PixAI iOS ์ฑ App Store ์ผ์ ๋ค์ด๋ก๋ ์ค๋จ ์๋ด โ PixAI ์ด์ฉ์ ์ฌ๋ฌ๋ถ๊ป ํ์ฌ PixAI iOS ์ฑ์ App Store์์ ๊ฒ์ํ๊ฑฐ๋ ๋ค์ด๋ก๋ํ ์ ์๋ ์ํฉ์ ๋๋ค. ๋น ๋ฅธ ์์ผ ๋ด์ ๋ค์ ๋ค์ด๋ก๋ํ์ค ์ ์๋๋ก Apple ์ธก๊ณผ ์ ๊ทน์ ์ผ๋ก ํ์ํ๊ณ ์์ผ๋ฉฐ ์๋น์คโฆ
์์ธํ ๋ณด๊ธฐ
ใใใพ๏ผ ๐ใ
์ฐธ๊ฐ ์ํ
PixAI ร zeta ์์บ ์ฝํ
์คํธ 2026 #zetaCollab
๋งค๊ฐ๋ณ์ ํ์
- ์๋ณธ ํ๋กฌํํธ
- pixel-art isometric solo chibi young-man green-wavy-ponytail-hair kimono apron pants round-glasses cat-ears (imagawayaki ). sweets shop table sign-board noren "neko no mise" "oyaki" "imagawayaki" "kaitenyaki" "obanyaki" "Chelunbing" "baked-mochocho" sound effect japanese-text speech-bubble
- ๋ชจ๋
- pro
- ํ์ง ํ๊ทธ
- ๏นํ๋กฌํํธ๏น
- ํฌ๊ธฐ
- 1888 x 1056
- ์ํ๋ง ๋ฐฉ์
- Euler
- ์ ์ธ ์กฐ๊ฑด
- lowres, worst quality, low quality, bad anatomy, explicit
ํ๋กฌํํธ ๋์ฐ๋ฏธ
๋ชจ๋ธ ๋ฐ LoRA ์ฌ์ฉ
๋น์ทํ ์ํ
์์ธํ ๋ณด๊ธฐ
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light
A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki โ small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted.
The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream โ "oyaki", "imagawayaki", "kaitenyaki" โ while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards.
The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
ใใใพ๏ผ ๐ใ
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light
A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki โ small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted.
The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream โ "oyaki", "imagawayaki", "kaitenyaki" โ while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards.
The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
ใใใพ๏ผ ๐ใ
pixel art, isometric view, 1boy, solo, chibi, young man, green hair, wavy hair, long hair, ponytail, cat ears, round glasses, kimono, apron, pants, standing, leaning forward, both hands on table, looking down, sweets shop, food stall, wooden table, table sign-board, noren, imagawayaki, tail, speech bubble, sound effect, japanese text, warm lantern light
A pixel-art isometric view looking down at a 45-degree angle onto a tiny street-corner sweets stall, the whole scene built from crisp square pixels on a strict grid. In the center of the isometric diamond sits a low wooden table of pale planks, its grain rendered as two-pixel dark lines running along the board direction; on it a row of imagawayaki โ small round griddled cakes, each a golden-brown disc with a paler seam where the batter was folded, stacked three high in one column and laid flat in a fan in front of them, their edges catching a warm highlight along the top-left faces. Behind the table stands the single young man, a chibi figure roughly two and a half heads tall, body turned three-quarters toward the table and away from the viewer's right, leaning forward from the hips with both palms flat on the tabletop, fingers splayed, thumbs braced against the near edge; his weight rests on his left leg, right knee slightly bent and right heel lifted. Green wavy hair falls in loose two-pixel waves, gathered into a ponytail that drops over his right shoulder and curls forward across the apron bib, the tip flicking up from the lean. A pair of pointed cat ears rise from the crown of his head, green fur with darker inner-ear pixels, the left one angled toward the table, the right swiveled back. Round glasses sit low on his nose, each lens a three-pixel ring with a diagonal white glint in the upper-left quadrant; his eyes behind them are angled down at the cakes, head tipped so the chin points toward the table, one brow drawn up, mouth a small open oval caught mid-call. His kimono is a muted indigo with a crossed collar lying left over right at the throat, wide sleeves pushed back to the elbows, and over it a dark-brown apron tied at the waist, its hem hanging in a straight pixel line above dark grey pants that widen slightly toward the ankles. His tail, green and furred, curves out from behind the apron and hooks around his right hip, tip lifted.
The stall frames him: a wooden counter post at the left corner, a noren hung across the top of the stall opening, its indigo cloth split into three panels that hang with one stiff fold each, swaying a hair toward the right as though just brushed. The table sign-board stands propped on the near-left corner of the table, a small A-frame with a painted face: on the cloth noren the top band reads "neko no mise" in cream lettering, and down the hanging panels the words are painted one per panel in pale cream โ "oyaki", "imagawayaki", "kaitenyaki" โ while the sign-board carries "obanyaki" across its face and, on smaller stacked lines beneath, "Chelunbing" and "baked-mochocho", every letter built from blocky pixel glyphs that follow the fabric's slight curve and the board's tilt. Above the young man's left shoulder a rectangular speech bubble with a pixel-stepped tail points down at his mouth, and inside it a short line of japanese text sits in dark pixel glyphs on a cream fill. At the right edge of the table a bold japanese-text sound effect is lettered in thick outlined pixel strokes, tilted with the table's isometric axis, its characters at the point where his palms strike the boards.
