PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…
자세히 보기
매개변수 표시
- 원본 프롬프트
- The leaves in the trees blow as their autumn colors fall. This happens in a graveyard with skeletons rising and ghosts around the graves. The mountains in the distance are snow-capped on this spooky starry night. The moon is out in a cloudy sky as it shadows the land, as a single black-cloaked figure holds a lantern to light the way. Autumn Forest, Forest, Autumn Trees, Autumn Leaves, blowing Leaves, Foggy, Misty, Graveyard, Skeletons, Skeletons Rising From Grave, Ghosts, Spirits, Ghost, jack-o'-lantern, Lanturn, Black Cloaked Figure, Cloaked Figure, Cloaked Figure holding Lanturn, Graves, Background, Mountains in Background, Snowy Mountains in background, Starry night, Dark Night, Moon, Spooky Clouds, Clouds, Spooky Shadows, Shadows,
- 모드
- ultra
- 크기
- 1888 x 1056
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
1 black-cloaked figure, solo, holding lantern, jack-o'-lantern on grave, hooded cloak, black wool cloak, from behind, over-shoulder composition, autumn forest, autumn trees, falling leaves, blowing leaves, wind, graveyard, graves, tombstones, skeletons, skeletons rising from graves, ghosts, spirits, fog, mist, snow-capped mountains, mountains in background, starry night, dark night, moon, moon in cloudy sky, spooky clouds, cast shadows, spooky shadows, lantern light, wide shot, panoramic composition, low horizon, dutch angle, dark palette, orange and gold accents, cold blue moonlight, eerie, atmospheric
The camera stands low and slightly behind the black-cloaked figure, an over-shoulder view looking past the hood and right shoulder down a tilted graveyard slope, so the whole scene rakes away from the viewer at a slight dutch angle with a very low horizon line that leaves two-thirds of the frame to night sky. The figure is seen only from behind and in three-quarter back: a floor-length hooded cloak of coarse black wool whose hood is up and whose hem drags through the fog, the cloak's folds catching a thin rim of amber on the lantern side. The right hand grips the lantern's ring handle at hip height, arm hanging with the weight of it; the left hand is hidden inside the cloak. The lantern itself is a riveted iron cage with warm amber panes, swinging slightly forward from the hand, and the figure's dark shape splits around it. The hood brim crosses the top of the skull, so the face is entirely away from the lens -- only the tip of the hood's silhouette and the cloak's back are given.
Ahead, the ground falls away in uneven rows of leaning tombstones, weathered crosses and slab graves, half sunk in grass gone brown. The fog lies waist-high in the hollows, thick and milky close to the ground, thinning into the air above, so the nearest stones are solid and the farther rows dissolve into grey. Skeleton figures push up through the broken earth in the midground: four to six of them, half-emerged, ribs and skulls and one long arm clawing at the air, soil and roots still clumped on their bones, their eye sockets turned not toward the camera but toward the lantern light. Around the graves, ghosts drift at different depths -- pale, translucent spirits with trailing hems and hollow faces, one close to the left edge of frame floating above a stone, others farther out lost partly in the fog, and their transparency lets the mist and the moonlit gravestones show through them. On a low slab in the left foreground sits a carved jack-o'-lantern, its orange light leaking through its cut eyes and mouth and glowing onto the wet grass and the grave's moss.
Beyond the graves and the fog, a range of mountains rises against the sky, their peaks snow-capped and catching the moon's cold silver on the upward faces only, their lower slopes swallowed by mist. Above, a spooky starry night: a deep blue-black zenith scattered with hard, bright stars, and a full moon hanging behind ragged black cloud whose edges are silvered where they cross the moon's face. The moon is the second light source -- cold, blue-white, diffuse behind the cloud -- and it lays long, hard-edged shadows of crosses and tombstones flat across the ground, all pointing the same way away from the moon. The lantern's amber light is the warm counter-source, pooling close around the figure and the nearest stones, and it falls off fast into the blue dark. Windows of the scene's palette: near-black wool, cold slate blue for the moonlit fog and mountains, warm amber for the lantern and the pumpkin, and the rust-orange and burnt gold of the autumn canopy.
