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Teodor

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Teodor

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1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, red eyeshadow, lips, freckles, light skin, kitsune, fox ears, dark brown fox ears, white animal ear fluff, no human ears, bare temples, six tails, dark brown tails, claws, sharp fingernails, sweater, oversized cable-knit sweater, dolphin shorts, thigh-highs, white thigh-highs, bedroom, lying down, lying on stomach, one eye closed, looking at viewer, head tilt, from above, close-up, dutch angle, Shot from above at a slight dutch tilt, the camera hovering over the pillow end of a rumpled bed, closing in on one young man sprawled on his stomach across a dark wood bed. He lies diagonally across the mattress, chest and hips pressed down, elbows planted in the duvet with both forearms folded in front of him so his chin could rest near his wrists but doesn't — his head is turned up and back over his right shoulder toward the lens, tilted so the crown of his head points to the lower left corner of the frame. Dark brown hair, very long and curly, spills in loose heavy coils across the pillow, over the mattress edge if it reaches that far, a few ringlets falling across his brow; the curls catch the light in tight spirals around the skull and fan out in a wide dark mass behind him. His fox ears sit on top of his head, tall and dark brown, the inner fluff a starched white that rims each ear; the sides of his head where human ears would be are smooth and bare, with only the cascade of curls covering them. His left eye is squeezed shut into a single curved line, lashes pressed together; his right eye is wide open, glowing orange and lit from within, the slit pupil a narrow black blade down the middle, a crescent of red eyeshadow smoking out past the outer corner. Freckles scatter across the bridge of his nose and both cheekbones, faintly visible through the warmth of the light. His lips are parted in a lazy half-smile, lower lip caught between his teeth just slightly, one corner pulled up higher than the other. His fingers curl over the duvet, claws pushing into the fabric and leaving small dimples in the cloth, the tips of the claws pale against the dark brown and the duvet bunched up under his knuckles. Behind and around him, six dark brown tails fan out in a wide arc across the bed, some draping over the mattress edge and one curling up near his hip; the fur ruffles with a faint static lift where the duvet is disturbed. He wears an oversized cream cable-knit sweater that bunches at his wrists and rides up slightly at the waist, the knit cables heavy and shadowed. Below it, dark grey cotton dolphin shorts with white piping, then white thigh-high stockings pulled up high, a strip of bare thigh between the shorts hem and stocking top. The bed is a real bedroom: a dark wood headboard just visible at the top edge of frame, a pillow crumpled under his chest, a sheet twisted at the foot, and the glow of a small warm lamp from the left edge of frame falling across the mattress. The lamp is the only light source; it lights the left side of his face, the edge of the pillow, the white ear fluff on his left ear, and leaves the right side of his face and the tails falling into shadow. His cast shadow falls away to the right, over the bunched duvet, and the slit of light through the ear fluff glows where it catches. Warm cream, dark brown, white and the orange of his glowing eye — nothing else. Cozy, teasing, lazy afternoon light.
