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顧惟淵

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顧惟淵

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character: izumida_touichirou, copyright: yowamushi_pedal 1boy, male focus, solo, full body shot, front-facing parallel view, standing facing viewer, from front, eye-level parallel camera, sanpaku eyes, dark brown eyes, black hair, short choppy hair, shaved short at sides, lean toned muscular build, well-defined muscle lines, visible collarbone, pecs, defined pectoral muscles, biceps, shirtless, bare upper body, black and blue cycling shorts, bike pants, looking at viewer, smirk, bad-boy grin, showing teeth, grin, sunlight, sitting upright on road bicycle, road bike, straddling top tube, hands gripping drop handlebars, cycling grip, outdoors, empty sunlit asphalt road, deep blue sky, lens flare, sharp focus, highres, depth of field, masterpiece, best quality, extremely detailed face, intricate eyes A full-body eye-level parallel shot, the camera dead square to a lean, wiry-muscular young man who straddles the top tube of a black road bike, everything in crisp focus down to the pedals. He faces the viewer head-on with no turn: torso upright, spine lengthened, both thighs clamping the frame, right foot clipped onto the lower pedal and left foot flat at the bike's base, his weight settled slightly onto the right hip so the abdominals pull in a single diagonal, both arms extended and hands wrapping the drop handlebars with the fingers closed over the hoods. Bare-chested, the sun cuts from high front-left, so hard white highlights run along the collarbones, the ridge of each pectoral, the outer curve of both biceps and the seam of the deltoids, while the underside of the pecs, the dip beneath the ribs and the shadowed line of the obliques stay in cool dark. The black-and-blue cycling shorts cling at hip and thigh, their blue side panels stretched taut where his thigh presses the top tube, their black fabric taking a dull sheen. Short, choppy black hair sits close to the skull, bristly at the shaved temples, uneven tufts lifting slightly in the breeze; the eyes are dark brown with visible sclera above and below the irises, an upward flick at the outer corners, and the brow is drawn tight with one side raised a fraction. The mouth is a slanted bad-boy grin that bares the upper teeth on the right side; the gaze aims straight down the lens and holds it. The bike is the only prop: black frame, thin tires, glinting spokes, brake cables arcing off the bars. Behind him a bright empty asphalt strip recedes and the deep blue sky burns dry and clear; the sun disc sits just above the top edge of the frame so its flare smears across the far left of the image while every edge of him stays razor-sharp, the long shadow of the bike falling straight back along the road under him. Palette of hot sunlit skin, hard black and deep blue on the shorts, and the flat pale grey of the road, nothing else admitted. Sun-bleached, cocky.
매개변수 표시
원본 프롬프트
傑作，最高畫質，8K分辨率，極致細節，精緻的眼睛，極其細膩的面部刻畫，景深效果，全身鏡頭，1名男性，以男性為焦點，單人,平行正面鏡頭， 泉田塔一郎《飆速宅男》，深褐色眼睛（ 三眼白），短碎髮剃短，黑髮，精瘦而結實的身材，肌肉線條分明，鎖骨，胸肌，二頭肌，裸上半身，黑藍色車褲，注視著觀眾，壞笑，露出牙齒，咧嘴笑，陽光，直坐腳踏單車（ 公路車），
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flash
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1104 x 1824
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Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.70k

