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AI artwork featuring #탕탕의 귀환
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ki11 yukii

참가 작품
청파채의 큰 두목, 다시 등장이다!#탕탕의 귀환
k1

ki11 yukii

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(character:tangtang_(arknights):1.5), copyright: arknights (masterpiece, best quality, highres:1.2), (1girl, solo focus:1.5), red hair, messy hair, yellow eyes, beautiful face, bright smile, looking down at viewer, (wild girl:1.3), (unaware of exposure:1.6), (POV from below, extreme low angle:1.6), from below, foreshortening, looking down, (sitting on the edge of a high wooden platform:1.5), (leaning forward:1.4), (swinging legs:1.3), (white loose tank top:1.5), (neckline gaping open due to gravity, visible cleavage:1.6), (loose short shorts:1.6), (shorts riding up, upskirt view:1.5), (bare legs, thigh strap:1.4), (boots:1.2), (perfect hands, delicate fingers:1.3), hands on knees, thigh strap on left thigh, (qingbo stronghold background, tropical plants, wooden structures:1.4), (clear blue sky:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), flat color, no gradients, sharp shadowless edges The camera sits far below the platform and tilts steeply up: an extreme low angle that sends the high wooden deck's underside raking across the top of the frame in hard diagonal beams, the girl perched on the lip of the plank directly overhead, so her boots and swinging shins hang closest to the lens and her torso recedes upward in foreshortening. She leans forward off the edge, spine pitched toward the viewer, both palms planted flat on the plank on either side of her hips, delicate fingers spread and pressed into the pale grain — knuckles clean, nail beds neat, no smudges or calluses — and her weight rides on those hands and on the fronts of her thighs rather than her seat. Below the plank her bare legs dangle into open air, one knee slightly higher than the other, calves swinging in opposite phase so the boots with their laces trailing cut small arcs against the sky; a single thigh strap cinches the left thigh, its buckle catching the light on a flat plane. The loose white tank top hangs off her shoulders, and because she leans forward gravity pulls the neckline straight down and away from her chest, opening a wide dark gap of visible cleavage; the fabric drapes in straight unmodeled folds with no falloff of tone. The loose short shorts bunch and ride up at the hip and crease deep at the crotch, the hem lifted by the angle so the undercurve reads, the fabric's inner seam visible as a single crisp line. Her messy red hair is a wind-tossed tangle, strands flipping up and lifting at the crown and a stray spike flicking out past her left temple, unbrushed and full of gaps, and the sunlight lands flat on its surface as one unbroken red. Her yellow eyes are wide and bright, fixed directly on the viewer below, chin tipped down so she looks straight into the lens; the corners of her mouth pull up into a broad open grin with the upper teeth showing and a crease at each cheek, brows high and easy, entirely at ease — she has no idea of the view the angle gives, no hand moving to cover anything, no glance spared for her own neckline. Behind and around her the stronghold stacks up: dark wooden posts and railings and a plank walkway angling off to the right, wide tropical fronds — banana leaves and palm fans — pushing in from the left and lower background, a thick green plane that frames her silhouette, all of it rendered as pure flat color without a single shadow. The clear blue sky fills the upper field in one solid ungraded blue; the only thing in the picture that behaves like real light is the shade: the plank edge hides the sky from nothing, so no cast shadow falls across her face or legs, and the wooden underside overhead stays the same flat brown as the top of the planks. Palette held to red hair, white top, warm tan wood, saturated leaf green and one unbroken sky blue, color separated by thick black contour lines only. Sunny, carefree.
