๋ฌด๋ฃŒ๋กœ ๊ฐ€์ž…ํ•˜๊ณ  ์ฆ‰์‹œ 10,000 ํฌ๋ ˆ๋”ง์„ ๋ฐ›์•„๋ณด์„ธ์š”.

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์‹ ๊ทœ ํฌ๋ฆฌ์—์ดํ„ฐ์šฉ ์‹œ์ž‘ ํฌ๋ ˆ๋”ง์ž…๋‹ˆ๋‹ค.

PixAI iOS ์•ฑ App Store ์ผ์‹œ ๋‹ค์šด๋กœ๋“œ ์ค‘๋‹จ ์•ˆ๋‚ด โ€” PixAI ์ด์šฉ์ž ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ํ˜„์žฌ PixAI iOS ์•ฑ์„ App Store์—์„œ ๊ฒ€์ƒ‰ํ•˜๊ฑฐ๋‚˜ ๋‹ค์šด๋กœ๋“œํ•  ์ˆ˜ ์—†๋Š” ์ƒํ™ฉ์ž…๋‹ˆ๋‹ค. ๋น ๋ฅธ ์‹œ์ผ ๋‚ด์— ๋‹ค์‹œ ๋‹ค์šด๋กœ๋“œํ•˜์‹ค ์ˆ˜ ์žˆ๋„๋ก Apple ์ธก๊ณผ ์ ๊ทน์ ์œผ๋กœ ํ˜‘์˜ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ์„œ๋น„์Šคโ€ฆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI art "My eyes look so goofy here. ๐Ÿ˜†"
๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ

My eyes look so goofy here. ๐Ÿ˜†

#๋‚จ์„ฑ#๋™๋ฌผ๊ท€#์™€ํ›„์ฟ #๊ธฐ๋ชจ๋…ธ#๊ฐ€์„#๋‹จํ’#์žฅ๋ฐœ#๊ฐˆ์ƒ‰๋จธ๋ฆฌ#์š”ํ˜ธ#์—ฌ์šฐ ๊ผฌ๋ฆฌ#์ง€์šฐ์‚ฐ#๋‹จํ’์žŽ#๋‚˜๋ญ‡์žŽ#์†Œ๋…„#๋“ค๊ณ  ์žˆ๊ธฐ#๊ฑด์ถ•#๊ฑด๋ฌผ#๊ฐ€๋กœ๋“ฑ#ํ‘ธ๋ฅธ ํ•˜๋Š˜#์—ฌ์šฐ ์†Œ๋…„
Avatar image of Teodor

Teodor

๋” ๋ณด๊ธฐ

๋Œ“๊ธ€

1boy, solo, male focus, kitsune, fox boy, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, freckles, red eyeshadow, lips, light skin, dark brown fox ears, white fur inside ears, animal ears only, no human ears, six tails, dark brown fox tails, claws, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, one leg out, bare thigh, pectorals, dynamic pose, leaning back, looking up, from below, dutch angle, cowboy shot, autumn, autumn leaves, rain, village, paved street, wet pavement, falling leaves, From a low dutch angle, the fox-eared boy fills the frame in a cowboy shot, tilted so the paved street runs diagonally from the bottom-left corner toward a soft-focus village of dark timber houses and paper lanterns behind him. He is caught mid-motion, weight thrown onto his back right leg while his left leg swings out and forward, the orange kimono falling open at the thigh so the bare leg and its clenched muscle read clearly; his chest is exposed through the loosened collar, pectorals defined under rain-slick light skin scattered with freckles across the collarbones and cheeks. His long curly dark brown hair whips sideways in the gust, heavy ringlets catching the wet air, and the dark brown fox ears on his head swivel with the wind, white fur inside them bright against the gloom; no human ears break the line of his jaw, only the pointed fox ears. Six dark brown tails fan out behind him in a broad arc, each tip flicking with the momentum of the turn. His glowing orange eyes with their slit pupils are lifted up and to his left, following the rim of the umbrella he holds; his lips are parted on a held breath, red eyeshadow sharp beneath the glow. His right hand grips the bamboo shaft of the open Japanese umbrella at shoulder height, oiled paper canopy tilted back over his head so rain drums across it and spills in beaded threads off the ribs; his left hand is flung out low for balance, claws splayed and catching a glint of light. The umbrella is the bright anchor of the composition: its canopy arcs across the upper third of the frame, edges dark with water, the paper glowing warm where light passes through it. The rain is the only source of motion everywhere else: it streaks the air in long diagonals, spatters and bursts on the wet pavement in small crowns, and runs in rivulets along the seams between the paving stones, pooling in the low corner of the street. Autumn leaves, wet and heavy, plaster to the stone and to the hem of his haori, and a few are caught mid-fall around the umbrella's rim. The village behind him recedes into blue-grey rain haze, its lanterns smeared into soft orange blooms of reflected light on the wet ground; nearer, a maple bough leans in from the right edge, leaves red-orange and dripping. Palette: warm orange of the kimono and lantern glow against wet slate grey and deep brown of wood, hair and tails, with the red-orange of the leaves and eyeshadow as the accent that repeats through the frame; the white of the ear fluff and the umbrella paper are the only true lights. Cool rainy daylight diffused through cloud, no hard shadow but the wet sheen on skin, stone and lacquer. The mood is electric and rain-soaked, a fox spirit mid-turning stride, alive.
๋งค๊ฐœ๋ณ€์ˆ˜ ํ‘œ์‹œ
์›๋ณธ ํ”„๋กฌํ”„ํŠธ
Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, autumn, autumn leaves, orange kimono, brown haori, japanese umbrella, claws, holding umbrella, open umbrella, rain, village, pavement, dynamic pose, pectorals, thighs, male focus, leg out,
๋ชจ๋“œ
pro
ํ’ˆ์งˆ ํƒœ๊ทธ
๏นํ”„๋กฌํ”„ํŠธ๏นž
ํฌ๊ธฐ
1232 x 1632
์ œ์™ธ ์กฐ๊ฑด
lowres, worst quality, low quality, bad anatomy, explicit
ํ”„๋กฌํ”„ํŠธ ๋„์šฐ๋ฏธ

