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AI artwork featuring #zetaCollab
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planarians

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PixAI × zeta 자캐 콘테스트 2026 #zetaCollab
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1boy, solo, mature male, old man, 60s, muscular, broad shoulders, thick neck, long hair, white hair with black streaks, salt and pepper hair, hair tied back, low ponytail, short chin beard, full plate armor, upper body armor, gold trim, crimson mantle, red cape, gold-trimmed cape, black hakama, metal boots, sabaton, sheathed longsword at waist, scabbard, holding javelin, vertical javelin, long spear, right hand gripping shaft, left hand holding great helm, helm under arm, standing, from below, cowboy shot, dutch angle, dim coniferous forest, dark woods, conifer trunks, mist, low key lighting, dramatic shadow, serious, jitome, looking to the side Low-angle three-quarter view from slightly below his left front, tilted a few degrees off level: an old, heavily built man stands planted in a dark coniferous forest, seen from mid-thigh up, so the armor and the planted spear dominate the frame and the treetops fall away into gloom. His weight rests on his back right leg, left knee eased forward, torso turned a quarter away from the lens and shoulders squared to the spear. His right arm hangs straight down and slightly out from the hip, gloved fingers wrapped around the javelin shaft at hip height, and the roughly 2.5-metre shaft rises perfectly vertical past his shoulder into the canopy; its butt has sunk a finger's width into the needle-covered loam, and the shaft casts a faint vertical shadow band back onto his breastplate. His left arm is bent, the great helm hooked on the crook of his forearm and gripped at its lower rim against his hip, its face opening turned inward toward the armor and the plume-less dome catching a thin edge of sky light. The sheathed longsword rides angled back along his left hip, its scabbard tip just behind his thigh, the pommel level with his belt. Salt-and-pepper hair is gathered at the back of his skull into a low tied bundle, black strands threading the white, a few loose lengths escaping at the temple and stirring in a light draft; his short chin beard is trimmed close to the jaw. His narrow eyes sit in deep weathered folds and look off to his right, past the spear, into the trees rather than at the viewer, though his head is angled enough toward the camera that a scarred, blunt-featured profile of his face is readable. A patch of pale light grazes the top of his left cheekbone while the rest of his face and throat sit in shadow under the helm-line. The plate armor covers his upper body in overlapping lames with gold edging running every plate rim, the metal dull grey with cold highlights along the pauldron and rerebrace; the crimson mantle falls from his shoulders and hangs behind and to his left, its gold-trimmed hem heavy and unstirred at the bottom, its folds a deep blood red where the light fails and brighter where it does not. Below the fauld, wide black hakama pleats break over his stance, and the metal boots are planted flat, their toes scuffed and dark. The forest presses in around him: near trunks of larch and pine with bark ridged and damp on the right foreground, a middle distance of columned trunks fading into fog, and a floor of brown needles and dead branches. One shaft of soft, diffuse light slants down through the canopy from upper right, catching the top of the spear, the gold trim on his left shoulder and a haze of drifting mist; everything outside it goes to cold desaturated green-black. The only sound of air is the slight bend and sway of the far treetops through the fog behind him. Quiet, iron-grey gravity.