매개변수 표시
원본 프롬프트
(masterpiece, best quality, highres:1.2),(pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5),(tangtang (arknights):1.5), (red hair, messy hair, yellow eyes, beautiful face), (wild girl:1.3),(bright smile, looking down at viewer, (unaware of exposure:1.6)),(1girl, solo focus:1.5), (POV from below, extreme low angle:1.6), (sitting on the edge of a high wooden platform:1.5), (swinging legs:1.3), (leaning forward:1.4),(white loose tank top:1.5), (neckline gaping open due to gravity, visible cleavage:1.6),(loose short shorts:1.6), (shorts riding up, upskirt view:1.5), (bare legs, thigh strap:1.4), (boots:1.2),(qingbo stronghold background, tropical plants, wooden structures:1.4), (clear blue sky:1.2),(perfect hands, delicate fingers:1.3)
모드
flash
크기
864 x 1152
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.70k

비슷한 작품

자세히 보기
AI artwork
k1
(character:tangtang_(arknights):1.5), copyright: arknights (masterpiece, best quality, highres:1.2), (1girl, solo focus:1.5), red hair, messy hair, yellow eyes, beautiful face, bright smile, looking down at viewer, (wild girl:1.3), (unaware of exposure:1.6), (POV from below, extreme low angle:1.6), from below, foreshortening, looking down, (sitting on the edge of a high wooden platform:1.5), (leaning forward:1.4), (swinging legs:1.3), (white loose tank top:1.5), (neckline gaping open due to gravity, visible cleavage:1.6), (loose short shorts:1.6), (shorts riding up, upskirt view:1.5), (bare legs, thigh strap:1.4), (boots:1.2), (perfect hands, delicate fingers:1.3), hands on knees, thigh strap on left thigh, (qingbo stronghold background, tropical plants, wooden structures:1.4), (clear blue sky:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), flat color, no gradients, sharp shadowless edges The camera sits far below the platform and tilts steeply up: an extreme low angle that sends the high wooden deck's underside raking across the top of the frame in hard diagonal beams, the girl perched on the lip of the plank directly overhead, so her boots and swinging shins hang closest to the lens and her torso recedes upward in foreshortening. She leans forward off the edge, spine pitched toward the viewer, both palms planted flat on the plank on either side of her hips, delicate fingers spread and pressed into the pale grain — knuckles clean, nail beds neat, no smudges or calluses — and her weight rides on those hands and on the fronts of her thighs rather than her seat. Below the plank her bare legs dangle into open air, one knee slightly higher than the other, calves swinging in opposite phase so the boots with their laces trailing cut small arcs against the sky; a single thigh strap cinches the left thigh, its buckle catching the light on a flat plane. The loose white tank top hangs off her shoulders, and because she leans forward gravity pulls the neckline straight down and away from her chest, opening a wide dark gap of visible cleavage; the fabric drapes in straight unmodeled folds with no falloff of tone. The loose short shorts bunch and ride up at the hip and crease deep at the crotch, the hem lifted by the angle so the undercurve reads, the fabric's inner seam visible as a single crisp line. Her messy red hair is a wind-tossed tangle, strands flipping up and lifting at the crown and a stray spike flicking out past her left temple, unbrushed and full of gaps, and the sunlight lands flat on its surface as one unbroken red. Her yellow eyes are wide and bright, fixed directly on the viewer below, chin tipped down so she looks straight into the lens; the corners of her mouth pull up into a broad open grin with the upper teeth showing and a crease at each cheek, brows high and easy, entirely at ease — she has no idea of the view the angle gives, no hand moving to cover anything, no glance spared for her own neckline. Behind and around her the stronghold stacks up: dark wooden posts and railings and a plank walkway angling off to the right, wide tropical fronds — banana leaves and palm fans — pushing in from the left and lower background, a thick green plane that frames her silhouette, all of it rendered as pure flat color without a single shadow. The clear blue sky fills the upper field in one solid ungraded blue; the only thing in the picture that behaves like real light is the shade: the plank edge hides the sky from nothing, so no cast shadow falls across her face or legs, and the wooden underside overhead stays the same flat brown as the top of the planks. Palette held to red hair, white top, warm tan wood, saturated leaf green and one unbroken sky blue, color separated by thick black contour lines only. Sunny, carefree.
