Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

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2026年：ラブライブニセコイ19周年

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PixAI × zeta 자캐 콘테스트 2026

#러브라이브! 스쿨 아이돌 프로젝트 #니세코이 #토죠 노조미 #아야세 에리 #코사카 호노카 #야자와 니코 #니시키노 마키 #소노다 우미 #미나미 코토리 #코이즈미 하나요 #호시조라 린 #러브라이브!#오사키 아마나 #오사키 텐카

게시일 Nov 1, 2026

Grace Caroline Bancin

character: tojo_nozomi, koizumi_hanayo, ayase_eli, sonoda_umi, kosaka_honoka, yazawa_nico, nishikino_maki, hoshizora_rin, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, kimono, traditional japanese house interior, tatami room, shoji screens, engawa veranda, wisteria and plum blossoms in the garden beyond the open sliding doors, wide shot, from above, seated and kneeling in two staggered rows, high angle looking down into the room, warm afternoon light through paper screens, kosaka honoka, orange hair, short hair, hair between eyes, blue eyes, ayase eli, blonde hair, long hair, ponytail, blue eyes, minami kotori, brown hair, long hair, brown eyes, tojo nozomi, purple hair, long hair, twintails, green eyes, sonoda umi, blue hair, long hair, yellow eyes, koizumi hanayo, brown hair, short hair, purple eyes, hoshizora rin, orange hair, short hair, yellow eyes, nishikino maki, red hair, short hair, purple eyes, yazawa nico, black hair, long hair, twintails, red eyes, osaki amana, red hair, long hair, swept bangs, yellow eyes, osaki tenka, brown hair, long hair, yellow eyes, all wearing kimono, obi sash, wide sleeves, geta sandals set aside, hair arranged up off the collar, unadorned hair, bare earlobes, no jewelry visible, patterned silk kimono, seasonal floral motifs, snow-viewing lantern in the garden, low table with a teapot, wooden ceiling beams, sunlight falling in angled bands, quiet gathering. The camera looks down from high above the tatami room, near the ceiling beam, so the eleven girls are seen in a deep wide shot, their kimono sleeves and obi sashes fanning across the floor as they settle. They are arranged in a loose two-tier crescent: the front row sits back on their heels on the tatami in full seiza or with legs folded to one side, the back row's knees and hems overlapping the front row's shoulders from this angle only as layered silk and floor, not as touching bodies. Along the front row from left to right: Kosaka Honoka leans slightly forward on her hands, orange short hair tucked behind her ears, both hands pressing flat into the tatami as she grins up toward the lens; Sonoda Umi sits straight-spined beside her, long blue hair swept up and pinned, one hand resting on her obi knot, eyes lowered to the side; Koizumi Hanayo kneels half-hidden at the crescent's inner curve, brown short hair framing her face, both hands clasped in her lap, cheeks lightly pink, looking down at the tea tray. Behind them and to the right: Ayase Eli half-turns on one hip, blonde ponytail falling over one shoulder, one palm braced on the tatami behind her, her gaze drifting toward Minami Kotori, who sits leaning in toward her with brown long hair across her back and a closed-lip, faint smile as she registers being watched. Tojo Nozomi reclines more loosely against the shoji frame at the far edge, purple twintails spilling over her sleeve, chin tilted, an amused sideways glance toward the group. Hoshizora Rin sits cross-legged at a slightly wrong angle to everyone else, orange short hair bouncing forward, both arms flung up mid-stretch as she laughs with an open mouth. Nishikino Maki has folded herself small, red short hair tucked back, one knee up under her kimono hem, staring off toward the veranda, lips pressed thin as if she'd rather be at the piano. Yazawa Nico sits with her back very straight and both black twintails draped symmetrically forward over her chest, chin lifted, a smug closed-eye smile aimed up at the camera. Osaki Amana leans way over toward Osaki Tenka, long red hair sliding down her sleeve, one hand on the tatami between them as she speaks; Osaki Tenka tilts her head back toward her with brown long hair past her shoulder, listening, eyes half-closed. Every pair of eyes in the frame has a place to land -- on the viewer, on a neighbor, on the tea tray, or out the open doors toward the garden. The room is a traditional Japanese house interior: aged tatami mats whose woven grain runs in a strict grid, dark lacquered ceiling beams crossing overhead, fusuma panels with painted mountains slid partly closed, and shoji screens on the far wall thrown wide to an engawa veranda and a raked gravel garden. A low black-lacquer table sits in the crescent's open mouth carrying a round iron teapot and small ceramic cups; a snow-viewing lantern stands beyond the veranda, framed in the open doorway. Kimono are the only garment: layered collars crossing left over right, wide sleeves hanging loose, obi sashes tied at each back with a soft padded drum, color spread across the group from deep indigo and plum on one side, pale cream and vermilion on the other, with a woven seasonal motif of chrysanthemum, wisteria and plum on the silk. No jewelry, no hair ornaments, no earrings: hair is simply gathered or falling, and where the sleeves and obi are the only finery the eye catches. Light comes from one place: the open shoji on the right side, low warm afternoon sun angling in across the tatami, laying bright bands of light on the mats and throwing long soft shadows of the girls and the low table toward the left. The sun edge crosses the floor at a hard diagonal; the garden lantern casts its own longer shadow reaching into the room. Where the light strikes the silk, the sheen of the fabric catches -- the woven motifs gleam only on the upward-facing surfaces of a shoulder or a sleeve, and go almost matte in shade, and the obi knots on the girls' backs are half lit, half lost in shadow. The room's darkest passage sits under the beam shadow at the far left, cool and violet against the gold. Palette: warm gold and pale green from sun and garden, deep indigo, plum, vermilion and cream among the kimono, with the black lacquer of the table and beam anchoring the shadows -- restrained, softly saturated, everything reading as lived-in afternoon. Quiet, sunlit, domestic warmth.

2026年：ラブライブニセコイ19周年

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