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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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dress, solo, 1girl, emerald green gown, floor-length gown, satin, sweetheart neckline, a-line skirt, flowing skirt, long skirt, low bun, hair up, from above, looking up, head tilt, standing on one leg, arms up, outstretched arm, spinning, skirt flare, motion blur on skirt hem, closed mouth, light smile, half-closed eyes, blush, bare shoulders, bare arms, empty background, seamless studio sweep, soft gradient ground, high key lighting The camera looks steeply down from above: one woman alone in a seamless pale warm-grey studio field that fades to a slightly deeper grey at the bottom of the frame, no props, no horizon, nothing else admitted. She is caught mid-spin on her right foot, that foot planted flat and carrying all her weight, the left leg bent and lifted a little behind her at the knee, toes pointed, the left hip higher. Her arms are flung up and out, the right arm higher than the left, elbows softly bent, both hands open with fingers relaxed and separated, wrists loose. Her chin tips up so her face turns toward the lens from under the edge of her brow, eyes half-lowered with a faint relaxed closed-lip smile and a soft flush high on each cheek; she is not looking at the viewer but past them, delighted by her own turning. Her dark hair is drawn tight into a polished low bun at the nape, smooth at the crown, one small silver clip set at the side of the bun and catching a bright glint; a few fine strands have pulled loose and lift away from her temples as she turns. The emerald satin gown is floor-length with a sweetheart neckline across her bare collarbones; the bodice is fitted to the waist and then the A-line skirt opens outward, bellied out by the spin so the hem rides away from her ankles in a moving cone, close to the body at the front and swung wide at the back. Broad soft highlight bands slide across the satin where it curves at her chest, hip and thigh; in the folds the green goes near-black, on the lit swells it goes bright jade, and the thin hem whitens where it catches the key light. One detail to read the physics by: where the skirt flares, the satin reflects a blurred, darker, stretched copy of the studio floor along its inner curve, nothing like the floor's own brightness. Light comes from high and to the front left, an oversized soft source with no second light; shadows fall short and soft beneath her jaw, under her arms and inside the deepest skirt folds, and her cast shadow is a small dense smudge directly under her planted foot. Palette held to emerald green, the warm pale grey of the sweep, her dark hair and the single silver glint, nothing else. Effortlessly elegant, buoyant.
매개변수 표시
원본 프롬프트
ドレス
모드
flash
크기
1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

자세히 보기
AI artwork
エ
dress, solo, 1girl, emerald green gown, floor-length gown, satin, sweetheart neckline, a-line skirt, flowing skirt, long skirt, low bun, hair up, from above, looking up, head tilt, standing on one leg, arms up, outstretched arm, spinning, skirt flare, motion blur on skirt hem, closed mouth, light smile, half-closed eyes, blush, bare shoulders, bare arms, empty background, seamless studio sweep, soft gradient ground, high key lighting The camera looks steeply down from above: one woman alone in a seamless pale warm-grey studio field that fades to a slightly deeper grey at the bottom of the frame, no props, no horizon, nothing else admitted. She is caught mid-spin on her right foot, that foot planted flat and carrying all her weight, the left leg bent and lifted a little behind her at the knee, toes pointed, the left hip higher. Her arms are flung up and out, the right arm higher than the left, elbows softly bent, both hands open with fingers relaxed and separated, wrists loose. Her chin tips up so her face turns toward the lens from under the edge of her brow, eyes half-lowered with a faint relaxed closed-lip smile and a soft flush high on each cheek; she is not looking at the viewer but past them, delighted by her own turning. Her dark hair is drawn tight into a polished low bun at the nape, smooth at the crown, one small silver clip set at the side of the bun and catching a bright glint; a few fine strands have pulled loose and lift away from her temples as she turns. The emerald satin gown is floor-length with a sweetheart neckline across her bare collarbones; the bodice is fitted to the waist and then the A-line skirt opens outward, bellied out by the spin so the hem rides away from her ankles in a moving cone, close to the body at the front and swung wide at the back. Broad soft highlight bands slide across the satin where it curves at her chest, hip and thigh; in the folds the green goes near-black, on the lit swells it goes bright jade, and the thin hem whitens where it catches the key light. One detail to read the physics by: where the skirt flares, the satin reflects a blurred, darker, stretched copy of the studio floor along its inner curve, nothing like the floor's own brightness. Light comes from high and to the front left, an oversized soft source with no second light; shadows fall short and soft beneath her jaw, under her arms and inside the deepest skirt folds, and her cast shadow is a small dense smudge directly under her planted foot. Palette held to emerald green, the warm pale grey of the sweep, her dark hair and the single silver glint, nothing else. Effortlessly elegant, buoyant.
