서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…
자세히 보기C9I
매개변수 표시
- 원본 프롬프트
- A massive, beautiful garden spider sitting perfectly still in the center of an intricate, dew-covered web. The background is a dark, misty autumn forest at twilight. A single ray of cold moonlight illuminates the silver threads of the web. The spider is calm, patient, and majestic, not scary. Mood: mysterious, patient, sacred geometry of nature. Macro photography, cinematic lighting, deep shadows, 8k, film grain. No text, no watermark. --ar 16:9
- 모드
- pro
- 크기
- 992 x 992
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기macro photography, extreme close-up, 16:9 widescreen, single spider, garden spider, massive spider, large abdomen, mahogany-brown cephalothorax, glossy chitin, cream spots, eight long jointed legs, banded legs, sitting perfectly still, motionless, centered composition, radial web, intricate orb web, dew-covered web, dew droplets, silver threads, backlit threads, single ray of moonlight, cold blue moonlight, dark background, misty autumn forest, twilight, deep shadows, volumetric mist, film grain, cinematic lighting, calm, majestic, no text, no lettering, no watermark, no signature
Macro photograph, camera at the same height as the hub of the web, the massive garden spider filling the centre of the frame and sitting perfectly still there, its glossy mahogany-brown cephalothorax forward and its bulbous abdomen lifted behind, cream spots laid in soft paired rows across the abdomen's back. Eight long jointed legs spread wide and symmetric, each leg gripping the web, the tarsi of all eight feet hooked onto individual threads and every thread held slightly bowed where the weight pulls it — the web is bearing her, not the other way round. The orb web radiates from the hub in dense, intricate spirals, each catching its own bead of dew, and the droplets sit on the lower curve of each silk line, swollen, each holding a tiny inverted image of the moon.
A single narrow shaft of cold moonlight falls from the upper left, the only light in the frame; it crosses the web diagonally, striking the silks so they flare to luminous silver while the threads just outside the shaft dim first to grey then to a barely-there sheen, and it grazes the top of the abdomen and the crown of the cephalothorax in pale blue. Beyond the lit cone everything sinks into deep shadow: the misty autumn forest at twilight stands as dark, soft-edged trunks behind the web, midground only, the fog between them glowing faintest grey-blue where the shaft passes through it and going black at the edges of the frame. Behind the spider's body at the hub, the moonlight rims her silhouette and the dew beads nearest the shaft cast faint prismatic edges; the droplets on the far side of the web show nothing but darkness.
Palette held to cold silver-blue, mist grey, and the warm mahogany and cream of the spider's body, with no other colour admitted. Shallow macro depth of field: the hub, the front legs and the nearest dew beads tack sharp, the outer spirals and the trunks softening into bokeh. Fine film grain across the whole frame, deep unbroken shadows, the patience of something very old and entirely unbothered.
C9I
macro photography, extreme close-up, 16:9 widescreen, single spider, garden spider, massive spider, large abdomen, mahogany-brown cephalothorax, glossy chitin, cream spots, eight long jointed legs, banded legs, sitting perfectly still, motionless, centered composition, radial web, intricate orb web, dew-covered web, dew droplets, silver threads, backlit threads, single ray of moonlight, cold blue moonlight, dark background, misty autumn forest, twilight, deep shadows, volumetric mist, film grain, cinematic lighting, calm, majestic, no text, no lettering, no watermark, no signature
Macro photograph, camera at the same height as the hub of the web, the massive garden spider filling the centre of the frame and sitting perfectly still there, its glossy mahogany-brown cephalothorax forward and its bulbous abdomen lifted behind, cream spots laid in soft paired rows across the abdomen's back. Eight long jointed legs spread wide and symmetric, each leg gripping the web, the tarsi of all eight feet hooked onto individual threads and every thread held slightly bowed where the weight pulls it — the web is bearing her, not the other way round. The orb web radiates from the hub in dense, intricate spirals, each catching its own bead of dew, and the droplets sit on the lower curve of each silk line, swollen, each holding a tiny inverted image of the moon.
A single narrow shaft of cold moonlight falls from the upper left, the only light in the frame; it crosses the web diagonally, striking the silks so they flare to luminous silver while the threads just outside the shaft dim first to grey then to a barely-there sheen, and it grazes the top of the abdomen and the crown of the cephalothorax in pale blue. Beyond the lit cone everything sinks into deep shadow: the misty autumn forest at twilight stands as dark, soft-edged trunks behind the web, midground only, the fog between them glowing faintest grey-blue where the shaft passes through it and going black at the edges of the frame. Behind the spider's body at the hub, the moonlight rims her silhouette and the dew beads nearest the shaft cast faint prismatic edges; the droplets on the far side of the web show nothing but darkness.
