서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…
자세히 보기매개변수 표시
- 원본 프롬프트
- kazama iroha (1st costume), full body, 未來世界,kazama iroha被傳送到未來世界
- 모드
- flash
- 크기
- 944 x 1584
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기character: kazama_iroha_(1st_costume)
1girl, solo, full body, kazama iroha \(1st costume\), blonde hair, long hair, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, chest sarashi, sarashi, japanese clothes, haori, black fingerless gloves, skirt, bare legs, bare feet, standing on one leg, tiptoes, leaning forward, arms behind back, head tilt, looking up, wide-eyed, open mouth, :d, futuristic, science fiction, futuristic city, neon lights, holographic displays, transparent panels, metal flooring, from below, wide shot, dutch angle, day
The camera sits low and tilted, looking up from a wide-angle position: one girl, full body in frame from the soles of her feet to the tips of her hair, caught in the middle of a teetering half-step on a future street. She is a young woman with long blonde hair tied in a high ponytail, hair between the eyes, a hairband and hair ornament holding it, and blue-aqua eyes now stretched wide. She is dressed in her traditional outfit — a chest sarashi wrapped tight, a haori over Japanese clothes, a dark skirt, and black fingerless gloves — the old-fashioned cut of it stark against the chrome around her. Her weight is on one barefoot leg, the other lifted with the toes pointed and hovering just off the polished floor, and she leans forward at the waist with both hands clasped behind her back. Her head tilts up and to the side, mouth open in a delighted gasp, gaze fixed on the towering holographic panels overhead. The tilted low angle makes her look small in a very large future: the floor's perspective lines race away behind her, and around her rise glass towers, floating light-signs with illegible characters, and translucent display boards that wash her face in pale blue and pink reflections. The single light source is the hover of neon and screen glow from above, so her upturned face and the front of her haori are lit while the underside of her chin, the hem of her skirt, and the back of her ponytail fall into cool shadow. Her lifted foot casts a small sharp shadow on the glossy metal floor, and the faint ring where her toes have just left the surface is still catching the light. Palette of chrome grey, cold cyan, and neon pink against her blonde hair. Awed, weightless wonder.
NOTSTATUS
character: kazama_iroha_(1st_costume)
1girl, solo, full body, kazama iroha \(1st costume\), blonde hair, long hair, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, chest sarashi, sarashi, japanese clothes, haori, black fingerless gloves, skirt, bare legs, bare feet, standing on one leg, tiptoes, leaning forward, arms behind back, head tilt, looking up, wide-eyed, open mouth, :d, futuristic, science fiction, futuristic city, neon lights, holographic displays, transparent panels, metal flooring, from below, wide shot, dutch angle, day
The camera sits low and tilted, looking up from a wide-angle position: one girl, full body in frame from the soles of her feet to the tips of her hair, caught in the middle of a teetering half-step on a future street. She is a young woman with long blonde hair tied in a high ponytail, hair between the eyes, a hairband and hair ornament holding it, and blue-aqua eyes now stretched wide. She is dressed in her traditional outfit — a chest sarashi wrapped tight, a haori over Japanese clothes, a dark skirt, and black fingerless gloves — the old-fashioned cut of it stark against the chrome around her. Her weight is on one barefoot leg, the other lifted with the toes pointed and hovering just off the polished floor, and she leans forward at the waist with both hands clasped behind her back. Her head tilts up and to the side, mouth open in a delighted gasp, gaze fixed on the towering holographic panels overhead. The tilted low angle makes her look small in a very large future: the floor's perspective lines race away behind her, and around her rise glass towers, floating light-signs with illegible characters, and translucent display boards that wash her face in pale blue and pink reflections. The single light source is the hover of neon and screen glow from above, so her upturned face and the front of her haori are lit while the underside of her chin, the hem of her skirt, and the back of her ponytail fall into cool shadow. Her lifted foot casts a small sharp shadow on the glossy metal floor, and the faint ring where her toes have just left the surface is still catching the light. Palette of chrome grey, cold cyan, and neon pink against her blonde hair. Awed, weightless wonder.
