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AI art "新山聡美(きものまつり)" featuring #성숙한 여성, #와후쿠, #머리 장식, #오비, #미소, #여러 명의 소녀, #전신, #장식띠, #울려라! 유포니엄, #꽃무늬, #니이야마 사토미 and #좋아하는것을좋아하는대로2

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新山聡美(きものまつり)

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제2회 「좋아하는 작품」 콘테스트

#성숙한 여성 #와후쿠 #머리 장식 #오비 #미소 #여러 명의 소녀 #전신 #장식띠 #울려라! 유포니엄 #꽃무늬 #니이야마 사토미

게시일 Oct 30, 2026

絵知能

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, long hair styled in a chignon, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, A high-quality event scene set at the venue of the "Shiroishi Castle Town Kimono Festival" held in Shiroishi City, Miyagi Prefecture. Against a background of traditional Japanese architecture, women wearing kimono are lined up in a single row, taking a commemorative photo for a glamorous kimono fashion show. The venue is a Japanese-style building using a lot of wood, with thick wooden pillars, dark brown waist-high walls, wooden beams, and tatami-covered floors visible. Behind the women, a long event banner with the name of the festival written in large characters is displayed. The banner features a background based on white and pale purple, with large Japanese characters in black and red, conveying the glamorous atmosphere of a regional traditional event. The banner is treated as part of the background and does not hide the women's faces or kimonos. Multiple women in kimono are lined up in a single row on the screen. The women are dressed in vibrantly colored and elegant Japanese attire, standing to showcase the glamorous patterns of the kimonos, the obis, and the long sleeves. Different colors and patterns appear for each kimono, such as blue, white, pale yellow, purple, and light pink, complementing each other's beauty. The kimonos are delicately decorated with flower patterns such as peonies, chrysanthemums, cherry blossoms, and plums, as well as traditional floral and grass motifs. The obis use colors such as gold, orange, purple, and blue, tied luxuriously yet elegantly. Everyone is facing forward for the event photo, showing bright and natural smiles. For the woman standing in the center, leave the character design, such as facial features and hairstyle, to the character LoRA. The woman in the center is the protagonist of this scene and has a presence that attracts the gaze slightly more than the other participants. The woman faces the camera with a calm, elegant smile. Her posture is a beautiful standing position with her back naturally straight and both feet together and stable. She spreads her arms slightly to the left and right and lightly lifts one sleeve so that the long sleeve of the kimono looks beautiful. She also naturally spreads the other hand, showing the pattern of the sleeve and the beauty of the entire kimono. Her fingertips are naturally aligned, and her wrists and arms are not unnaturally bent. She makes an elegant and modest pose, as if taking a commemorative photo to introduce the kimono. The center woman's kimono is a high-status and calm houmongi suitable for a married woman in her 30s. The base color is an elegant ivory or pale grayish-white, and flowers and plant patterns in purple, light pink, and pale blue-gray are richly depicted from the hem to the chest and sleeves. The fine petal and leaf patterns are delicate, with soft colors spreading on the white ground. The kimono pattern is luxurious but not too flashy, giving a neat and elegant impression. The obi is a high-status fukuro-obi based on pale wisteria or silver-purple, woven with gold threads and delicate traditional patterns. The obijime and obiage are also coordinated in pale purple or white to harmonize with the kimono, and the dressing is neat. The long sleeves spread naturally to the left and right, and beautiful patterns are visible on the inside of the sleeves and the cuffs. On her feet are white tabi and zouri, creating a sense of unity in the overall kimono coordination. The woman's long hair is neatly styled in a chignon, gathered elegantly to suit the kimono. If hair ornaments are added, they should be things that match the atmosphere of the kimono, such as small flower ornaments or modest kanzashi. Western-style accessories such as earrings or necklaces are not prominent, valuing the original beauty of the Japanese attire. The woman's expression is a soft and friendly smile, and her eyes are naturally relaxed. Rather than a tense expression or an exaggerated model pose, the joy of showcasing a splendid kimono at a local festival should be conveyed. To the left and right of the center woman are other participants of the kimono fashion show. The woman on the left pairs a vivid blue kimono with a gold or white obi, with large traditional patterns in black or navy blue depicted on the sleeves and hem. The woman next to her wears a glamorous kimono based on pale cream with orange and gold flower patterns. To the right of the center woman is a woman wearing a purple kimono, and further to the right stands a woman in a kimono based on pale cherry blossom pink or white with large flower patterns. The surrounding women also wear kimonos and obis of different colors and patterns, spreading their sleeves to show the patterns while smiling at the camera. The surrounding women have a slightly more modest presence than the center woman, so that the center woman's face, kimono, and pose naturally stand out as the protagonist. There are about 5 women in total, maintaining a cohesive single row, allowing the full body and kimono patterns of each to be seen. The floor of the venue is covered with tatami, and the boundary between the wooden and stone floors is visible in the front. The wooden stage has the texture of wood used for many years, and a calm dark brown wood grain is visible on the pillars and walls. The banner in the background conveys the liveliness of the festival venue, with large Japanese characters in red and black placed on a whitish background. The characters do not stand out more than necessary and serve as a background that enhances the women's kimono appearance. The roof and beams of the stage are visible at the top, drifting a warm atmosphere typical of a regional traditional event. The camera is placed in front of the women, shooting from a height close to their eye level. It is a wide-angle group photo where the women's full bodies are captured from head to toe, and the shape and patterns of the kimono hems, obis, and sleeves are clearly visible. The center woman is placed almost in the center of the screen, and the participants on the left and right are arranged evenly. The composition is such that the face and kimono of the center woman are particularly easy to see, and the viewer's gaze naturally moves toward the center. The camera is not tilted excessively, maintaining a natural horizontal composition. The heads and feet of the women are not cut off at the edges of the screen, leaving a little margin on the left and right. There are natural differences in the physiques and standing positions of everyone, but it is clear that the center woman is the protagonist. The lighting is centered on natural light entering the Japanese-style indoor venue, with soft light that makes the women's faces and kimonos look bright. The white ground of the kimonos does not blow out, and the delicate flower patterns and fabric textures remain. The colors of the kimonos, such as blue, purple, light pink, orange, and gold, are naturally expressed, and the gold threads and the luster of the obis shine modestly. Skin tones are natural, with soft shading on the faces, and everyone's expressions are easy to see. The wooden background is kept at a slightly subdued brightness so that the kimono figures stand out in the foreground. The image should emphasize natural human bodies, correct kimono structure, realistic obi tying, natural spread of sleeves, delicate Japanese patterns, and the texture of tatami and wood, as if actually photographed at a regional kimono festival. The hems and sleeves of the kimonos hang with natural gravity, and the folds and thickness of the fabric look realistic. The shape of the women's fingers and arms is natural, and the movement of holding the kimono sleeves is not forced. This is a commemorative image of participants in kimono, with the center woman as the protagonist, at the venue of the Shiroishi Castle Town Kimono Festival. Do not add new logos, signatures, or watermarks to the image, making the center woman and the vibrantly colored kimonos the main focus.

新山聡美(きものまつり)

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