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원본 프롬프트
上半身は金色の縁取りのなされた中世ヨーロッパ風のフルプレートアーマーを着ている。フルプレートアーマーには金色の縁取りのついた深紅のマントがついている。下半身は黒い袴を履いている。金属製のブーツを履いている。 60代の、長い、黒髪混じりの白髪を後ろで束ねた髪型の、顎髭が短く生えたガタイのいい男性。 鞘に収めたロングソードを腰に携え、右手で2.5mほどのジャベリンを地面に垂直に持っている。左手にはグレートヘルムを持っている。 薄暗い針葉樹林の中である。
모드
flash
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768 x 1280
프롬프트 도우미

모델 및 LoRA 사용

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AI artwork
p
1boy, solo, older male, old man, burly, muscular, broad shoulders, 60s, short beard, goatee, long hair, tied back hair, white hair with black streaks, salt and pepper hair, full plate armor, upper body armor, gold trim, breastplate, crimson mantle, cape, gold-edged cape, black hakama, metal boots, greaves, medieval helmet, helmet, visor, sheathed sword, scabbard at waist, longsword, javelin, spear, 2.5 meter javelin, holding weapon, right hand gripping shaft, left hand on shaft, both hands on weapon, from below, dutch angle, low camera angle, cowboy shot, dim coniferous forest, deep forest, tall conifer trunks, low key lighting, shaft of light, atmosphere, depth of field, serious, stoic The camera sits low and tilted a few degrees off level, looking up past the man's knees to his helmeted head so the conifer trunks converge above him. He fills the vertical frame as a broad, high-shouldered mass: a burly man in his sixties, weight settled on his left leg with the right hip cocked slightly forward, torso turned a quarter off the lens. The long javelin cuts a diagonal across the composition -- butt end planted low behind his right heel, the 2.5-metre shaft rising past his shoulder and past the top edge of the frame; his right hand grips the shaft at hip height, knuckles wrapped, thumb along the wood, and his left hand rests above it on the same shaft, fingers closed lightly, holding the weapon steady rather than aiming it. A sheathed longsword hangs at his left hip from a baldric, the scabbard crossing slightly behind the tail of the cape as it lies against his thigh. The gold-trimmed medieval European full plate covers his upper body: segmented pauldrons over the shoulders, articulated cuirass, vambraces and gauntlets reading as layered steel, the gold edge running in a continuous band along the plate seams, along the pauldron rims and down the breastplate's ridge. From the shoulders his deep crimson mantle falls back and to the right, gold trim tracing its hem, the fabric pushed outward at one point by the jut of a pauldron. Below the waist the black hakama breaks the metal line, wide pleats hanging heavy over the tops of the steel boots. The medieval helmet closes over his skull and cheeks, a narrow opening leaving only the eyes and the short chin beard visible, the beard jutting below the edge in a blunt triangular tuft; behind the helmet his long white-and-black hair is gathered into a bound tail that lies along his neck and escapes below the helmet's rim on the right. Around him the dim coniferous forest: straight unclothed trunks receding in receding layers, the nearest blurred at the frame's left edge, the far ones losing contrast into cool grey-green murk. A single diffuse shaft of pale light slants down from upper left through the canopy, striking the gold trim of the near pauldron and the top plane of his helmet, leaving the mantle's inside fold and the underside of his jaw in near-black; the forest floor behind him is unreadable. The visible steel reflects cold ambient light on upward faces only and stays dark along vertical ones. Palette: black hakama, cold steel grey, gold accents, a saturated crimson field of cloth, and desaturated forest green. Quiet, heavy, watchful.
planarians
AI artwork
p
1boy, solo, adult male, man in his 60s, burly, muscular build, tall, broad shoulders, long hair, hair tied back, low ponytail, white hair mixed with black hair, streaked silver and jet-black hair, short goatee beard, mature male, weathered face, full plate armor, medieval European plate armor, gold trim on armor, crimson mantle, red cape with gold trim, mantle attached to armor, black hakama, metal boots, holding longsword, sword in right hand, longsword planted in ground, sword tip in earth, standing, from below, low angle, wide shot, looking down at viewer, dim coniferous forest, dark forest, pine trees, spruce trees, mist, low key lighting, cinematic lighting, single light source, cold blue-green palette, gold accents, crimson accents, detailed armor, realistic The camera sits low near the forest floor, tilted up at a broad-shouldered man in his sixties who dominates the frame from below, so the pines lean inward over his shoulders and a narrow strip of dim sky glows behind his head. His weight is settled on his left leg, right hip dropped, torso turned a quarter toward his right so the planted sword is the nearest thing to the lens. Both hands are on the longsword: his right fist grips the leather-wrapped hilt just under the crossguard, knuckles forward, the blade running straight down and its point sunk a hand's depth into the needle-littered earth, and his left hand rests flat over the pommel to steady it, forearm braced, shoulders squared