비슷한 작품

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AI artwork
顧
character: izumida_touichirou, copyright: yowamushi_pedal 1boy, male focus, solo, full body shot, front-facing parallel view, standing facing viewer, from front, eye-level parallel camera, sanpaku eyes, dark brown eyes, black hair, short choppy hair, shaved short at sides, lean toned muscular build, well-defined muscle lines, visible collarbone, pecs, defined pectoral muscles, biceps, shirtless, bare upper body, black and blue cycling shorts, bike pants, looking at viewer, smirk, bad-boy grin, showing teeth, grin, sunlight, sitting upright on road bicycle, road bike, straddling top tube, hands gripping drop handlebars, cycling grip, outdoors, empty sunlit asphalt road, deep blue sky, lens flare, sharp focus, highres, depth of field, masterpiece, best quality, extremely detailed face, intricate eyes A full-body eye-level parallel shot, the camera dead square to a lean, wiry-muscular young man who straddles the top tube of a black road bike, everything in crisp focus down to the pedals. He faces the viewer head-on with no turn: torso upright, spine lengthened, both thighs clamping the frame, right foot clipped onto the lower pedal and left foot flat at the bike's base, his weight settled slightly onto the right hip so the abdominals pull in a single diagonal, both arms extended and hands wrapping the drop handlebars with the fingers closed over the hoods. Bare-chested, the sun cuts from high front-left, so hard white highlights run along the collarbones, the ridge of each pectoral, the outer curve of both biceps and the seam of the deltoids, while the underside of the pecs, the dip beneath the ribs and the shadowed line of the obliques stay in cool dark. The black-and-blue cycling shorts cling at hip and thigh, their blue side panels stretched taut where his thigh presses the top tube, their black fabric taking a dull sheen. Short, choppy black hair sits close to the skull, bristly at the shaved temples, uneven tufts lifting slightly in the breeze; the eyes are dark brown with visible sclera above and below the irises, an upward flick at the outer corners, and the brow is drawn tight with one side raised a fraction. The mouth is a slanted bad-boy grin that bares the upper teeth on the right side; the gaze aims straight down the lens and holds it. The bike is the only prop: black frame, thin tires, glinting spokes, brake cables arcing off the bars. Behind him a bright empty asphalt strip recedes and the deep blue sky burns dry and clear; the sun disc sits just above the top edge of the frame so its flare smears across the far left of the image while every edge of him stays razor-sharp, the long shadow of the bike falling straight back along the road under him. Palette of hot sunlit skin, hard black and deep blue on the shorts, and the flat pale grey of the road, nothing else admitted. Sun-bleached, cocky.
顧惟淵
#바이커 쇼츠#복근#흑발
AI artwork
顧
character: izumida_touichirou, copyright: yowamushi_pedal 1boy, solo, male focus, full body, front parallel shot, straight-on, looking at viewer, grin, smirk, showing teeth, open mouth, sanpaku eyes, dark brown eyes, black eyes, short hair, choppy hair, spiked hair, black hair, lean muscular build, defined muscles, muscular male, collarbone, pectorals, biceps, abs, shirtless, bare shoulders, black and blue cycling pants, padded cycling shorts, leaning against bike, leaning forward, road bike, sunlight, day, outdoors, depth of field, blurry background, blue sky, A full-body front parallel shot, camera dead-level with his sternum and squared to his hips, so his whole figure stands parallel to the picture plane with the road bike held beside him. He leans his right hip and the outer edge of his right thigh lightly against the bike's top tube, the saddle nudging into the small of his back, his weight sunk into the left leg while the right knee stays soft and slightly forward -- an easy, unbalanced stance, not a soldier's square. His left hand drapes over the drop bar, fingers curled loose around the hood, thumb hooked on the brake lever; his right hand hangs at his hip with the knuckles just brushing the waistband of the shorts. Bare torso: the ridged line of his collarbones runs unbroken from shoulder to shoulder, the pectorals catch the light in a flat bright plane, the biceps stand out in a clean curve as his left arm takes the bike's weight, and the lean, hard abdominal lines descend toward the black-and-blue waistband. His short, choppy black hair is cut in ragged spikes, the strands jutting unevenly across his forehead and at the temples, a few tips lifted by the breeze off the road. His head is tipped a touch down and forward, chin lowered, so his dark brown eyes look straight up into the lens with the wide white showing under the iris on all three sides -- a cool, evaluating sanpaku stare. His mouth is pulled wide into a lopsided grin that bares both rows of teeth, one corner hitched higher, the muscle jumping at the hinge of his jaw, and a small crease digs in at the corner of one eye. The light is low, warm, late-afternoon sun from camera-left: it rakes across the left side of his face, chest and shoulder, hardening the muscle relief, and throws a short crisp shadow from the bike's frame across the pale asphalt at his feet; the right side of his body falls a half-step into shade, and the sky behind him is knocked far out of focus into a soft blue-white bloom, the shallow depth of field leaving only him and the bicycle's near tubes tack-sharp. The road bike is a dark-framed road racer with silver-rimmed wheels, its front wheel turned very slightly toward the viewer, a thin crescent of shadow beneath each tire where the tires meet the ground. Palette is warm skin, black, and the deep blue of the shorts against sun-bleached asphalt and a high blue sky, nothing else competing. Confident, sun-struck swagger.
顧惟淵
AI artwork
顧