ki11 yukii
#탕탕의 귀환
AI artwork
k1
(character:tangtang_(arknights):1.5), copyright: arknights (masterpiece, best quality, highres:1.2), (1girl, solo focus:1.5), red hair, messy hair, yellow eyes, beautiful face, bright smile, looking down at viewer, (wild girl:1.3), (unaware of exposure:1.6), (POV from below, extreme low angle:1.6), from below, foreshortening, looking down, (sitting on the edge of a high wooden platform:1.5), (leaning forward:1.4), (swinging legs:1.3), (white loose tank top:1.5), (neckline gaping open due to gravity, visible cleavage:1.6), (loose short shorts:1.6), (shorts riding up, upskirt view:1.5), (bare legs, thigh strap:1.4), (boots:1.2), (perfect hands, delicate fingers:1.3), hands on knees, thigh strap on left thigh, (qingbo stronghold background, tropical plants, wooden structures:1.4), (clear blue sky:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), flat color, no gradients, sharp shadowless edges The camera sits far below the platform and tilts steeply up: an extreme low angle that sends the high wooden deck's underside raking across the top of the frame in hard diagonal beams, the girl perched on the lip of the plank directly overhead, so her boots and swinging shins hang closest to the lens and her torso recedes upward in foreshortening. She leans forward off the edge, spine pitched toward the viewer, both palms planted flat on the plank on either side of her hips, delicate fingers spread and pressed into the pale grain — knuckles clean, nail beds neat, no smudges or calluses — and her weight rides on those hands and on the fronts of her thighs rather than her seat. Below the plank her bare legs dangle into open air, one knee slightly higher than the other, calves swinging in opposite phase so the boots with their laces trailing cut small arcs against the sky; a single thigh strap cinches the left thigh, its buckle catching the light on a flat plane. The loose white tank top hangs off her shoulders, and because she leans forward gravity pulls the neckline straight down and away from her chest, opening a wide dark gap of visible cleavage; the fabric drapes in straight unmodeled folds with no falloff of tone. The loose short shorts bunch and ride up at the hip and crease deep at the crotch, the hem lifted by the angle so the undercurve reads, the fabric's inner seam visible as a single crisp line. Her messy red hair is a wind-tossed tangle, strands flipping up and lifting at the crown and a stray spike flicking out past her left temple, unbrushed and full of gaps, and the sunlight lands flat on its surface as one unbroken red. Her yellow eyes are wide and bright, fixed directly on the viewer below, chin tipped down so she looks straight into the lens; the corners of her mouth pull up into a broad open grin with the upper teeth showing and a crease at each cheek, brows high and easy, entirely at ease — she has no idea of the view the angle gives, no hand moving to cover anything, no glance spared for her own neckline. Behind and around her the stronghold stacks up: dark wooden posts and railings and a plank walkway angling off to the right, wide tropical fronds — banana leaves and palm fans — pushing in from the left and lower background, a thick green plane that frames her silhouette, all of it rendered as pure flat color without a single shadow. The clear blue sky fills the upper field in one solid ungraded blue; the only thing in the picture that behaves like real light is the shade: the plank edge hides the sky from nothing, so no cast shadow falls across her face or legs, and the wooden underside overhead stays the same flat brown as the top of the planks. Palette held to red hair, white top, warm tan wood, saturated leaf green and one unbroken sky blue, color separated by thick black contour lines only. Sunny, carefree.
ki11 yukii
#탕탕의 귀환
AI artwork
k1
(character:tangtang_(arknights):1.5), copyright: arknights (masterpiece, best quality, highres:1.2), (1girl, solo focus:1.5), red hair, messy hair, yellow eyes, beautiful face, bright smile, looking down at viewer, (wild girl:1.3), (unaware of exposure:1.6), (POV from below, extreme low angle:1.6), from below, foreshortening, looking down, (sitting on the edge of a high wooden platform:1.5), (leaning forward:1.4), (swinging legs:1.3), (white loose tank top:1.5), (neckline gaping open due to gravity, visible cleavage:1.6), (loose short shorts:1.6), (shorts riding up, upskirt view:1.5), (bare legs, thigh strap:1.4), (boots:1.2), (perfect hands, delicate fingers:1.3), hands on knees, thigh strap on left thigh, (qingbo stronghold background, tropical plants, wooden structures:1.4), (clear blue sky:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), flat color, no gradients, sharp shadowless edges The camera sits far below the platform and tilts steeply up: an extreme low angle that sends the high wooden deck's underside raking across the top of the frame in hard diagonal beams, the girl perched