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AI artwork featuring #실존인물
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실존인물

#실존인물
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character: kurokawa_akane 1girl, 1boy, 2girls?, no — 1girl 1boy, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, (((((long black coat worn over the dress))))), ((((fur coat)))), sad, sighing, standing, blush, displeased, 1boy, tall man, ugly man, kiss on the lips, brutal kiss, forced kiss, malicious kiss, woman's hands at her sides, holding hands, hand entwined, from side, cowboy shot, profile, closed eyes on the man, looking at another. Seen in profile from a low three-quarter side angle, the two figures fill a narrow vertical frame against a seamless deep-crimson studio ground, the ornate dress and the coarse coat doing all the work. The tall man, broad-shouldered and a full head above her, leans down and in from the right of frame; his heavy jaw is unshapely, his brow ridge blunt, his nose wide and crooked, a coarse stubbled jawline, small deep-set eyes shut as he presses his mouth hard down on hers — a brutal, claiming kiss, his head tilted to force the angle, one big hand clamped at the back of her neck. The woman stands rooted to the left of frame, spine stiff, the enormous puffy skirt of the oversized red and white rococo dress ballooning out and pooling around her feet, so wide it pushes the man's stance outward. The dress is a catastrophe of ornament: tier on tier of white lace frothing at the neckline and cuffs, ruffles stacked in rows down the bodice, bows crowding the waist and hem in red and white satin, glitter fabric flashing under the sequins sewn across the skirt, ridiculous gilt ornaments pinned at random — a tiny carousel, ribbon roses, pearl clusters — all of it gaudy and overdone. At her throat a diamond collar glistens, above it colossal chandelier earrings drag at her lobes, and on her raised left hand (the one the man has caught) a colossal engagement ring rides heavy on her finger; colossal bracelets clink at both wrists. A small tiara sits tilted in her long gradient hair — black at the roots melting into blue, bangs swept over her brow — the gradation catching the light as a single swept mass. Over all of it she wears (((((a long black coat over the dress))))) hanging open to her knees, and its collar rises into ((((a thick fur coat collar))))) that frames her jaw in coarse dark fur. Her blue-and-green heterochromatic eyes are wet and lowered, her cheeks burn with blush, her lips are crushed under his, and her breath escapes as a sad, sighing hush, shoulders sinking. Both her hands hang limp and low at her sides, fingers slack — but the man's free hand reaches down and entwines hard with her right hand, lacing his thick fingers through hers and pinning it against the skirt. His mouth grinds against hers, ungentle; she does not lean in, does not part her lips, her chin pushed back by the force of it. Beyond the figures the seamless ground holds nothing, the light raking from high left so sequins flare and the fur collar throws a soft dark shadow across her collarbone, the man's shadow falling across the white lace at her chest. Quiet violation, gaudy and bleak.
매개변수 표시
원본 프롬프트
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,(((((la chica lleva un abrigo largo negro encima del vestido))))),((((fur coat)))),fur dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 man,tall man,ugly man,kiss in lips,brutal kiss,forced kiss,el hombre besa con maldad a la mujer,la mujer no lo disfruta,las manos de la mujer estan abajo,el hombre entrelaza una mano con la de la mujer
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit,bad kiss
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
bb
character: kurokawa_akane 2girls? no -- 1girl, 1boy, 2 subjects, kurokawa akane, long hair, bangs, multicolored hair, gradient hair, black and blue two-tone hair, blue eye, green eye, heterochromia, enormous breasts, rococo style dress, overly ornate tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy huge oversized long skirt, (((la chica lleva un abrigo negro encima del vestido))), black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, tall man, ugly man, kiss on lips, brutal kiss, forced kiss, malicious kiss, woman not enjoying kiss, turning away, closed eyes, distressed, from side, profile, cowboy shot, dutch angle, dramatic lighting, chiaroscuro, A low three-quarter profile view from slightly below, tilted a few degrees off level, with the two figures filling the frame from mid-thigh up and the huge skirt spilling out of the bottom edge. The woman stands at the left of frame, her weight sunk onto her