Palette held to cold silver-blue, mist grey, and the warm mahogany and cream of the spider's body, with no other colour admitted. Shallow macro depth of field: the hub, the front legs and the nearest dew beads tack sharp, the outer spirals and the trunks softening into bokeh. Fine film grain across the whole frame, deep unbroken shadows, the patience of something very old and entirely unbothered.
C9I
macro photography, extreme close-up, 16:9 widescreen, single spider, garden spider, massive spider, large abdomen, mahogany-brown cephalothorax, glossy chitin, cream spots, eight long jointed legs, banded legs, sitting perfectly still, motionless, centered composition, radial web, intricate orb web, dew-covered web, dew droplets, silver threads, backlit threads, single ray of moonlight, cold blue moonlight, dark background, misty autumn forest, twilight, deep shadows, volumetric mist, film grain, cinematic lighting, calm, majestic, no text, no lettering, no watermark, no signature
Macro photograph, camera at the same height as the hub of the web, the massive garden spider filling the centre of the frame and sitting perfectly still there, its glossy mahogany-brown cephalothorax forward and its bulbous abdomen lifted behind, cream spots laid in soft paired rows across the abdomen's back. Eight long jointed legs spread wide and symmetric, each leg gripping the web, the tarsi of all eight feet hooked onto individual threads and every thread held slightly bowed where the weight pulls it — the web is bearing her, not the other way round. The orb web radiates from the hub in dense, intricate spirals, each catching its own bead of dew, and the droplets sit on the lower curve of each silk line, swollen, each holding a tiny inverted image of the moon.
A single narrow shaft of cold moonlight falls from the upper left, the only light in the frame; it crosses the web diagonally, striking the silks so they flare to luminous silver while the threads just outside the shaft dim first to grey then to a barely-there sheen, and it grazes the top of the abdomen and the crown of the cephalothorax in pale blue. Beyond the lit cone everything sinks into deep shadow: the misty autumn forest at twilight stands as dark, soft-edged trunks behind the web, midground only, the fog between them glowing faintest grey-blue where the shaft passes through it and going black at the edges of the frame. Behind the spider's body at the hub, the moonlight rims her silhouette and the dew beads nearest the shaft cast faint prismatic edges; the droplets on the far side of the web show nothing but darkness.
Palette held to cold silver-blue, mist grey, and the warm mahogany and cream of the spider's body, with no other colour admitted. Shallow macro depth of field: the hub, the front legs and the nearest dew beads tack sharp, the outer spirals and the trunks softening into bokeh. Fine film grain across the whole frame, deep unbroken shadows, the patience of something very old and entirely unbothered.
C9I
s3
1 spider, solo, black widow spider, small spider, eight legs, red legs, black leg tips, light blue body, red markings, black markings, standing in web, spider web, from above, macro, close-up, centered composition, radial web, glistening silk, dew droplets, looking up, dark background, backlight, rim light, glossy, high-finish rendering, soft lighting, subtle gradients, warm highlights, polished airbrushed look, controlled color harmony, smooth brushwork
From directly above, a single small black widow spider stands at the hub of its web, the eight legs spread wide and evenly spaced around the light blue body in a clean radial stance, each leg planted on a silk strand, gripping it. The camera looks straight down the web's axis: the web fills the frame edge to edge as a wheel of fine pale silk, radial threads running from the spider out to the crop borders, the spiral rings sagging slightly under their own weight between the spokes. The body reads light blue along the abdomen's dome, with black markings on the upper surfaces and a red marking on the underside's edge, both turned up toward the lens; the legs are saturated red along every segment, and each leg tapers to a solid black tip that presses into the silk, bending the strand into a small V at every one of the eight contact points. The spider's front eyes catch a pinpoint of light and aim up toward the lens, its forelegs slightly more forward than the rest, weight carried evenly through all eight feet. A single cool light source sits above and slightly behind the camera; it glosses the abdomen's upper curve, rims each leg with a thin highlight, and leaves the spaces between the web's threads in deep shadow so the silk glows and the darkness beyond it goes black. The palette holds to light blue, red, black and the pale silk against a near-black surround, nothing else admitted. A few dew droplets beaded on the spiral threads refract the light into tiny bright points, round and brighter at their centers, darkest at their edges. Patient, quietly precise.
sup3rmandc
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Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
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character: qiao_ling, copyright: shiguang_dailiren
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Lord Potato
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