The autumn trees crowd the left and right edges of the frame, their leaves turned to orange, rust and deep red, and a gust of wind is tearing them loose -- a wide flurry of falling and blowing leaves streaming diagonally across the composition, some of them catching the moon's silver on their upper faces and dropping through the fog and the ghosts' trails. The wind is legible in the bend of the branches, the slanted fall of the leaves and the lean of the fog across the graves. A fallen leaf lands and settles on the wet top of the nearest tombstone, and the wet grass at its base glistens with amber from the pumpkin. Eerie, atmospheric.
Skye Hawkins
1 black-cloaked figure, solo, holding lantern, jack-o'-lantern on grave, hooded cloak, black wool cloak, from behind, over-shoulder composition, autumn forest, autumn trees, falling leaves, blowing leaves, wind, graveyard, graves, tombstones, skeletons, skeletons rising from graves, ghosts, spirits, fog, mist, snow-capped mountains, mountains in background, starry night, dark night, moon, moon in cloudy sky, spooky clouds, cast shadows, spooky shadows, lantern light, wide shot, panoramic composition, low horizon, dutch angle, dark palette, orange and gold accents, cold blue moonlight, eerie, atmospheric
The camera stands low and slightly behind the black-cloaked figure, an over-shoulder view looking past the hood and right shoulder down a tilted graveyard slope, so the whole scene rakes away from the viewer at a slight dutch angle with a very low horizon line that leaves two-thirds of the frame to night sky. The figure is seen only from behind and in three-quarter back: a floor-length hooded cloak of coarse black wool whose hood is up and whose hem drags through the fog, the cloak's folds catching a thin rim of amber on the lantern side. The right hand grips the lantern's ring handle at hip height, arm hanging with the weight of it; the left hand is hidden inside the cloak. The lantern itself is a riveted iron cage with warm amber panes, swinging slightly forward from the hand, and the figure's dark shape splits around it. The hood brim crosses the top of the skull, so the face is entirely away from the lens -- only the tip of the hood's silhouette and the cloak's back are given.
Ahead, the ground falls away in uneven rows of leaning tombstones, weathered crosses and slab graves, half sunk in grass gone brown. The fog lies waist-high in the hollows, thick and milky close to the ground, thinning into the air above, so the nearest stones are solid and the farther rows dissolve into grey. Skeleton figures push up through the broken earth in the midground: four to six of them, half-emerged, ribs and skulls and one long arm clawing at the air, soil and roots still clumped on their bones, their eye sockets turned not toward the camera but toward the lantern light. Around the graves, ghosts drift at different depths -- pale, translucent spirits with trailing hems and hollow faces, one close to the left edge of frame floating above a stone, others farther out lost partly in the fog, and their transparency lets the mist and the moonlit gravestones show through them. On a low slab in the left foreground sits a carved jack-o'-lantern, its orange light leaking through its cut eyes and mouth and glowing onto the wet grass and the grave's moss.
Beyond the graves and the fog, a range of mountains rises against the sky, their peaks snow-capped and catching the moon's cold silver on the upward faces only, their lower slopes swallowed by mist. Above, a spooky starry night: a deep blue-black zenith scattered with hard, bright stars, and a full moon hanging behind ragged black cloud whose edges are silvered where they cross the moon's face. The moon is the second light source -- cold, blue-white, diffuse behind the cloud -- and it lays long, hard-edged shadows of crosses and tombstones flat across the ground, all pointing the same way away from the moon. The lantern's amber light is the warm counter-source, pooling close around the figure and the nearest stones, and it falls off fast into the blue dark. Windows of the scene's palette: near-black wool, cold slate blue for the moonlit fog and mountains, warm amber for the lantern and the pumpkin, and the rust-orange and burnt gold of the autumn canopy.
