๋ฌด๋ฃŒ๋กœ ๊ฐ€์ž…ํ•˜๊ณ  ์ฆ‰์‹œ 10,000 ํฌ๋ ˆ๋”ง์„ ๋ฐ›์•„๋ณด์„ธ์š”.

๊ฐ€์ž… ๋‹น์ผ ๊ณ„์ •์— ์ง€๊ธ‰๋˜๋Š” ์‹ ๊ทœ ํฌ๋ฆฌ์—์ดํ„ฐ์šฉ ์‹œ์ž‘ ํฌ๋ ˆ๋”ง์ž…๋‹ˆ๋‹ค.

PixAI iOS ์•ฑ App Store ์ผ์‹œ ๋‹ค์šด๋กœ๋“œ ์ค‘๋‹จ ์•ˆ๋‚ด โ€” PixAI ์ด์šฉ์ž ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ํ˜„์žฌ PixAI iOS ์•ฑ์„ App Store์—์„œ ๊ฒ€์ƒ‰ํ•˜๊ฑฐ๋‚˜ ๋‹ค์šด๋กœ๋“œํ•  ์ˆ˜ ์—†๋Š” ์ƒํ™ฉ์ž…๋‹ˆ๋‹ค. ๋น ๋ฅธ ์‹œ์ผ ๋‚ด์— ๋‹ค์‹œ ๋‹ค์šด๋กœ๋“œํ•˜์‹ค ์ˆ˜ ์žˆ๋„๋ก Apple ์ธก๊ณผ ์ ๊ทน์ ์œผ๋กœ ํ˜‘์˜ํ•˜๊ณ  ์žˆ์œผ๋ฉฐ ์„œ๋น„์Šคโ€ฆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI art "Relaxing on the Couch ๐Ÿ’ค" featuring #๊ณ ์–‘์ด์ž…, #์—‰๋ฉ์ด, #๋’ท๋ชจ์Šต, #๋’ค๋Œ์•„๋ณด๊ธฐ, #๋ฐ”์ด์ปค ์‡ผ์ธ , #ํ‘๋ฐœ, #๋‹จ๋ฐœ๋จธ๋ฆฌ and #์†Œ๋…€
๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ

Relaxing on the Couch ๐Ÿ’ค

There's just something so endearing about this simple, cozy sceneโ€”I can't help but love the relaxed vibe and that playful little look back. It makes me want to just chill out and enjoy the moment! If you find this as charming as I do, please drop a like and follow for more content. Let me know what you think in the comments! ๐Ÿ’•

#๊ณ ์–‘์ด์ž…#์—‰๋ฉ์ด#๋’ท๋ชจ์Šต#๋’ค๋Œ์•„๋ณด๊ธฐ#๋ฐ”์ด์ปค ์‡ผ์ธ #ํ‘๋ฐœ#๋‹จ๋ฐœ๋จธ๋ฆฌ#์†Œ๋…€
๋” ๋ณด๊ธฐ

๋Œ“๊ธ€

PixAI์—์„œ ํ”„๋กฌํ”„ํŠธ๋Š” ๊ธฐ๋ณธ์ ์œผ๋กœ ๊ณต๊ฐœ๋˜์ง€๋งŒ, ์ฐฝ์ž‘์ž๋Š” ์ž์‹ ์ด ์˜ฌ๋ฆฐ ์ž‘ํ’ˆ๋งˆ๋‹ค ํ”„๋กฌํ”„ํŠธ๋ฅผ ์ˆจ๊ธธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ์ด ์ž‘ํ’ˆ์˜ ์ฐฝ์ž‘์ž๋Š” ํ”„๋กฌํ”„ํŠธ๋ฅผ ์ˆจ๊ธฐ๊ธฐ๋กœ ์„ ํƒํ–ˆ๊ธฐ ๋•Œ๋ฌธ์—, ์ด๋ฏธ์ง€๋ฅผ ์ƒ์„ฑํ•˜๋Š” ๋ฐ ์‚ฌ์šฉํ•œ ๋‹จ์–ด๋Š” ์ฐฝ์ž‘์ž ๋ณธ์ธ๋งŒ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํ”„๋กฌํ”„ํŠธ๋ฅผ ์ˆจ๊ฒจ๋„ ๊ทธ ์™ธ์—๋Š” ๋‹ฌ๋ผ์ง€๋Š” ์ ์ด ์—†์Šต๋‹ˆ๋‹ค. ์ž‘ํ’ˆ์€ ๊ทธ๋Œ€๋กœ ๊ณต๊ฐœ๋˜์–ด ์žˆ๊ณ , ํ‰์†Œ์ฒ˜๋Ÿผ ์ข‹์•„์š”, ๋Œ“๊ธ€, ๊ณต์œ ๋ฅผ ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
์ž‘์„ฑ์ž์— ์˜ํ•ด ์ˆจ๊ฒจ์ง