right leg so her left hip juts and the enormous puffed skirt bulges toward the lower right, its hem lost off-frame; her spine leans back and away, chin pulled to her right, whole torso torqued to escape. The man at the right of frame is a head and a half taller, stooping down and forward over her: his right hand clamps the back of her neck under the fur collar, his left fist bunches the black fur at her shoulder, and his mouth is crushed flat against hers, mashing her lips, his head tilted hard to one side. Her mouth stays compressed and pulled to one corner under his; her eyes are squeezed shut with the brows drawn up and pinched at the center, a shine of tears along the lower lash line, cheeks flushed deep red with blush, and her breath goes out in a thin visible puff from the corner of her mouth, the sigh escaping around the kiss. His eyes are open, narrowed, looking down at her face with a mean curl at one mouth corner. Her hair is long, falling past her shoulders in a black-to-blue gradient -- black at the crown and blue down the lengths -- with a heavy fringe of straight bangs over her brow, some strands crushed between her cheek and his jaw, the ends swinging back from the tilt of her head; one blue eye and one green eye, the blue on the frame-left side. The dress is a rococo explosion in red and white: a tight boned bodice crusted with sequins that throw hard pinpoint highlights, white lace foaming at the neckline in three stacked tiers, absurdly many ribbon bows in alternating red and white stuck at every seam, ruffles pleated so densely they read as a ridge of coral, gilt and paste-jewel ornaments of no consistent design bolted across the front, and a skirt puffed and gathered into a balloon that is wider than she is tall with more lace and bows at the hem. Over all of it she wears a heavy black fur coat, worn open and pushed back off her shoulders so it frames the dress, its thick nap swallowing the light and its collar standing up around her neck and crushed under his hand. A diamond collar rings her throat beneath the fur, above it colossal drop earrings pull at both earlobes, a tiara sits tilted in the black hair at her crown, enormous bracelets of stacked stones weight both wrists, and on her left hand the colossal engagement ring sits as a faceted mass the size of a plum, that hand hanging limp at her side with the fingers slack. The man's face is coarse and heavy-jawed, big nose, broken-veined cheeks, stubble, small wet eyes, greasy dark hair combed back; he wears a plain dark high-collared formal coat, dull and unornamented, so the visual weight sits entirely on her. The light is a single hard warm lamp from high frame-left, off-camera: it rakes the left side of the scene, catching the sequins and the facets of the ring and tiara in bright chips, throwing the man's shadow across her cheek and lighting the rim of the fur, while the right side of the frame and the underside of the skirt fall into deep brown-black. Palette is red and white on her, black in the fur and his coat, and warm skin tones -- nothing else admitted. A few loose sequins have fallen and lie scattered on the front of her skirt, twinkling where the light hits. Oppressive, glittering cruelty.
Brago bloodfallen
AI artwork
bb
character: kurokawa_akane 1girl, 1man, 2girls? no — 2 subjects total, standing, tall man, ugly man, kiss on the lips, brutal forced kiss, man kissing woman with malice, sad, blush, sighing, long hair, bangs, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, from side, cowboy shot, dutch angle, dutch angle, profile, A low three-quarter view from slightly below, tilted a few degrees off level, catches both figures from the hips up, the man on the left and the woman on the right of a wide, empty ballroom floor that recedes into blackness behind them. She stands with her weight sunk into her right hip, left knee bent, shoulders dropped forward, the enormous puffy skirt of the red and white rococo dress ballooning out around her legs and pooling a full arm's length across the floor — the skirt so oversized it dominates the lower half of the frame, layered in tier upon tier of white lace and red ruffles, crowded with too many bows to count, bristling with sequins and ridiculous ornaments and embroidered rosettes and dangling glass beads that catch the light like scattered gravel on the glitter fabric. A black fur coat is thrown over the dress and hangs open off her shoulders, the fur swallowing her upper arms. Her long black-and-blue gradient hair falls past her waist, the black at the crown bleeding into deep cobalt at the tips, blunt bangs cut straight across her brow, and she wears a small glittering tiara set back in