Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

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2026年：ラブライブニセコイ19周年

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PixAI × zeta 자캐 콘테스트 2026

#러브라이브! 스쿨 아이돌 프로젝트 #토죠 노조미 #아야세 에리 #코사카 호노카 #야자와 니코 #니시키노 마키 #소노다 우미 #미나미 코토리 #코이즈미 하나요 #호시조라 린 #쿠니키다 하나마루 #러브라이브!

게시일 Nov 1, 2026

Ivana Aurelia

character: tojo_nozomi, koizumi_hanayo, ayase_eli, sonoda_umi, kosaka_honoka, yazawa_nico, nishikino_maki, hoshizora_rin, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, wide shot, from above, traditional japanese house interior, tatami room, shoji screens, engawa, kimono, eleven kimono, seated and kneeling on tatami, long_hair, short_hair, hair_between_eyes, orange_hair, blonde_hair, blue_hair, purple_hair, brown_hair, red_hair, black_hair, twintails, ponytail, hair_ornament, hair_bow, swept_bangs, blue_eyes, yellow_eyes, green_eyes, purple_eyes, red_eyes, brown_eyes, kimono only, obi sash, bare earlobes, single light source, warm lamplight, shoji glow, looking at another, light smile, grin, open mouth, one eye closed, head tilt, leaning forward, holding teacup, arms up, outstretched arm, hand on another's shoulder, smile, :d, ^ ^, blush, tareme, wide-eyed, traditional japanese room The camera looks down from just under the ceiling beams in a wide shot across an old wooden Japanese house: dark polished boards of the engawa run along the left edge, and beyond them a tatami room opens through pulled-back shoji, its paper panels glowing with low, warm garden light on the far side. Eleven girls in kimono fill the room in two staggered ranks, all of them looking toward a shared, mid-frame moment rather than to the lens. Across the front rank, from left to right: a short-haired orange-haired girl with a small bow in her bangs kneels half-upright, hips lifted off her heels in a forward lean, both hands braced on the tatami and a wide open-mouthed grin cutting toward the girl on her right; beside her a long blonde-haired girl with a high ponytail, one loose strand between her brows, sits with her weight on her right hip, one knee folded slightly forward, one hand arranging a sleeve cuff and her eyes angled down along the tea tray; next to her a long brown-haired girl with a hair bow sits in proper seiza, spine straight, head tilted and a soft closed-lip smile, one palm pressed flat on the mat beside her knee; then a short-haired brown-haired girl with a bow in her bangs kneels leaning far forward over both knees, both hands wrapped around a small teacup held just below her chin, eyes wide and bright above the rim, blowing faint steam to one side; and at the right end of the front rank a short-haired red-haired girl with a bang strand falling between her eyes sits cross-legged, elbow on one raised knee, chin propped on her knuckles, half-lidded eyes cutting sideways toward the tea tray, one corner of her mouth lifted. Behind them, the back rank is staggered so every face clears the front row's shoulders: on the far left a long blue-haired girl with a bow in her hair sits tall and square in seiza, both hands folded in her lap, chin slightly raised, eyes fixed on the far shoji as though counting something; beside her a long purple-haired girl with twin tails and a hair ornament kneels with her torso turned three-quarters away from the camera, one hand resting light on the shoulder of the girl to her right, her cheek turned back over that shoulder with a grin; that girl, long brown hair and a bow, is caught mid-turn on her knees with one arm flung up and her sleeve falling back, mouth open as if she has just laughed; next on the back right a long blonde-haired girl with a ponytail -- no, the back rank's last two: a black-haired girl in high twin tails tied with a hair bow leans forward with both elbows on the low table edge, chin between her palms, one eye squeezed shut and a cheeky tongue-tip glimpse of a grin aimed at the redhead in front of her; and beside her a short-haired red-haired girl with a bang strand and purple eyes sits perfectly still, hands stacked in her lap, chin lowered, watching the teacup in front of her with quiet concentration; and at the very back right, half-screened by the shoji frame, a long-haired orange-brown girl with swept bangs and a hair ornament sits sideways on the edge of the engawa with her legs folded to one side, one hand on the wooden lip and the other raised in a small wave aimed across the room, while her companion -- a long brown-haired girl with a small bang strand -- kneels just inside the threshold with knees together, one hand lifted to tuck a strand behind her ear, head cocked toward the waving girl. Every kimono is a different colour and every one is worn plainly closed at the throat, wrapped left over right, tied with a flat obi at the waist: pale peach, winter white, deep indigo, moss green, plum, warm mustard, charcoal grey, dusty rose, dark teal, soft lavender and muted vermilion, spread so no two neighbours repeat. No earrings, no necklaces, no brooches: all ears bare, all throats bare, all wrists unobstructed, hands ungloved, the only ornament anywhere the small hair ribbons the girls already wear. The obi knots sit at each back, hidden where the mats and bodies behind them allow, and the trailing sleeves pool and crease where forearms rest on the tatami -- fabric compressed in soft folds beneath the weight, hem edges lifting a little in the draught from the open shoji. The single light source is a low, warm paper-shaded lamp set on the tatami at frame centre-left, its glow reddening the underside of every chin and lighting only the faces nearest it; beyond that pool the shoji panels fall into blue-grey shadow, and the beams above and the far corridor go nearly black. Long soft shadows rake from the lamp across the mat weave, and the tea steam curls only where the lamp's light crosses it. The palette is the lamp's amber against the room's blue-grey dusk and the kimono colours, nothing else. Interior is warm, quietly bustling, tender.

2026年：ラブライブニセコイ19周年

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