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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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calligraphy, ink brush lettering, single subject, text focus, no characters, no people, horizontal composition, straight-on top-down view, washi paper ground, sumi ink, seal stamp A flat top-down view of a single sheet of off-white washi paper filling the whole frame edge to edge, nothing else on the ground. Across the sheet, one piece of Western calligraphy is written large in sumi black ink, reading "octal number" in a confident italic script hand — the letters built from a broad-nib pen's thick downstrokes and hairline upstrokes, the descender of the "t" crossing the "a", the two words set on one slightly rising baseline that climbs left to right. The phrase sits centred but a little high, leaving the lower third of the paper empty as breathing room. The ink is dense and matte where the pen paused, thinning to a translucent grey where the nib lifted, and in two places the wet stroke has bled a fine feathered halo into the paper's fibres — the ink still faintly glossy, catching the light only along the stroke edges, while the dry paper stays flat and matte. Fine paper tooth shows through every wash. A single small vermilion seal square is pressed in the lower right, its stamped edges slightly uneven where the paste caught. The only light is a soft even overhead source, no cast shadows, so the sheet reads as perfectly flat. Palette: warm off-white paper, deep black ink, one red seal, nothing else. Quiet, precise, meditative.
매개변수 표시
원본 프롬프트
octal number caligraphy
모드
flash
크기
1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.64k

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AI artwork
uy
calligraphy, ink brush lettering, single subject, text focus, no characters, no people, horizontal composition, straight-on top-down view, washi paper ground, sumi ink, seal stamp A flat top-down view of a single sheet of off-white washi paper filling the whole frame edge to edge, nothing else on the ground. Across the sheet, one piece of Western calligraphy is written large in sumi black ink, reading "octal number" in a confident italic script hand — the letters built from a broad-nib pen's thick downstrokes and hairline upstrokes, the descender of the "t" crossing the "a", the two words set on one slightly rising baseline that climbs left to right. The phrase sits centred but a little high, leaving the lower third of the paper empty as breathing room. The ink is dense and matte where the pen paused, thinning to a translucent grey where the nib lifted, and in two places the wet stroke has bled a fine feathered halo into the paper's fibres — the ink still faintly glossy, catching the light only along the stroke edges, while the dry paper stays flat and matte. Fine paper tooth shows through every wash. A single small vermilion seal square is pressed in the lower right, its stamped edges slightly uneven where the paste caught. The only light is a soft even overhead source, no cast shadows, so the sheet reads as perfectly flat. Palette: warm off-white paper, deep black ink, one red seal, nothing else. Quiet, precise, meditative.
ut yatu
AI artwork
uy
calligraphy, number rendered in calligraphy style, single character, ink brush calligraphy, East Asian brush lettering, sumi ink on paper, black ink on off-white paper, bold brush stroke, tapering stroke ends, dry brush texture at stroke tails, wet ink pooling, visible paper fibers, design piece, seamless paper ground, still life, from above, flat lay, close-up, vertical composition, high contrast, monochrome A flat overhead view of a single sheet of warm off-white rice paper filling the entire frame, and on it one large number written in thick black sumi ink brush calligraphy, the numeral alone and centered with generous empty paper around it. The number is painted with a wide-bellied brush: the main stroke begins as a heavy pressed wedge where the brush landed, swells through the middle, and lifts off into a tapering, split-bristled tail, the ink darker and glossier at the wet center and greyer, drier, feathered where the brush ran out at the end. A second stroke crosses it at a slight diagonal, its edge crisp on the leading side and slightly bled on the trailing side where the paper drank the ink. Where two strokes overlap, the later one sits visibly darker over the earlier, and a faint halo of ink has wicked outward a few millimetres along the paper fibers. The paper itself has a faint tooth and a few loose fibers standing in the light; the sheet's edges fall just outside the frame so the ground reads as endless. A single soft overhead light from the upper left grazes the paper so the wet ink throws a tiny specular glint at the fattest part of the stroke, while the paper stays evenly lit and shadowless. Palette is strictly two values, deep black ink and warm off-white paper, nothing else admitted. Quiet, precise.
ut yatu
AI artwork
uy
calligraphy, number rendered in calligraphy style, single character, ink brush calligraphy, East Asian brush lettering, sumi ink on paper, black ink on off-white paper, bold brush stroke, tapering stroke ends, dry brush texture at stroke tails, wet ink pooling, visible paper fibers, design piece, seamless paper ground, still life, from above, flat lay, close-up, vertical composition, high contrast, monochrome A flat overhead view of a single sheet of warm off-white rice paper filling the entire frame, and on it one large number written in thick black sumi ink brush calligraphy, the numeral alone and centered with generous empty paper around it. The number is painted with a wide-bellied brush: the main stroke begins as a heavy pressed wedge where the brush landed, swells through the middle, and lifts off into a tapering, split-bristled tail, the ink darker and glossier at the wet center and greyer, drier, feathered where the brush ran out at the end. A second stroke crosses it at a slight diagonal, its edge crisp on the leading side and slightly bled on the trailing side where the paper drank the ink. Where two strokes overlap, the later one sits visibly darker over the earlier, and a faint halo of ink has wicked outward a few millimetres along the paper fibers. The paper itself has a faint tooth and a few loose fibers standing in the light; the sheet's edges fall just outside the frame so the ground reads as endless. A single soft overhead light from the upper left grazes the paper so the wet ink throws a tiny specular glint at the fattest part of the stroke, while the paper stays evenly lit and shadowless. Palette is strictly two values, deep black ink and warm off-white paper, nothing else admitted. Quiet, precise.
ut yatu

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
2#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
20#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#진격의 거인#미카사 아커만
홈모델생성Recipe프로필