down over the grip. The steel boots are planted wide, toes turned out, the near boot's toe box scuffed dull where it has pushed through the duff. His head is tipped slightly forward, chin low, and his eyes, half-hooded under a heavy brow, look straight down the blade into the camera without warmth. His hair is gathered at the back of his skull in a low tail, silver-white with thick black streaks, a few loose strands pulled free and hanging by his temple and jaw; the short goatee is clipped close around a hard mouth held flat. The full plate armor sheathes him from gorget to fauld in overlapping lames, and every plate edge is banded with gold trim that catches the one light: the pauldrons' layered rims, the vambraces, the breastplate's central ridge. The crimson mantle falls from clasps at both shoulders and pours down his back and right side, its hem and border worked in the same gold, the wool heavy enough to hang in stiff folds rather than flutter. Below the fauld, the black hakama breaks the silhouette into wide, deep-pleated legs that swallow the light, gathered above the metal boots whose plates dull from greave to sabaton. The armor is not mirror-bright: road dust and fine grit sit in the seams, and a faint green-brown film of old weather has settled in the recesses. The single light source is a cold shaft falling through the canopy from the left and behind, so the gold trim ignites along its left-facing edge while the right side of his face and the front of his breastplate fall into deep shadow, and the mantle warms where the beam grazes the crimson. Beyond the shaft the forest goes to near-black: trunks receding in ranks, mist hanging in horizontal bands between them, the ground a carpet of wet needles with a scatter of pale mushrooms at the sword's base. Where the blade enters the earth the needles are pushed into a small raised ring, and a bead of moisture runs down the flat of the steel and stops at the soil line. Palette of cold blue-green shadow, dull steel grey, gold, and one deep crimson, nothing else admitted. Quiet, forbidding.
planarians
AI artwork
p
1man, solo, mature male, old man, 60s, burly, muscular, broad shoulders, long hair, white hair with black streaks, hair tied back, ponytail, short beard, chin beard, full plate armor, upper body armor, gold trim, medieval armor, black hakama, wide-legged trousers, metal boots, sabaton, longsword, sword planted in ground, holding sword, right hand on sword hilt, gripping, standing, weight on one leg, from side, profile, cowboy shot, looking down, half-closed eyes, calm, coniferous forest, dark forest, pine trees, fog, low light, backlight, rim light, depth of field, gold accents, muted palette, quiet severity A lateral view, the camera at chest height and offset to the man's left so his whole right side reads in profile: the long white hair streaked with black gathered at the back of his skull in a tied bundle that runs down between his shoulder blades, the short beard a close-kept dark-flecked wedge along his jaw, his heavy brow and deep-set eye turned down and forward toward the sword's point. He stands with his weight sunk into his left leg, right hip dropped, left knee locked, torso canted slightly forward and shoulders squared but tilted a few degrees off the vertical so the silhouette is not symmetric; his right arm hangs loose and straight down, the fingers of his right hand closed around the longsword's grip just under the crossguard, thumb wrapped over the top, and the blade runs vertically down in front of his right boot with its point buried a palm's depth in the needle litter, a small mound of displaced duff and a scatter of brown needles heaped up around the steel. In the upper body he wears a full plate harness in the medieval European manner, cuirass, pauldrons, rerebraces and vambraces over the burly chest and thick arms, every plate edge and joint bordered with a band of gold that catches one thin line of light along the top of the pauldron and the rim of the breastplate; below the fauld the black hakama falls in stiff wide pleats over his thighs, breaking at the shin where the metal boots take over, the sabatons and greaves dark iron with dull highlights. His left hand rests at his side, fingers half-curled, doing nothing. Behind and around him the dim coniferous forest: tall straight trunks of pine and spruce receding in vertical ranks, lower branches bare and black, the ground a mat of needles and a few pale mushrooms; a cold fog hangs between the trunks in soft horizontal bands, densest at the far distance so the treeline dissolves into grey. The only real light comes from far behind him through the mist, a low pale source that rims the outer edge of the pauldron, the crown of his tied hair and the flat of the blade with a thin silver line while his front stays in shadow; the gold trim is the single warmth in an otherwise cold grey-green and near-black palette, and where the blade meets the earth the wet disturbed needles are darker than the surrounding litter. Muted, severe, quiet.
planarians

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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