on the lip of the plank directly overhead, so her boots and swinging shins hang closest to the lens and her torso recedes upward in foreshortening. She leans forward off the edge, spine pitched toward the viewer, both palms planted flat on the plank on either side of her hips, delicate fingers spread and pressed into the pale grain — knuckles clean, nail beds neat, no smudges or calluses — and her weight rides on those hands and on the fronts of her thighs rather than her seat. Below the plank her bare legs dangle into open air, one knee slightly higher than the other, calves swinging in opposite phase so the boots with their laces trailing cut small arcs against the sky; a single thigh strap cinches the left thigh, its buckle catching the light on a flat plane. The loose white tank top hangs off her shoulders, and because she leans forward gravity pulls the neckline straight down and away from her chest, opening a wide dark gap of visible cleavage; the fabric drapes in straight unmodeled folds with no falloff of tone. The loose short shorts bunch and ride up at the hip and crease deep at the crotch, the hem lifted by the angle so the undercurve reads, the fabric's inner seam visible as a single crisp line. Her messy red hair is a wind-tossed tangle, strands flipping up and lifting at the crown and a stray spike flicking out past her left temple, unbrushed and full of gaps, and the sunlight lands flat on its surface as one unbroken red. Her yellow eyes are wide and bright, fixed directly on the viewer below, chin tipped down so she looks straight into the lens; the corners of her mouth pull up into a broad open grin with the upper teeth showing and a crease at each cheek, brows high and easy, entirely at ease — she has no idea of the view the angle gives, no hand moving to cover anything, no glance spared for her own neckline. Behind and around her the stronghold stacks up: dark wooden posts and railings and a plank walkway angling off to the right, wide tropical fronds — banana leaves and palm fans — pushing in from the left and lower background, a thick green plane that frames her silhouette, all of it rendered as pure flat color without a single shadow. The clear blue sky fills the upper field in one solid ungraded blue; the only thing in the picture that behaves like real light is the shade: the plank edge hides the sky from nothing, so no cast shadow falls across her face or legs, and the wooden underside overhead stays the same flat brown as the top of the planks. Palette held to red hair, white top, warm tan wood, saturated leaf green and one unbroken sky blue, color separated by thick black contour lines only. Sunny, carefree.
ki11 yukii
#탕탕의 귀환
AI artwork
r4
artist: ratatatat74 1girl, solo, looking at viewer, yellow eyes, sharp eyes, long hair, voluminous hair, red hair, black highlights, streaked hair, beautiful face, curvy silhouette, slim waist, wide hips, thick thighs, oversized t-shirt, short sleeves, denim shorts, cutoff shorts, white outline, rim lighting, volumetric lighting, light rays, sunbeams, cinematic perspective, from below, cowboy shot, depth of field, urban ruins, crumbling concrete, rusted metal, industrial machinery, sharp cel shading, high contrast Framed from a dynamic low-angle cowboy shot, a lone young woman stands poised amidst the sprawling decay of overgrown urban ruins. She possesses a distinctly curvy silhouette defined by a narrow waist, generous bust, and wide hips that lead into shapely thighs framed by raw-hemmed blue denim cutoff shorts. Draped over her torso is an oversized, loose-fitting neutral cotton t-shirt that hangs softly over her chest and falls loosely toward the mid-thigh, keeping her neck bare and her ears completely unadorned. Her left thumb hooks casually into the waistband of her denim shorts, shifting her weight onto her left hip, while her right arm hangs naturally by her side with fingers lightly curved. Her long, remarkably voluminous fiery red hair is interwoven with bold black highlights, spilling around her shoulders and billowing slightly in an ambient current of air. Her gaze locks directly onto the viewer with sharp, radiant yellow eyes, accompanied by a subtle, confident half-smile across her beautifully sculpted face. A crisp, graphic white outline neatly traces the outer contours of her silhouette, distinguishing her cleanly from the background. Behind her, collapsed reinforced concrete walls, exposed industrial conduits, and giant rusted gears recede into a shallow depth of field. Intense volumetric backlighting pierces through fractured roof slabs, sending luminous golden rays across the space; suspended dust motes visibly drift only within the lit columns of air, while the girl's form casts a long, sharp cel-shaded shadow forward onto the cracked stone floor. Electric and effortlessly confident.
rahh4

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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