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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "test20261030_scrap3_3"
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test20261030_scrap3_3

ts

takahumi Shiozaki

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full body shot, multiple girls, 1 mistress, 3 robot maids, beautiful human faces preserved, mechanical bodies from the neck down, metallic skin, neon accent line body, mechanical circular ear modules, golden skeleton internal frame body, remote control, holding remote control, weapon transformation, verifying weapon performance, transforming, transformation sequence, from below, wide shot, dutch angle, anime illustration, glowing neon, high contrast, dark hangar, volumetric light From a low dutch angle in a vast dark hangar bay, a full-body wide shot frames five figures across a glossy black floor: the mistress at center, leaning slightly back on her right leg while her left foot plants forward, and three transformed maids arranged around her in a loose semicircle. The mistress's face is a flawless beautiful human visage - warm skin, dark eyes, a faint closed-lip smirk of appraisal - but from the jaw down her body is a gleaming golden skeleton-type internal frame: articulated gold ribs, gold vertebrae, gold pelvis struts, gold arm and leg beams with visible joint pivots, all exposed and catching the hangar light in hard metallic highlights. In her right hand she holds a slim black remote control angled toward the viewer, thumb poised over a glowing button; her left hand is raised, fingers spread, as if judging a readout only she can see. Her gaze flicks down toward the weapon glinting at her feet - a transformed maid, now a long spear-blade of brushed steel with a violet neon seam running its length, the maid's face visible at the base of the shaft as a beautiful human face frozen in calm profile, neck-fused to the metal. To the mistress's left, a second maid stands mid-transformation, her exoskeleton locked open like an unlatched cage: a taller build, copper-red plates over a dark chassis, cyan neon lines pulsing along her collarbone and thighs, her human face turned back over her shoulder toward the remote with wide eyes and parted lips. At the far right, a third maid is already a heavy round hammer-head weapon, her face embossed in the center of the striking face, silver chassis with hot pink accent lines, her short bobbed hair visible at the crown of the head. All three maids have mechanical circular ear modules instead of ears - recessed dark discs ringed with thin light. Their faces are all beautiful, all human, all distinct in shape and expression. The floor reflects each figure in a long vertical smear, dimmer and softer than the objects themselves. Overhead strip lights rake down from behind, rimming the golden skeleton in warm fire and leaving their fronts in cool shadow; the neon seams on the maids cast faint colored pools onto the floor. The hangar behind them dissolves into black, broken only by a hint of a golden jet-plane silhouette painted on a distant wall panel. Metallic, ominous.
매개변수 표시
원본 프롬프트
ロボットに改造されたメイドたちと女主人, 女主人の持っているリモコンでメイドは女主人の武器に変形する, メイドによって外部骨格のや変形後の武器の形状が異なる, 女主人はメイドがが変形した武器の性能を確認している, 全員顔は美しい人間のまま, 女主人は顔面以外は金色のスケルトン型の内部骨格に改造されている, 女主人は金色のジェット機に変形できる, メイドたちは全員首から下は機械の体に改造されている, 全員体格や体の色や形状が異なる, metallic skin, neon accent line body, mechanical circular ear modules, 全身ショット,アニメイラスト,女主人とメイドの合体の流れ
모드
pro
크기
768 x 1280
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

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Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.39k

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
18#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#진격의 거인#미카사 아커만
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