character: izumida_touichirou, copyright: yowamushi_pedal 1boy, solo, male focus, full body, front parallel shot, straight-on, looking at viewer, grin, smirk, showing teeth, open mouth, sanpaku eyes, dark brown eyes, black eyes, short hair, choppy hair, spiked hair, black hair, lean muscular build, defined muscles, muscular male, collarbone, pectorals, biceps, abs, shirtless, bare shoulders, black and blue cycling pants, padded cycling shorts, leaning against bike, leaning forward, road bike, sunlight, day, outdoors, depth of field, blurry background, blue sky, A full-body front parallel shot, camera dead-level with his sternum and squared to his hips, so his whole figure stands parallel to the picture plane with the road bike held beside him. He leans his right hip and the outer edge of his right thigh lightly against the bike's top tube, the saddle nudging into the small of his back, his weight sunk into the left leg while the right knee stays soft and slightly forward -- an easy, unbalanced stance, not a soldier's square. His left hand drapes over the drop bar, fingers curled loose around the hood, thumb hooked on the brake lever; his right hand hangs at his hip with the knuckles just brushing the waistband of the shorts. Bare torso: the ridged line of his collarbones runs unbroken from shoulder to shoulder, the pectorals catch the light in a flat bright plane, the biceps stand out in a clean curve as his left arm takes the bike's weight, and the lean, hard abdominal lines descend toward the black-and-blue waistband. His short, choppy black hair is cut in ragged spikes, the strands jutting unevenly across his forehead and at the temples, a few tips lifted by the breeze off the road. His head is tipped a touch down and forward, chin lowered, so his dark brown eyes look straight up into the lens with the wide white showing under the iris on all three sides -- a cool, evaluating sanpaku stare. His mouth is pulled wide into a lopsided grin that bares both rows of teeth, one corner hitched higher, the muscle jumping at the hinge of his jaw, and a small crease digs in at the corner of one eye. The light is low, warm, late-afternoon sun from camera-left: it rakes across the left side of his face, chest and shoulder, hardening the muscle relief, and throws a short crisp shadow from the bike's frame across the pale asphalt at his feet; the right side of his body falls a half-step into shade, and the sky behind him is knocked far out of focus into a soft blue-white bloom, the shallow depth of field leaving only him and the bicycle's near tubes tack-sharp. The road bike is a dark-framed road racer with silver-rimmed wheels, its front wheel turned very slightly toward the viewer, a thin crescent of shadow beneath each tire where the tires meet the ground. Palette is warm skin, black, and the deep blue of the shorts against sun-bleached asphalt and a high blue sky, nothing else competing. Confident, sun-struck swagger.
顧惟淵
AI artwork
顧
character: izumida_touichirou, copyright: yowamushi_pedal 1boy, solo, male focus, full body, front parallel shot, straight-on, looking at viewer, grin, smirk, showing teeth, open mouth, sanpaku eyes, dark brown eyes, black eyes, short hair, choppy hair, spiked hair, black hair, lean muscular build, defined muscles, muscular male, collarbone, pectorals, biceps, abs, shirtless, bare shoulders, black and blue cycling pants, padded cycling shorts, leaning against bike, leaning forward, road bike, sunlight, day, outdoors, depth of field, blurry background, blue sky, A full-body front parallel shot, camera dead-level with his sternum and squared to his hips, so his whole figure stands parallel to the picture plane with the road bike held beside him. He leans his right hip and the outer edge of his right thigh lightly against the bike's top tube, the saddle nudging into the small of his back, his weight sunk into the left leg while the right knee stays soft and slightly forward -- an easy, unbalanced stance, not a soldier's square. His left hand drapes over the drop bar, fingers curled loose around the hood, thumb hooked on the brake lever; his right hand hangs at his hip with the knuckles just brushing the waistband of the shorts. Bare torso: the ridged line of his collarbones runs unbroken from shoulder to shoulder, the pectorals catch the light in a flat bright plane, the biceps stand out in a clean curve as his left arm takes the bike's weight, and the lean, hard abdominal lines descend toward the black-and-blue waistband. His short, choppy black hair is cut in ragged spikes, the strands jutting unevenly across his forehead and at the temples, a few tips lifted by the breeze off the road. His head is tipped a touch down and forward, chin lowered, so his dark brown eyes look straight up into the lens with the wide white showing under the iris on all three sides -- a cool, evaluating sanpaku stare. His mouth is pulled wide into a lopsided grin that bares both rows of teeth, one corner hitched higher, the muscle jumping at the hinge of his jaw, and a small crease digs in at the corner of one eye. The light is low, warm, late-afternoon sun from camera-left: it rakes across the left side of his face, chest and shoulder, hardening the muscle relief, and throws a short crisp shadow from the bike's frame across the pale asphalt at his feet; the right side of his body falls a half-step into shade, and the sky behind him is knocked far out of focus into a soft blue-white bloom, the shallow depth of field leaving only him and the bicycle's near tubes tack-sharp. The road bike is a dark-framed road racer with silver-rimmed wheels, its front wheel turned very slightly toward the viewer, a thin crescent of shadow beneath each tire where the tires meet the ground. Palette is warm skin, black, and the deep blue of the shorts against sun-bleached asphalt and a high blue sky, nothing else competing. Confident, sun-struck swagger.
顧惟淵

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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9#진격의 거인#미카사 아커만
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