エンドルフィン
AI artwork
エ
dress, solo, 1girl, emerald green gown, floor-length gown, satin, sweetheart neckline, a-line skirt, flowing skirt, long skirt, low bun, hair up, from above, looking up, head tilt, standing on one leg, arms up, outstretched arm, spinning, skirt flare, motion blur on skirt hem, closed mouth, light smile, half-closed eyes, blush, bare shoulders, bare arms, empty background, seamless studio sweep, soft gradient ground, high key lighting The camera looks steeply down from above: one woman alone in a seamless pale warm-grey studio field that fades to a slightly deeper grey at the bottom of the frame, no props, no horizon, nothing else admitted. She is caught mid-spin on her right foot, that foot planted flat and carrying all her weight, the left leg bent and lifted a little behind her at the knee, toes pointed, the left hip higher. Her arms are flung up and out, the right arm higher than the left, elbows softly bent, both hands open with fingers relaxed and separated, wrists loose. Her chin tips up so her face turns toward the lens from under the edge of her brow, eyes half-lowered with a faint relaxed closed-lip smile and a soft flush high on each cheek; she is not looking at the viewer but past them, delighted by her own turning. Her dark hair is drawn tight into a polished low bun at the nape, smooth at the crown, one small silver clip set at the side of the bun and catching a bright glint; a few fine strands have pulled loose and lift away from her temples as she turns. The emerald satin gown is floor-length with a sweetheart neckline across her bare collarbones; the bodice is fitted to the waist and then the A-line skirt opens outward, bellied out by the spin so the hem rides away from her ankles in a moving cone, close to the body at the front and swung wide at the back. Broad soft highlight bands slide across the satin where it curves at her chest, hip and thigh; in the folds the green goes near-black, on the lit swells it goes bright jade, and the thin hem whitens where it catches the key light. One detail to read the physics by: where the skirt flares, the satin reflects a blurred, darker, stretched copy of the studio floor along its inner curve, nothing like the floor's own brightness. Light comes from high and to the front left, an oversized soft source with no second light; shadows fall short and soft beneath her jaw, under her arms and inside the deepest skirt folds, and her cast shadow is a small dense smudge directly under her planted foot. Palette held to emerald green, the warm pale grey of the sweep, her dark hair and the single silver glint, nothing else. Effortlessly elegant, buoyant.
エンドルフィン
AI artwork
エ
dress, solo, 1girl, emerald green gown, floor-length gown, satin, sweetheart neckline, a-line skirt, flowing skirt, long skirt, low bun, hair up, from above, looking up, head tilt, standing on one leg, arms up, outstretched arm, spinning, skirt flare, motion blur on skirt hem, closed mouth, light smile, half-closed eyes, blush, bare shoulders, bare arms, empty background, seamless studio sweep, soft gradient ground, high key lighting The camera looks steeply down from above: one woman alone in a seamless pale warm-grey studio field that fades to a slightly deeper grey at the bottom of the frame, no props, no horizon, nothing else admitted. She is caught mid-spin on her right foot, that foot planted flat and carrying all her weight, the left leg bent and lifted a little behind her at the knee, toes pointed, the left hip higher. Her arms are flung up and out, the right arm higher than the left, elbows softly bent, both hands open with fingers relaxed and separated, wrists loose. Her chin tips up so her face turns toward the lens from under the edge of her brow, eyes half-lowered with a faint relaxed closed-lip smile and a soft flush high on each cheek; she is not looking at the viewer but past them, delighted by her own turning. Her dark hair is drawn tight into a polished low bun at the nape, smooth at the crown, one small silver clip set at the side of the bun and catching a bright glint; a few fine strands have pulled loose and lift away from her temples as she turns. The emerald satin gown is floor-length with a sweetheart neckline across her bare collarbones; the bodice is fitted to the waist and then the A-line skirt opens outward, bellied out by the spin so the hem rides away from her ankles in a moving cone, close to the body at the front and swung wide at the back. Broad soft highlight bands slide across the satin where it curves at her chest, hip and thigh; in the folds the green goes near-black, on the lit swells it goes bright jade, and the thin hem whitens where it catches the key light. One detail to read the physics by: where the skirt flares, the satin reflects a blurred, darker, stretched copy of the studio floor along its inner curve, nothing like the floor's own brightness. Light comes from high and to the front left, an oversized soft source with no second light; shadows fall short and soft beneath her jaw, under her arms and inside the deepest skirt folds, and her cast shadow is a small dense smudge directly under her planted foot. Palette held to emerald green, the warm pale grey of the sweep, her dark hair and the single silver glint, nothing else. Effortlessly elegant, buoyant.
エンドルフィン

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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