๋ชจ๋ธ ๋ฐ LoRA ์‚ฌ์šฉ

Tsubaki.3 - AI Model ์ปค๋ฒ„ ์ด๋ฏธ์ง€

PixAI DiT.3

Tsubaki.3
6.29k

๋น„์Šทํ•œ ์ž‘ํ’ˆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn โ€” left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn โ€” left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor
AI artwork
Avatar image of Teodor
1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, fox ears, white animal ear fluff, no human ears, light skin, freckles, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, orange kimono, brown haori, japanese umbrella, holding umbrella, open umbrella, sharp fingernails, rain, autumn, autumn leaves, village, pavement, dynamic pose, from below, dutch angle, foreshortening, looking up, from side, outstretched arm, wide shot, The camera sits low on wet paving stones and tilted off level, looking up past the figure so the open umbrella fills the top of the frame like a second roof. The kitsune boy is caught mid-stride through the turn โ€” left foot planted flat on the stone, right leg still swinging, hips rotated away while his shoulders wrench back toward the viewer, so his torso twists against his own stride. His right arm drives up and out, the umbrella's bamboo shaft gripped hard, thumb locked around the handle, the paper canopy flaring above him so rain drums visibly on its upper ribs and spills off the rim in thin threads. A single gust has pushed the canopy back on its pivot, tilting it off-axis, and his long curly dark brown hair lifts and drags sideways under it, dozens of loose coils whipping across his cheek and shoulder. Under the umbrella's shadow his glowing orange eyes with narrow vertical slit pupils catch the light and flare, red eyeshadow smoking out past the outer corners of his lids, and he looks up and out to the side at the falling strands of rain rather than at the viewer. His dark brown fox ears stand tall out of the hair, inner surfaces packed with white fluff that the wind ruffles, and where human ears would sit the sides of his head are smooth under the curls. Across his nose and cheeks the freckles scatter, his lips slightly parted between a breath and a smirk. His left hand hangs lower and half-open, sharp tapered nails catching a silver highlight at each tip. Behind him the house fronts of a small village climb the wet pavement out of focus, paper lanterns glowing dull orange under eaves and a stone step half-flooded, autumn leaves torn from a nearby branch and plastered flat to the ground where the water runs. Rain streaks through the whole frame in fine cold diagonals, and the volumes are soaked: the orange kimono's silk clings and darkens at the sleeves, brown haori swinging loose of his shoulder where the turn throws it. The six dark brown tails sweep out low behind him in a fan, weighted down with wet, and against the pale lantern light they show a clean rim of water beading along each tip. The palette is dead leaf orange and wet stone grey broken by a cold blue rain sheen, warmth surviving only in his eyes, eyeshadow and the lanterns. Moody, kinetic.
Teodor

๋” ์‚ดํŽด๋ณด๊ธฐ

์ถ”์ฒœ ์‚ฌ์šฉ์ž

๋‹น์‹ ์—๊ฒŒ ์ถ”์ฒœ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#ํ”„๋กœ์ ํŠธ ์„ธ์นด์ด ์ปฌ๋Ÿฌํ’€ ์Šคํ…Œ์ด์ง€!#ํ…๋งˆ ์ธ ์นด์‚ฌ
AI artwork
Avatar image of ใƒชใ‚ช
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใƒชใ‚ช
14#์นด๊ฐ€๋ฏธ๋„ค ๋ฆฐ#๋ณด์ปฌ๋กœ์ด๋“œ#๋กœํŒŒ์ด(Lofi) ๋“œ๋ฆผ
AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ
5#์ง„๊ฒฉ์˜ ๊ฑฐ์ธ#๋ฏธ์นด์‚ฌ ์•„์ปค๋งŒ
ํ™ˆ๋ชจ๋ธ์ƒ์„ฑํ”„๋กœํ•„