a hard key rakes across the brass, throwing the right side of the beam and the underside of both pans into absolute black; a faint cool fill from below separates the obsidian heart from the void. Palette restricted to tarnished brass, hot gold, acid green, magenta, and deep black, with the heart pure obsidian. Depth is shallow, the scale filling the frame, the void behind utterly featureless. One physical detail to trust: the fake gold coins glow from within, their light falling on the raven's breast feathers and the brass rim, while the obsidian heart reflects everything and emits nothing, a black mirror of the gold's false light. Film grain across the whole image, no text anywhere, clean untouched surface. Eerie, hypocritical stillness.
C9I
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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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