NOTSTATUS
character: kazama_iroha_(1st_costume)
1girl, solo, full body, kazama iroha \(1st costume\), blonde hair, long hair, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, chest sarashi, sarashi, japanese clothes, haori, black fingerless gloves, skirt, bare legs, bare feet, standing on one leg, tiptoes, leaning forward, arms behind back, head tilt, looking up, wide-eyed, open mouth, :d, futuristic, science fiction, futuristic city, neon lights, holographic displays, transparent panels, metal flooring, from below, wide shot, dutch angle, day
The camera sits low and tilted, looking up from a wide-angle position: one girl, full body in frame from the soles of her feet to the tips of her hair, caught in the middle of a teetering half-step on a future street. She is a young woman with long blonde hair tied in a high ponytail, hair between the eyes, a hairband and hair ornament holding it, and blue-aqua eyes now stretched wide. She is dressed in her traditional outfit — a chest sarashi wrapped tight, a haori over Japanese clothes, a dark skirt, and black fingerless gloves — the old-fashioned cut of it stark against the chrome around her. Her weight is on one barefoot leg, the other lifted with the toes pointed and hovering just off the polished floor, and she leans forward at the waist with both hands clasped behind her back. Her head tilts up and to the side, mouth open in a delighted gasp, gaze fixed on the towering holographic panels overhead. The tilted low angle makes her look small in a very large future: the floor's perspective lines race away behind her, and around her rise glass towers, floating light-signs with illegible characters, and translucent display boards that wash her face in pale blue and pink reflections. The single light source is the hover of neon and screen glow from above, so her upturned face and the front of her haori are lit while the underside of her chin, the hem of her skirt, and the back of her ponytail fall into cool shadow. Her lifted foot casts a small sharp shadow on the glossy metal floor, and the faint ring where her toes have just left the surface is still catching the light. Palette of chrome grey, cold cyan, and neon pink against her blonde hair. Awed, weightless wonder.
NOTSTATUS
character: kazama_iroha_(1st_costume)
1girl, solo, full body, kazama iroha (1st costume), blonde hair, long hair, high ponytail, ponytail, hairband, hair between eyes, hair ornament, blue eyes, aqua eyes, sarashi, chest sarashi, japanese clothes, haori, black haori, skirt, black fingerless gloves, gloves, bare shoulders, standing on one leg, tiptoes, leaning forward, outstretched arm, pointing at viewer, head tilt, one eye closed, grin, looking at viewer, futuristic, science fiction, cityscape, neon lights, holographic displays, flying vehicles, from below, wide shot, dutch angle
The camera sits low and close to the pavement, tilted a few degrees off level so the verticals of the far towers lean, looking up past a single figure framed head to boots in full body. She is caught mid-moment on tiptoe: her weight rides entirely on the ball of her right foot, the left leg lifted and folded back behind her at the knee, toes pointed down and clear of the ground; her torso pitches forward over that supporting ankle, the long black haori swinging away from her back with the lean, its hem lifted and its wide sleeve sliding down her raised arm. That raised right arm reaches up and out toward the lens, elbow locked, black fingerless-gloved hand shaped into a pointing gesture with the index finger extended at the viewer and the other fingers curled; her left hand rests low, knuckles against her hip, gripping the edge of the skirt fabric. Her blonde hair is pulled into a high ponytail cinched by its hairband, the tail swept sideways and floated upward by the drag of her pitch and the updraft off the street, loose strands between her eyes flicking across her brow; the small hair ornament sits above one temple. Her head tips to her left shoulder, chin lifted, one blue eye squeezed shut and the other open and bright, fixed straight down the line of her pointing finger into the viewer, a wide one-sided grin pulling her cheek. The wrap of her chest sarashi and the layered Japanese clothes over the dark skirt are drawn close to her body by the rush of air, cloth edges fluttering.
She stands at the edge of a raised pedestrian walkway in a future city at night: a seamless sweep of pale composite decking in the foreground carrying her single hard cast shadow, low glass parapets, and behind her a canyon of towers of frosted alloy and glass, their facades panelled with cool blue and teal light strips and stacked holographic displays whose signage is soft, illegible glow. Slender flying vehicles cross the gap between buildings as thin bright streaks, their running lights trailing faint motion lines. The light has two directions, both accounted for: a cold cyan-white glow from the tower faces and holo panels behind her rims the edge of her ponytail, her shoulders and the outer line of the raised arm, while a warm amber street lamp below and to her right throws the warmer key across the front of her face, her sarashi and her forward knee. Reflected light from the glass parapet grazes the undersides of her lifted leg and the hem of the haori. Beyond the lamp's reach, the sky between the towers deepens to near-black, and the holographic images double faintly on the polished deck where it is wet. Palette is disciplined: cool cyan and teal from the architecture, warm amber from below, black haori and blonde hair providing the two strongest values between them.
The detail budget concentrates on the gesture — the foreshortened pointing hand, the taut line of the arm, the spread toes of the supporting foot and the compression of the boot sole against the deck — while the distant city is simplified into big shapes and light strata without flattening. Energetic, bright-eyed.
NOTSTATUS
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