The autumn trees crowd the left and right edges of the frame, their leaves turned to orange, rust and deep red, and a gust of wind is tearing them loose -- a wide flurry of falling and blowing leaves streaming diagonally across the composition, some of them catching the moon's silver on their upper faces and dropping through the fog and the ghosts' trails. The wind is legible in the bend of the branches, the slanted fall of the leaves and the lean of the fog across the graves. A fallen leaf lands and settles on the wet top of the nearest tombstone, and the wet grass at its base glistens with amber from the pumpkin. Eerie, atmospheric.
Skye Hawkins
1 black-cloaked figure, solo, holding lantern, jack-o'-lantern on grave, hooded cloak, black wool cloak, from behind, over-shoulder composition, autumn forest, autumn trees, falling leaves, blowing leaves, wind, graveyard, graves, tombstones, skeletons, skeletons rising from graves, ghosts, spirits, fog, mist, snow-capped mountains, mountains in background, starry night, dark night, moon, moon in cloudy sky, spooky clouds, cast shadows, spooky shadows, lantern light, wide shot, panoramic composition, low horizon, dutch angle, dark palette, orange and gold accents, cold blue moonlight, eerie, atmospheric
The camera stands low and slightly behind the black-cloaked figure, an over-shoulder view looking past the hood and right shoulder down a tilted graveyard slope, so the whole scene rakes away from the viewer at a slight dutch angle with a very low horizon line that leaves two-thirds of the frame to night sky. The figure is seen only from behind and in three-quarter back: a floor-length hooded cloak of coarse black wool whose hood is up and whose hem drags through the fog, the cloak's folds catching a thin rim of amber on the lantern side. The right hand grips the lantern's ring handle at hip height, arm hanging with the weight of it; the left hand is hidden inside the cloak. The lantern itself is a riveted iron cage with warm amber panes, swinging slightly forward from the hand, and the figure's dark shape splits around it. The hood brim crosses the top of the skull, so the face is entirely away from the lens -- only the tip of the hood's silhouette and the cloak's back are given.
Ahead, the ground falls away in uneven rows of leaning tombstones, weathered crosses and slab graves, half sunk in grass gone brown. The fog lies waist-high in the hollows, thick and milky close to the ground, thinning into the air above, so the nearest stones are solid and the farther rows dissolve into grey. Skeleton figures push up through the broken earth in the midground: four to six of them, half-emerged, ribs and skulls and one long arm clawing at the air, soil and roots still clumped on their bones, their eye sockets turned not toward the camera but toward the lantern light. Around the graves, ghosts drift at different depths -- pale, translucent spirits with trailing hems and hollow faces, one close to the left edge of frame floating above a stone, others farther out lost partly in the fog, and their transparency lets the mist and the moonlit gravestones show through them. On a low slab in the left foreground sits a carved jack-o'-lantern, its orange light leaking through its cut eyes and mouth and glowing onto the wet grass and the grave's moss.
Beyond the graves and the fog, a range of mountains rises against the sky, their peaks snow-capped and catching the moon's cold silver on the upward faces only, their lower slopes swallowed by mist. Above, a spooky starry night: a deep blue-black zenith scattered with hard, bright stars, and a full moon hanging behind ragged black cloud whose edges are silvered where they cross the moon's face. The moon is the second light source -- cold, blue-white, diffuse behind the cloud -- and it lays long, hard-edged shadows of crosses and tombstones flat across the ground, all pointing the same way away from the moon. The lantern's amber light is the warm counter-source, pooling close around the figure and the nearest stones, and it falls off fast into the blue dark. Windows of the scene's palette: near-black wool, cold slate blue for the moonlit fog and mountains, warm amber for the lantern and the pumpkin, and the rust-orange and burnt gold of the autumn canopy.
