서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…
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- 원본 프롬프트
- 萬聖節太空派對，歌德風太空站，無重力，南瓜燈，漂浮糖果，太空派對，萬聖節裝扮，多女，室內，魔女，女木乃伊，女吸血鬼，女惡魔，女殭屍
- 모드
- ultra
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
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gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, multiple girls, halloween space party, space party, halloween costumes, gothic space station interior, indoor, zero gravity, floating, jack-o'-lantern, floating candy, witch, mummy, vampire, demon, zombie, wide-brimmed black hat, pointed hat, black velvet cloak, pleated purple dress, holding broom, broomstick, linen bandages, bandages unwinding, floating bandages, golden eyes, high-collared crimson satin gown, black lace trim, sheer black cape, red lipstick, pale skin, black horns, tight black leather bodysuit, silver studs, spade-tipped tail, greyish-green skin, stitched cheek, tattered white lace victorian dress, from below, dutch angle, wide shot, foreshortening, floating hair, drifting hair, arms out, weightless, looking at another, open mouth, grin, ^ ^, one eye closed, blush, light smile, smug, wide-eyed, depth of field, cinematic lighting
The camera sits low near the deck plating of a gothic space station's vaulted party hall and tilts a few degrees off level, so the whole room leans and the five girls hang above the lens in loose, drifting formation. All five float free of any surface in zero gravity, feet never planted, each body tilted at its own angle with hair and fabric lifting away from the skull and shoulders as though underwater. Occupying the near foreground on the right, seen from below and foreshortened, the witch hangs almost upside-down to the room: her knees drawn up, one ankle crossed over the other, the wide black velvet brim of her hat lifted off her head by a finger's width, her gnarled broomstick floated horizontally beneath her and gripped by both hands, pleated purple skirt billowing out in a stiff bell she has to push down with one palm; she tilts her head back, chin toward the lens, and gives a lopsided smirk with one eye shut, the free hand flicking a small v sign. Above and to her left the mummy spins slowly lengthwise, her tea-stained linen bandages unspooling from one forearm and streaming away in long curling ribbons that drift toward the ceiling, both arms out and floating apart, only her golden eyes bright inside the wrapping, and she looks down past her own unwinding strip at the vampire below her with a wide-eyed stare. The vampire hangs in the middle distance at center-left, upright but leaning back as if seated in an invisible chair, sheer black cape spread behind her like a sheet of dark water, crimson satin gown swelling away from her thighs, both hands lifted and palms out catching nothing, deep red lips parted in an open-mouthed grin as she looks up toward the mummy's unraveling bandage. To the right of her, slightly further back, the demon floats in a slow forward pitch with her long spade-tipped tail curled in a lazy loop around one thigh, curved black horns lifting her fringe off her forehead, silver studs catching the light down the side of her tight leather bodysuit, one arm reaching forward and fingers spread toward a drifting candy as though about to pinch it, tongue peeking between her teeth. Furthest back and highest, near the vaulted window, the zombie drifts with both knees tucked and her tattered white lace dress fanned wide around her, the hem lifting to show the underside, her greyish-green face turned aside and stitched cheek catching the light, blowing a loose strand of hair out of her eyes with a small puffed-cheek pout. A cluster of carved jack-o'-lanterns floats in the gap between them, one near the lens at the lower left, a second drifting above the mummy, a third bumping gently against the zombie's lace hem, and scattered wrapped candies tumble through the whole depth of the frame in every orientation, some close and blurred, some small and sharp.
The station interior is built in pointed gothic arches: black iron ribs run up the walls into a vaulted ceiling, a tall lancet window opens on absolute starless black with pinpricks of distant stars, dark metal gratings and riveted conduit line the floor below, and the only warm light comes from the pumpkin lanterns themselves and from a cold blue strip of ceiling glow. The pumpkin light strikes each girl from below at a raking angle, so the witch's chin and the undersides of her brim are orange and her eye sockets sit in shadow, the vampire's pale throat glows warm while her satin goes nearly black, and the zombie's dangling lace is lit from beneath so the tatters read as separate thin sheets. Candy wrappers flare small orange and violet highlights wherever a lantern passes them, and because nothing is anchored, every loose object casts a shadow that slides across the deck plates rather than resting in place. Completely closed, airtight room; no wind, so the bandages float without fluttering and the hems hang as though suspended in still water. Palette: coal black, cold steel blue, pumpkin orange and candy violet, with the vampire's crimson as the one deep saturated note. Wide angle with real depth, near objects large and soft, far objects small and crisp, gothic decorative arches framing the empty air the girls float in, playful and eerie.
