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C9I

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2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
매개변수 표시
원본 프롬프트
Dark fantasy horror illustration of a terrifying Norse völva (seeress) inside a dark, candlelit cave. She is wrapped in tattered black robes and animal skulls, performing a blood ritual. A giant, monstrous raven with three glowing red eyes is perched on a runic altar in front of her. Thick black smoke and sparks fill the air, dripping candle wax, human bones scattered on the stone floor. Occult Nordic magic, eldritch horror, hyperdetailed, chiaroscuro, desaturated blacks, sickly green and blood-red glow, cinematic low-angle shot, film grain, by H.R. Giger and Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
모드
pro
크기
992 x 992
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.31k

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AI artwork
Avatar image of C9I
2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I
AI artwork
Avatar image of C9I
2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I
#파이널 판타지 XIV
AI artwork
Avatar image of C9I
2 subjects, 1girl, 1 monstrous raven, dark fantasy horror illustration, Norse völva, seeress, terrifying old woman, gaunt weathered face, one blind milky-white eye and one clear pale eye, long stringy iron-grey hair, tattered black robes, ragged layered black cloth, frayed hems, animal skulls worn on her, small animal skulls lashed to her shoulders and chest, antlered skull headdress, performing a blood ritual, both arms raised, blood-slick hands, blood dripping from her fingers, standing, low-angle shot, from below, foreshortening, giant monstrous raven, three glowing red eyes, raven perched on runic altar, spread ragged wings, black smoke, thick black smoke, sparks in the air, dripping candle wax, human bones scattered on stone floor, candlelit cave, runic altar, occult Nordic magic, eldritch horror, chiaroscuro, desaturated blacks, sickly green glow, blood-red glow, film grain, tall vertical composition The view is a cinematic low-angle shot from knee height, tilted up between the völva and the runic altar, so both figures tower over the lens. In the near foreground the pitted stone floor rushes away toward the back of the cave: human long bones, ribs and a broken pelvis lie scattered across it, half-sunk in pooled black shadow, with a few bone ends catching the green light. Above them, on a raised slab of carved runic stone, the giant raven crouches: its talons wrap the front edge of the altar, one claw hooked over a carved rune band, its ragged wings half-spread so the wingtips overhang the slab on both sides. Three glowing red eyes burn in its broad skull — two set where eyes belong, the third set higher, centered on the forehead — and its beak is angled down toward the woman, watching her hands. Behind and to the left of the altar the völva stands just past the slab, her weight on her right leg, her left hip pushed forward, torso twisted slightly toward the raven. Her long iron-grey hair hangs in matted ropes; one eye is a milky blind white, the other a clear pale grey, and both fix down on the ritual bowl cupped in her blood-slick left hand while her right arm is flung up and out with fingers spread, blood running from the fingertips. From this low angle her skulled shoulders sit hard against the vault of the cave. Small animal skulls are lashed to her shoulder and chest with cord, an antlered skull sits back on her headdress, and her robes are layered black cloth frayed at the hem and torn at the elbows. Her sleeves hang in heavy folds and her blood-bright fingertips catch the green candlelight. The cave walls close in behind the altar, and melted wax drips from ledges above in long grey-white threads, sagging and pooling where candles guttered out. Smoke and sparks rise from the altar's edge in a thick slow plume, the sparks drifting upward. The light sources are the candles and the ritual glow together. Green and red rim-light the raven's feather edges and the völva's upturned cheekbones, but the cave beyond is near-black. The only saturated colors are the red of the raven's three eyes, the red of the fresh blood on her hands, and the sickly green around the altar base. Everything else falls to desaturated blacks and ashen greys. Film grain textures the whole frame, and the shape of the smoke is broken and curled by the updraft off the candles, with the low camera pressing the smoke ceiling down onto the two figures. Oppressive, dread-soaked.
C9I

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#카가미네 린#보컬로이드#로파이(Lofi) 드림
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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