매개변수 표시
원본 프롬프트
Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, claws, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, sweater, thigh-high, bedroom, dolphin shorts, one eye closed, laying dawn,
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.61k

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Avatar image of Teodor
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, slit pupils, one eye closed, fox ears, dark brown animal ears, white ear fluff, kitsune, six tails, dark brown tails, claws, freckles, light skin, red eyeshadow, lips, fangs, sweater, dolphin shorts, thighhighs, lying down, on back, on bed, bedroom, looking at viewer, smirk, half-closed eyes, from above, foreshortening, bed sheet, pillow, warm lamp light An overhead shot looking almost straight down at one boy sprawled on his back across a rumpled bed in a bedroom, the camera tilted hard enough that his head sits near the lower-left of the frame and his bent legs foreshorten toward the upper-right. His head is tipped back into a soft pillow, very long curly dark brown hair fanned out and pooling around his skull in loose coiled strands that spread over the pillowcase and spill a few curls onto the sheet; from above, the top of his head and the full run of the curls are what the frame reads first. Two dark brown fox ears rise from the top of his head, tufted with white fluff inside, both angled back against the pillow with the fluff crushed slightly flat on the side that presses the fabric; the sides of his head where human ears would be are smooth and bare, pale skin running unbroken from temple to jaw. His face turns up toward the lens at a slight tilt: the right eye open and aimed straight at the viewer, glowing orange, the pupil drawn to a fine vertical slit with a hot pinpoint of light in it; the left eye squeezed shut in a closed crescent with the red eyeshadow creased over the lid, the same deep red smeared soft along both lower lash lines and out toward the temples. Freckles scatter across his nose and the tops of his cheeks, a denser band over the bridge. His lips are parted on a lazy lopsided smirk, and one small fang catches the light at the corner of the mouth, a second just visible behind the lower lip. Both arms are flung up loose beside his head, elbows bent, and his clawed fingers curl against the pillow with the pointed tips denting the fabric; the claws are dark and glossy where the lamplight hits their edges. He wears a soft loose sweater whose collar has slipped off one shoulder, the knit bunching in folds under his armpits and riding up to bare a strip of his stomach and hip above the shorts. Dolphin shorts sit low on his hips with the pale piping running along the hem, one leg hiked up so the shorts wrinkle across the crotch of the fabric. Thigh-high socks climb both legs and stop with a soft elastic squeeze line pressed into the thigh; one knee is raised, the other leg laid long across the mattress, and the sock on the raised leg has a small roll at the top where it has slipped. Six dark brown fox tails fan out beneath and around him across the bed, thick and heavy, the largest sweeping off the mattress edge at the lower right, the others curled between his legs and over the sheet, their fur flattened where his back and hips pin them down and the tips bunching against the duvet. The bed's sheet is creased into deep troughs under his weight, the pillow dented in a bowl around his head, and one corner of the bedding has been dragged loose. The room reads as a small bedroom seen from above: a wooden nightstand at the left edge with a lit lamp, a section of headboard behind the pillow, an unmade duvet piled at the foot of the bed, a rug and the toe of a dresser in the far corner. The lamp on the nightstand is the only light source; it throws a warm low pool across the near side of his face, the ear fluff and the raised knee, and the far side of his body and the corners of the room fall into soft deep shadow, with the shadow of his head and ears cast long and soft across the pillow to the right. Palette held to warm amber light, cream bedding, deep chocolate brown in hair, ears and tails, orange and hot red at the eyes and lids, and pale skin as the brightest note. Mischievous, drowsy warmth.
Teodor
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Avatar image of Teodor
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, kitsune, fox ears, dark brown fox ears, white ear fluff, no human ears, smooth sides of head, claws, sharp claws, freckles, light skin, red eyeshadow, lips, sweater, oversized knit sweater, dolphin shorts, thigh-highs, bedroom, one eye closed, wink, from above, looking up at viewer, head tilt, sitting on bed, knees up, arm support, leaning back on one hand, dark brown tails, six tails, six dark brown fluffy tails, tail fluff, cozy, warm lamp light The camera looks down from above at a boy sitting on a bed in a small bedroom, one knee drawn up, the other leg folded under him, his weight propped on one straight arm planted behind his hip so his chest leans back and his shoulders sit open. Dark brown curly hair, very long and heavy with its own weight, spills over the pillow behind him and pools in loose spirals across the duvet, a few strands stuck flat to the damp of his temple. His head tilts up toward the lens, one eye shut in a wink with the corner of that brow pushed up, the