GOG & minimaw
gm
5girls, witch, mummy, vampire, demon, zombie, halloween costume, gothic space station interior, zero gravity, floating, jack-o'-lantern, floating candy, space party, halloween party, indoors, long hair, looking at viewer, wide shot, from below, dutch angle, foreshortening, dynamic pose, arms up, outstretched arm, jumping, floating hair, floating clothes, bodysuit, thighhighs, boots, top hat, horns, tail, bandages, stitches, pale skin, grin, open mouth, :d, one eye closed, wink, smug, blush, depth of field, volumetric light, purple and orange palette, rim light
The camera looks steeply UP through the drifting party from a low corner of the module, tilted a few degrees off level so the station's frames rake diagonally across the frame -- every figure hangs above the lens line, and the vault of the gothic module opens away into black. Five girls float loose in the weightless air of a cathedral-vaulted space-station hall: black iron ribs arc overhead like a reliquary ceiling, riveted dark metal panels between them, two tall lancet viewports at the back filled with starfield and a swollen Halloween-orange nebula, and a broken gravity ring's warning strip pulsing slow violet along the deck handrails, all of it weightless with them -- nothing hangs, nothing settles.
At the upper left the witch tumbles upside-down relative to the room, black velvet pointed hat clamped on with its purple ribbon streaming straight out, flared sleeves and short black skirt billowing as she grips her carved wooden broomstick two-handed across her body with both knees hooked over it like a hobby horse; her boots point at the ceiling, her hair fans out in a dark halo, and she fires a crooked open-mouthed grin and one hard wink down toward the vampire while her free heel kicks loose. To her right the mummy hangs nearly horizontal, unwinding: aged cream linen bandages trail off her forearms and one calf in long slow spirals that curl through the air, her wrap-bound body tilted head-down, and only her eyes show through the wraps -- narrowed, half-lidded, aimed sidelong at the demon's tail with a suspicious stare. Below her the demon is the nearest body to the lens and the most foreshortened, driving up from the bottom of the frame with one studded black-gloved hand thrust toward the viewer, fingers splayed and pointing; red curved horns rise from her forehead, her spade-tipped tail whips behind her like a counterweight, and she twists at the waist in the tight studded black leather bodysuit to look back over her shoulder at the mummy, chin lifted, a smug half-smile pulling one corner of her mouth while her eyes crease with laughter.
On the right the vampire keeps a deliberate, regal stillness against the tumble around her, hovering upright with only her skirt and the lace of her high collar drifting; she wears a red and black Victorian high-collared gown with a lace bodice, long black gloves, and a small black top hat pinned at an angle, and she tilts her chin down at the demon with a cool narrow-eyed stare while one gloved finger taps slowly against her collarbone. The zombie spills in from the far right edge, mid-somersault, pale grey skin catching the rim light, tattered dirt-stained light-blue vintage dress flaring and one mismatched sock stripped half-off her kicking foot, the stitches across her cheek drawn tight by a wide delighted laugh as she looks back at the witch's broomstick with both arms flung wide.
Candy is everywhere in the air, and it is the scene's revealer of which way is down: wrapped caramels, striped hard candies, lollipops and sugar skulls hang motionless in loose clouds, and each one slowly turns about its own center with nothing pulling it any direction. Three carved jack-o'-lanterns float among them, lit from inside -- their cut faces throw orange light up onto the undersides of the girls' chins and onto the iron ribs above them, and where a candy drifts into a pumpkin's glow it glows amber from below and goes dull on top. Black is the ground of the palette, purple is the station's light, orange is the fire in the pumpkins and the nebula in the viewports, and red is reserved for the vampire's gown and the demon's horns; the only other light is a cold violet spill from the warning strips and the thin blue rim along each floating body, and shadows fall only where the pumpkin light is blocked by a body, casting upward.
Framing is a wide shot with a slight fisheye warp at the edges so the iron ribs bend inward, the witch and the vampire read at the top of the diagonal, and the demon's outstretched hand breaks the lens plane in the foreground; the depths between them stay readable, with distant floating candy rendered as small soft bokeh sparks and everything near sharp. Airborne, glittering, effortlessly sinister.
GOG & minimaw
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memento mori 💀
^( aricat )^
11
the angel of divination
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Sleeping with a dragon 🐉
ichikiki
𝄞 ⧽ lingyang ◞ 🌾゛
ichikiki
2#명조
🍷⸝꙳.˖
st4rlight
怖い場所×私のキャラクター
猫 (Cat) . neko_dekoven
Halloween Miku
𝕿𝖃𝕷
🍦🚬
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ִֶָ𓂃 ࣪ ִִ🍂་༘
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7
🦋𑣲𝄞⋆
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cooking competition 🧑🍳
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osmanthus wine ❤︎
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kusuriuri
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જ⁀➣
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2
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
1
frieren 💐
^( aricat )^
High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza,
A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water.
Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
桂
夜間飛行２
桂
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
, painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
PLAY WITH ME?
リオ
character: qiao_ling, copyright: shiguang_dailiren
anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter
foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake
art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight
graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
1
Abby, Rover & Verina • Flower Girl
Lord Potato
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(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
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