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AI artwork featuring #주술회전 and #젠인 마키
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젠인 마키, 주술회전

#주술회전#젠인 마키
Avatar image of James Ricks

James Ricks

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character: zen'in_maki 1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field, The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights. The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
매개변수 표시
원본 프롬프트
1girl Maki Zenin wearing short skirt nurse outfit with leggings
모드
flash
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1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.66k

비슷한 작품

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AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field, The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights. The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field, The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights. The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
#주술회전#젠인 마키
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, zenin maki, green hair, short hair tied in a high ponytail, long ponytail falling past the shoulder, yellow eyes, narrow sharp eyes, glasses, short skirt nurse outfit, white nurse dress, short-sleeved white dress with pale blue trim, short flared skirt ending high on the thigh, black leggings, full-length opaque black leggings under the skirt, white nurse cap, standing, from below, low angle, looking down at viewer, one hand on hip, other hand holding a clipboard against her chest, head tilted, raised eyebrow, lopsided smirk, half-closed eyes, leaning weight on one leg, crossed legs at the ankle, nurse outfit, short skirt, leggings, cowboy shot, dutch angle, hospital corridor, cool light, night, depth of field, The camera sits low, near hip height, tilted a few degrees off level, looking up at a single woman who fills the right two-thirds of the frame in a cowboy shot cut just below the knee. She stands with her weight loaded onto her left leg, right ankle crossed loosely in front of it so the toe of her white shoe rests on the linoleum, left hip pushed out and the short flared skirt swinging a half-step behind the motion of her turning toward the lens. Her black leggings run unbroken from under the white hem to her ankles, the fabric catching a soft sheen down the front of each shin and gathering in faint horizontal creases at the knees. Her right hand is planted flat on her hip, thumb hooked over the waistband of the skirt; her left forearm crosses her chest and her fingers curl over the bottom edge of a clipboard pressed against her sternum, the clip glinting. The short-sleeved white dress has pale blue piping at the collar and cuffs, a shallow V at the throat left open and bare with nothing at her neck, and a breast pocket holding a capped pen. Her white nurse cap sits tilted back on her head, pushed slightly off-center by the high green ponytail that sweeps up and back from her crown and falls long past her shoulder, a few loose strands catching the light. Her chin is dropped so she looks down her nose at the viewer, one eyebrow lifted higher than the other, one corner of her mouth pulled up in a lopsided smirk, eyelids half lowered, and the flat lenses of her glasses throw two small pale reflections of the corridor lights. The setting is a hospital corridor at night, seen from floor level: the linoleum recedes past her into darkness, the green stripe along the wall runs as a leading line from the lower right corner toward her feet, and a row of ceiling fluorescent panels behind her head glows cold white, the nearest tube flaring into a soft veil of bloom that rims the top of her cap and the crown of her ponytail. That ceiling row is the only light source; her body blocks it from the floor so she casts a long hard-edged shadow that stretches toward the lower left of the frame, and the corridor beyond her falls off into an unlit blue-black. The light is cold and slightly green, and it lands on the upward-facing plane of her cap, the tops of her shoulders and the front of her skirt, while the undersides of her chin and skirt hem stay in shadow. Palette is white, black, cool green and pale blue, nothing else admitted: white in the dress and cap, black in the leggings and the shadow, green in her hair and the wall stripe, blue in the trim and the shadowed linoleum. The low lens exaggerates the length of her legs and the lean of her stance, and the angle makes her fill the frame from below like a figure stepping over the viewer. Quiet, sly, effortlessly cool.
James Ricks
#주술회전#젠인 마키
AI artwork
Avatar image of James Ricks
character: zen'in_maki 1girl, solo, zen'in maki, green hair, short hair, ponytail, yellow eyes, glasses, short nurse outfit, nurse cap, white dress, short sleeves, leggings, black leggings, standing, contrapposto, hand on hip, other hand holding clipboard, looking at viewer, half-closed eyes, smug, from below, cowboy shot, dutch angle, hospital corridor, window light, cool palette, Low-angle cowboy shot tilted slightly off level: a young woman with short green hair pulled into a high ponytail, yellow eyes behind thin-rimmed glasses, stands in a hospital corridor and looks down at the viewer over the rim of those glasses with a half-lidded, lopsided smirk — one brow arched higher than the other. Her weight rests on her left leg, right knee relaxed and slightly forward, hip cocked; her left hand is planted flat on her hip, fingers spread over the fabric of a short white nurse dress with short puff sleeves and a small white nurse cap pinned into the green hair, while her right hand holds a clipboard flat against her thigh, its corner pressed into the black leggings that run in an unbroken matte column from under the hem down out of the bottom of the frame. The ponytail hangs over her right shoulder and its tip swings slightly forward, and the dress hem lifts a little at the hip where her hand pushes it. She is the only figure in the frame. Behind her the corridor recedes in perspective, doors and a handrail shrinking toward a bright window at the far end; that window is the only light source, cold daylight raking in from behind and the right so it rims the edge of her ponytail and the cap, and her face reads in soft reflected fill while her shadow falls long and slightly sideways across the glossy floor toward the camera. The palette stays clinical — white, black and green with a cold blue-grey cast — and the only warm notes are her yellow eyes and a faint flush at her cheeks. Quietly commanding.
James Ricks
#주술회전#젠인 마키

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
3#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
20#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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