other eye wide open and glowing orange with a hard vertical slit pupil that throws a thin amber rim of light onto the skin beneath it; red eyeshadow smudges the shut lid and the open one alike, and his lips are parted on a small lopsided smirk, a scatter of freckles crossing his nose and both cheeks. Atop his head sit two dark brown fox ears, tall and upright, each inner edge lined with a dense tuft of white fluff; the sides of his head are smooth and unbroken where human ears would sit, with nothing there at all. Six dark brown tails fan out behind and around him across the mattress, three curling to the left past his hip to hang over the bed edge, two sweeping up behind his shoulder, one draped forward across his shin so the tip rests near his knee; the fur is deep chocolate brown with faint paler banding on the last third of each tail. His propped hand presses into the mattress, fingers spread and the sheets creasing into a shallow dent around them, and the black curved claws on those fingertips catch the lamp light along their edges; his other hand rests open on his raised knee, claws tucked against the knit of the sweater sleeve. The sweater is a thick oatmeal knit, oversized, its collar loose and slipping to bare the point of one collarbone, its cuffs swallowing his wrists, its hem bunching over the waistband of soft black dolphin shorts with their short curved side slits. Dark charcoal thigh-highs rise to mid-thigh, the knit stretched thin and slightly see-through over the front of his knee, the elastic cuff pressing a faint band into the skin of his leg. The room is a real bedroom around him: an unmade duvet, a pillow against the headboard, a wooden nightstand at the left edge of the frame holding the single warm lamp that lights the scene, and a curtained window beyond it where the night outside stays a flat cool blue. The lamp is the only light source; it stands low and to the left, so the light climbs his face from below-left, catches the white ear fluff and the claw tips, and lets the far side of his jaw and the deep interior of the curled hair fall into soft brown shadow, with his long dark shadow and the shadows of three tails thrown across the duvet toward the right edge of the frame. Palette of warm honey and dark chocolate against the cold blue window and the oatmeal knit. The bedspread dips under his propped palm while the mattress bulges up beside it, quiet and cozy.
Teodor
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Avatar image of Teodor
1boy, solo, dark brown hair, very long hair, curly hair, messy curly hair, orange eyes, glowing eyes, glowing orange eyes, slit pupils, kitsune, fox ears, dark brown animal ears, white animal ear fluff, fluffy ear interiors, no human ears, bare human ear position hidden by ear fluff, six tails, dark brown tails, multiple tails, fluffy tails, claws, sharp fingernails, fangs, freckles, light skin, red eyeshadow, lips, sweater, oversized knit sweater, dolphin shorts, thigh-highs, thighhighs, bedroom, laying down, lying on side, one eye closed, looking at viewer, smirk, from above, dutch angle, close-up, bed, pillow, blanket, warm lamp light The camera looks down from above at a slight dutch tilt, tight on the boy's upper body and face where he lies on his side across a rumpled bed in a small bedroom. His head rests on a squashed pillow, one cheek pressed into it, so the pillow fabric dents under his jaw and his very long curly dark brown hair spills out in loose ringlets that coil across the pillowcase and tumble off the mattress edge in one dark mass. Both fox ears stand up from the crown of his head, dark brown fur with thick white fluff filling the insides, and the fluff hides the sides of his head where human ears would sit — the head carries only the two fox ears, nothing else. His glowing orange eyes are half-lidded with the near one shut in a wink, the open eye throwing a faint warm glow onto the pillow and the bridge of his nose; the slit pupils are narrow vertical bars. Red eyeshadow smears soft and warm across both lids, his lips are full and parted, and one sharp fang shows at the corner of the smirk he aims up at the lens. Freckles scatter across his light-skinned nose and cheeks. One arm is folded under the pillow, the other hand rests loose on the blanket beside his chin with claws curling out of the fingertips and catching a thin highlight. The oversized knit sweater bunches and rides up around his ribs, its cable texture stretched by the twist of his shoulders; below it the dolphin shorts show at his hip, and one thigh-high sock pulls taut over the bent knee drawn up toward his chest, its ribbed cuff pressing a faint line into the skin above it. Behind him, six dark brown tails fan out and drape across the mattress and over the footboard, one tail tip flicking up against the nightstand. A single warm bedside lamp on the right is the only light source: it rakes across the pillow from the side, glows orange in his open eye, and leaves the far side of the room deep in shadow. Palette of deep browns, warm amber and cream against the cool grey-blue of the bedsheets. Intimate, sleepy and mischievous.
Teodor

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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#카가미네 린#보컬로이드#로파이(Lofi) 드림
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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