the crown of her hair. Her ears drag down under colossal hoop earrings the size of her palm, the lobes pulled visibly long by the weight; oversized bracelets stack and clatter at both wrists, and a colossal engagement ring sits on her left hand, a stone like a knuckled egg that makes her finger look thin. A wide diamond collar rings her throat, each stone set in silver, the lowest point resting in the hollow of her collarbone. Her eyes — the left blue, the right green, both with star-shaped pupils — are wide open and glistening, fixed on nothing, staring past the man's shoulder into empty air. Her cheeks are flushed deep red; her mouth is pushed forward and pressed shut by the man's lips, her jaw slack under the pressure, her chin tipped up and twisted slightly away. One breath escapes from her nose, the fine hairs at her temple stirring faintly. The man is much taller than she is, his head bent down to hers, shoulders hunched forward to close the difference, one hand clamped hard on her upper arm and gripping a fistful of fur coat and sleeve, the other hand splayed at the small of her back and crushing her forward against him, the puffy skirt compressed where her body is pressed against his knee. His face is heavy and coarse — a broad bulbous nose, thick uneven brows, a wide mouth wet with saliva, small deep-set eyes, jowls and a coarse shadow of stubble — and his lips are mashed down over hers, his head turned and working at the kiss, a strong malicious satisfaction folded into the grimace of his pressed-together face. His coat is dark, his posture ugly and proprietary; he says nothing and looks only at her mouth. Light comes from a single high candelabra off frame to the right and slightly behind her, dropping a warm gold rim on her tiara, the crown of her hair, and the tops of the ruffled skirt, and throwing long hard-edged shadow of both bodies off across the polished floor to the left. The rest of the ballroom is dark, swallowed up beyond the skirt's flare. Palette: red, white and black, sequin-glitter silver, the man's coat reduced to black, skin tones warm against the cold dark. His thumb clenches a fold in her sleeve; the fur fibres squeeze into a pale crease where his fingers grip the coat collar; her enormous skirt stays unpressed except where his leg dents it. Cold, sad, sick with ornament.
Brago bloodfallen
AI artwork
eb
character: kurokawa_akane 2 girls, yuri, hug from behind, back hug, kiss on cheek, cheek kiss, standing, sighing, sad, blush, tall woman, ugly woman, tall, mature female, enormous breasts, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair, blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, rococo style, red and white dress, overly ornate tacky dress, overdecorated, excessive lace, excessive ruffles, excessive bows, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, fur dress, fur trim, long black coat, fur coat, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, full body, from side, dutch angle, dim ballroom, chandelier light, ((tall woman)), ((ugly woman)), (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))) From a low three-quarter side angle that tilts slightly off level, two women stand on the scuffed parquet of a dim, cavernous ballroom. The nearer woman, taller by a head and broad-shouldered, is a gaunt, long-faced woman with a heavy jaw, a hooked nose and shadowed eyes — ((ugly woman)), unmistakably ((tall woman)), her height exaggerated by the low camera. She stands planted behind a shorter woman, her arms wrapped around her from behind: her chin rests at the shorter woman's temple, her forearms clamp across her collarbones, her hands clasped flat over her sternum. Her lips are pressed to the shorter woman's left cheek, and her shut eyes and tightened mouth press a soft dent into the flesh. She is draped in a coat of grey-brown fur, its guard hairs catching the light wherever they curve upward. The shorter woman — Akane — stands sagging under the embrace, her weight slumped onto her right hip, her shoulders curled forward inside her coat. Her hair is a long gradient that starts black at the scalp and spills into deep blue at the ends, a full set of bangs sweeping across her forehead and a strand falling between her eyes; her eyes are open only halfway, one blue, one green, with faint star-shaped pupils catching the chandelier light. Her brows tilt up at the inner ends, her blush an edged flush across nose and cheeks, her lips parted on a long exhaled breath, a small puff of air past her teeth. Her own arms hang limp at her sides, the fingers barely curled, her colossal ring dragging the hand slightly downward. She is looking at nothing in the middle distance, off