The single light source is a warm paper lantern hanging from the stall's top beam at the upper left, so the top-left faces of the cakes, the young man's left cheek, the lens rings and the upper folds of the noren glow amber while the undersides of the table, the right side of his apron and the deep interior of the stall fall into cool indigo shadow; each object casts a short hard pixel-edged shadow down and to the right. The ground beneath is a diamond of grey paving stones, and his shadow falls across them toward the lower right, cut by the table's legs. Palette of indigo, warm amber, pale wood and the green of his hair and tail, nothing else admitted; nearest-neighbor pixels with no anti-aliasing. Small, warm, busy.
ใใใพ๏ผ ๐ใ
pixel art, isometric view, solo, 1boy, chibi, young man, green hair, wavy hair, ponytail, long hair, round glasses, cat ears, kimono, apron, pants, open mouth, speaking, speech bubble, question mark in speech bubble, sweets shop, table, sign board, noren, japanese text, sound effect, shop interior, standing, leaning forward, head tilt, looking at viewer, holding tray, steam, warm light
A single chibi figure rendered in crisp pixel art, seen from a high isometric three-quarter angle so the shop floor recedes in stepped diagonals toward the top-left of the frame. The young man stands behind a low wooden table at the centre of the composition, his body angled toward the viewer's right, weight carried on his right leg while his left knee bends slightly forward; his left hand rests flat on the table edge, fingertips over the grain, and his right hand lifts a small round griddle-pancake up toward his chin as if he has just pulled it from the stack. His green hair is gathered into a wavy ponytail that falls over his left shoulder, its loose curls tipped with a lighter mint highlight and stirred slightly to the right as though he has just turned his head. Round glasses sit on the bridge of his nose with two white pixel glints at their upper-left rims; a pair of triangular cat ears rises through the hair above his brow, fur green at the base fading to paler tips, the left ear skewed a few degrees lower than the right. He wears an indigo kimono with a narrow crossed collar, a cream apron tied at the waist with its strings looping once, and loose dark trousers below; an open-mouthed speaking expression, brows lifted, one corner of the mouth pulled higher, eyes wide and bright behind the lenses, gaze directed at the viewer as though mid-question.
The table is a low counter of pale wood planks, its top surface catching a lit checker of warm ochre and shadowed umber pixels; on it sit a stacked column of round pancakes with dark sweet-bean filling visible at one broken edge, a shallow lacquered dish, and a folded cloth. A small standing sign-board leans against the table's front-right corner, its face tilted up toward the isometric camera, hand-lettered in blocky pixel kanji and latin characters that read "oyaki" across the top line, and below it in two smaller columns "imagawayaki", "kaitenyaki", "obanyaki", then "Chelunbing" and "baked-mochocho", each line curving with the board's slight lean and its lower edge chipped where the paint has worn. Behind the young man hangs a noren curtain of deep indigo split into three panels, its fabric swaying inward at the bottom hems, and across its width the pale dyed characters read "neko no mise"; the curtain's cloth bends the lettering so the middle panel's strokes stretch wider than the outer two. The shop interior beyond is drawn in compact pixel blocks -- shelving with jars, a hanging paper lantern, a rear doorway -- kept in low-contrast shadow so the figure and counter stay dominant.
A speech bubble with a tail pointing to the young man's open mouth floats at the upper right, its white pixel outline stepped and clean, and inside it in small pixel type reads "(Small Japanese-style pancakes filled with sweet bean paste.)" with the words wrapped across three lines. Beside his raised hand, a jagged Japanese-text sound effect is lettered in bold pixel strokes tilted with the motion of the lifted pancake, the characters thick-edged with a dark drop shadow on their lower-right.
Light comes from a single warm source at the upper left, as though from a paper lantern off-frame: it strikes the left plane of the young man's face, the top of the table, and the upper edge of the sign-board, leaving the right side of his apron and the shelf wall in cool indigo shadow, and each object casts a short stepped pixel shadow down and to the right. The palette is held to indigo, cream, warm ochre, and the green of hair and ears, with the red-brown of the bean paste as the one small saturated note. The steam rising from the pancake stack thins as it climbs and drifts toward the light, warm and quietly busy.
ใใใพ๏ผ ๐ใ
๋ ์ดํด๋ณด๊ธฐ
์ถ์ฒ ํฌ๋ฆฌ์์ดํฐ
๋น์ ์๊ฒ ์ถ์ฒ
๐ค๐ด๐ฉธ
(mai)
detective anya and bond (หถ>โฉ<หถ)
^( aricat )^
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใชใช
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
โฆ โ โน ๐
(mai)
๐ตSurtur
helanx
โฆ โ ๐ช ๐๏ธ ๐ซง โ โฆ
(mai)
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โ๐ ๐ ๐ซ ๐ โง
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
6
๐ฉต๐ชฝ.โ๐๐
็้ญ2(Raw Fish 2)
36
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
The Enchantress of the Violet Blossomsใผใทใฃใณใใผ
moon221B
๐๏ธโ๐จ๏ธ๐ฆ๐๏ธ๐ฏ๏ธ
(mai)
Halloween
็้ญ2(Raw Fish 2)
๋๊ธ