The autumn trees crowd the left and right edges of the frame, their leaves turned to orange, rust and deep red, and a gust of wind is tearing them loose -- a wide flurry of falling and blowing leaves streaming diagonally across the composition, some of them catching the moon's silver on their upper faces and dropping through the fog and the ghosts' trails. The wind is legible in the bend of the branches, the slanted fall of the leaves and the lean of the fog across the graves. A fallen leaf lands and settles on the wet top of the nearest tombstone, and the wet grass at its base glistens with amber from the pumpkin. Eerie, atmospheric.
Skye Hawkins
ghost, spirits, wraith, multiple spirits, autumn forest, night, path, misty path, fog, mist in trees, jack-o'-lantern, pumpkins, autumn leaves, fallen leaves, bare branches, trees, mountains in background, snow on mountains, snowcaps, night sky, starry sky, moon, clouds, holding lantern, glowing lantern, translucent, ethereal, spectral, pale blue glow, orange glow, atmospheric perspective, from below, wide shot, landscape, no humans, horror, eerie, haunting Low camera looking slightly up the length of a narrow forest path at night, the path receding from the bottom of the frame into fog. The path is a dirt track strewn with wet red and ochre leaves, running between black tree trunks that lean in from both sides; the nearest trunks rise out of frame and fade, trunk by trunk, into grey-white mist that swallows the middle distance. Along both edges of the path, a dozen carved pumpkins sit ranged at irregular intervals — some perched on mossy stumps and roots, some half-sunk in leaf litter — each with a hollowed grimacing face lit from inside, their orange light spilling a short way onto the leaves around them. Fog drifts low across the ground and pools between the trunks; the pumpkin flames are the nearest light source, and their glow dims with distance into the mist. From the mist on the left of the path, a cluster of spirits emerges: slender spectral figures, pale and translucent, their lower bodies dissolving into the fog so that no feet touch the ground; their edges are soft, their faces hollow-eyed and faintly sorrowful, and they lean and trail toward the path as if drawn by the lantern light. Behind them and overhead the branches hang bare and claw-like, most leaves already fallen. On the right, a single larger ghost glides out from between two trunks toward the path, robed in drifting white tatters that fade to nothing below the waist. It holds a lantern raised in one outstretched hand: an iron frame with warm amber glass, its light catching the nearest leaves, the ghost's sleeve, and the underside of the branch above it, while the far side of the ghost stays pale and cool. The lantern is the brightest thing in the frame besides the moon. Beyond the trees, at the end of the path, the fog thins to reveal a line of mountains, their peaks heavy with snow that catches a cold blue-white from the sky. Above them the night sky is deep and starry, crossed by ragged dark clouds, and a full moon sits high to the right, veiled at its edge by cloud, casting a cool silver rim on every trunk and pumpkin top but leaving the forest floor to the warmer pumpkin and lantern light. Palette: cold silver and indigo sky and snow, black-green forest, warm orange pumpkin and lantern light, bone-white spirits. Distant fog and mountains rendered soft and low-contrast against the crisp lit pumpkins in the foreground. Eerie, haunting.
Skye Hawkins
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(mai)
detective anya and bond (˶>⩊<˶)
^( aricat )^
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
Love live! School idol maid - Hanayo koizumi
AMnatsu
character: tenma_tsukasa
"", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
character: kagamine_rin, copyright: vocaloid
lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
✦ ₊ ⊹ 🌑
(mai)
🎵Surtur
helanx
✦ ₊ 🪞 🗝️ 🫧 ₊ ✦
(mai)
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
Mine / 私のもの
みーちゃん
⋆𐙚 🎃 🫖 🍁 ✧
(mai)
![AI art "Ceres [41]"](https://images-ng.pixai.art/ji/thumb/0654320c-4126-41e2-b133-d4998b21982f)
Ceres [41]
snow
6
🩵🪽.⋆𝜗𝜚
生魚2(Raw Fish 2)
37
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
dz
Midnight Aesthetic: Monochrome Vibe
DxZ
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
The Enchantress of the Violet Blossomsーシャンプー
moon221B
👁️🗨️🦇🗝️🕯️
(mai)
Halloween
生魚2(Raw Fish 2)
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