past the frame's left edge, and her downturn is mirrored by the droop of the taller woman's shoulders against her. Over the dress Akane wears a coat of long black wool, its collar turned up, its hem breaking at her mid-calf and parting wide at the front: (((((la chica lleva un abrigo largo negro encima del vestido))))). Beneath and spilling out of it, the dress is red and white in loud panels, rococo in silhouette and ridiculous in degree — a puffed, enormous, floor-swallowing skirt that flares wider than her reach, its white underlayer showing where the red overskirts split. Lace stands in flat stiff tiers at the cuffs and collar, ruffles crowd every seam, ribbons are tied and retied until they read as clutter, and sequins and glitter threads throw scattered pinpricks of light wherever the fabric turns. The ensemble is finished with fur: a coat of ((((fur coat)))) worn over the wool, ticking out at the cuffs, and hem and collar edged in fur dress trim. At her throat a diamond collar lies against the skin above the coat's lapel, its stones bending with her sighing breath. Above it, a small tiara is set back behind her bangs. At the ears, colossal earrings hang in tiers almost to the jaw; at both wrists, colossal bracelets clink loosely over the cuffs; and on her right hand the colossal engagement ring rides so heavy that the finger angles off to the side. All the jewels flash with the same cold white source. Above and behind, a single chandelier provides the only light; it hangs out of frame at upper right, so its brightness rakes from the right side — the right of the taller woman's face is lit and the left is in deep shadow, the earring facets throwing tiny caustics down onto the collar, and across the floor the two merged silhouettes stretch away, soft-edged and long. The room beyond them drops into absolute darkness, and the air smells of dust and old velvet. Overloaded, quietly miserable.
Eris Boreas greyrat
AI artwork
eb
character: kurokawa_akane 1girl, 1old man, 2girls? no — 1girl 1boy, long hair, bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia-tinged blue-green eyes, enormous breasts, rococo style, bride day, wedding day, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, glitter fabric, sequins, red and white dress, fur-trimmed dress, puffy skirt, huge skirt, long skirt, oversized dress, blush, sad, humiliated, not enjoying it, eyes open, hands tied behind back, forced kiss, dipped backward, tall man, old man, man larger than woman, one arm around her waist, standing, dutch angle, cowboy shot, from side, The camera looks slightly up from her right side at a low dutch tilt, so the bride's sinking body slants across the frame from lower left to upper right and the old man's bulk fills the top corner of the shot. She is caught mid-dip: the old man's single arm is clamped around her waist, his big hand flat at the small of her back, pressing her spine into a backward arc so her chest lifts and her huge skirt crater out and spills toward the floor of the empty, candlelit cathedral nave. Her long black-to-blue gradient hair, bangs swept over her brow, swings down past her shoulder in loose coils, the blue ends dragging across the fur-trimmed neckline. Her head tips back into his kiss, and her eyes stay wide open, fixed hard sideways and out past the viewer's shoulder; she is not looking at him, and her blue-green irises catch the candlelight as her brows pinch upward and her mouth is pressed shut under his. The blush sits low on her cheeks. His old, bald-fringed head hides her tiara's front, but the towering silver points still flare above her hair; her colossal earrings hang low, dragging her earlobes; her colossal bracelets clank on the wrists bound behind her back with white satin cord, her forearms hidden behind her own skirt. The dress is the disaster the whole frame turns on: red and white rococo silk, sequined fabric flashing under the flames, lace frothing at every cuff and collar, ruffles stacked in tiered waterfalls, absurd bows bulging at the shoulders and hem, fur trim matted along the neckline and the high collar of the diamond choker biting her throat. The colossal engagement ring sits heavy on her bound finger behind her back. Light comes only from the tall altar candles to the right: warm gold on her cheek and his shoulder, deep shadow pooling under the huge skirt where the fabric touches the cold stone floor, a long shadow cast across the nave's worn tiles. Palette limited to blood red, cream white, candle gold and near-black shadow. Still, ornate, quietly cruel.
Eris Boreas greyrat

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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