๋ชจ๋ธ ๋ฐ LoRA ์‚ฌ์šฉ

๋น„์Šทํ•œ ์ž‘ํ’ˆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI artwork
Avatar image of ใ‚€ใŽ
1girl, solo, mannequin, inward-curled bob, blunt bangs, bob cut, glasses, shy expression, blushing, squatting, from behind, looking back, extreme bottom-up angle, floor-level camera, foreshortening, black short spats, black frilled socks, frills, bare legs, full body, plain background Extreme bottom-up floor-level view, camera resting on the floor and tilted steeply upward so the soles and the underside of the spats dominate the foreground and the head sits high in the frame, foreshortened and small. A single mannequin-girl crouches in a low, natural squat: heels lifted slightly, weight settled on the balls of both feet with the toes gripping the floor, knees splayed just wide enough for the pose to read as relaxed rather than rigid, thighs nearly horizontal. The pale segmented joint lines of a mannequin show at the knees and wrists, glossy shell surface over a duller underlayer. Her inward-curled bob falls densely to just below the jaw, the blunt bob ends curling in toward the cheeks in a dark, glassy mass; a few strands splay at the nape where the head has turned. Round glasses are pushed slightly high on the nose, and because she is seen from behind the frames catch only as thin arcs of rim at the temple and one lens edge flecked with reflected light. Her head turns just enough over the right shoulder that the far cheek shows its flare of blush from under the curl โ€” a shy, otaku-ish cast: brows drawn slightly up and together, eyes turned down and away toward the floor, lips pressed into a small uncertain line, both cheeks hot with red that rouges the shell surface. Both arms hang down between the knees, hands loosely clasped at the shins, fingertips just brushing the tops of her socks. Black short spats sit high on the thigh, snug and cropped short, their seams stretched taut by the squat so the fabric creases into shallow fans across the hip and the hem cuts a clean horizontal line; below, bare legs, then black socks finishing in a frilled cuff that rumples around each ankle where it meets the floor. The light is a single soft source low and behind her from the left, raking across the floor and lighting the rims of the spats and the sock frills from underneath; the shadow spills out long in front of her feet, foreshortened by the camera angle. Cool neutral palette of pale porcelain, black fabric and a warm blush accent, one tiny specular highlight sliding along the glasses rim. Quiet, offbeat, softly embarrassed.
ใ‚€ใŽ
AI artwork
Avatar image of ้ป’
solo, 1girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, short-length leggings, black leggings, lying on stomach, prone, from behind, ultra-low angle, from below, floor-level camera, extreme close-up on lower body, rear view, foot focus, bare feet, looking back, over-shoulder glance, floor, wooden floorboards, indoor, The camera is on the floor itself, the lens resting essentially at ground level behind her, pushed in so close that her hips and the taut black spandex across them fill the lower two-thirds of the frame in huge, soft-focus foreground scale, and the perspective races away along her prone body toward her head at the far end. She lies flat on her stomach on a bare wooden floor, legs stretched straight back toward the lens, ankles loose and slightly apart, toes of both bare feet resting on the boards with the soles tipped up a little; the black short-length leggings end mid-calf, their elastic hems biting faintly into her calves. Her weight sinks into the floor through her chest and hips, the spandex stretched smooth and glossy over the curve of her rear with a shallow crease where the fabric folds between, and her forearms are folded under her chin at the far end so her upper body is propped just barely off the boards. Her head is turned in three-quarter profile back over her left shoulder, chin resting near her folded hands, one dark eye finding the viewer down the length of her own body with a flat, unimpressed sideways glance and one brow faintly arched; her straight-cut bangs hang forward and sweep slightly across her forehead from the turn, and the inward-curving ends of the black bob tuck against her cheek and the nape in two clean hooks. Behind her the room is reduced to nothing but floorboards running in long parallel lines to a shadowed baseboard, a single low window light coming in from the left side, grazing the boards and laying a long soft highlight along the left edge of her leggings and hair while her right side and the hollow under her ribs fall into dim brown shadow, her body casting a small tight shadow directly beneath itself. Palette held to black hair and black spandex against the warm honey-brown of the floor, no other colour admitted. Quiet, lazily defiant.
้ป’
AI artwork
Avatar image of ้ป’
solo, 1girl, black hair, short hair, bob cut, inward-curving ends, straight-cut bangs, blunt bangs, short-length leggings, black leggings, lying on stomach, prone, from behind, ultra-low angle, from below, floor-level camera, extreme close-up on lower body, rear view, foot focus, bare feet, looking back, over-shoulder glance, floor, wooden floorboards, indoor, The camera is on the floor itself, the lens resting essentially at ground level behind her, pushed in so close that her hips and the taut black spandex across them fill the lower two-thirds of the frame in huge, soft-focus foreground scale, and the perspective races away along her prone body toward her head at the far end. She lies flat on her stomach on a bare wooden floor, legs stretched straight back toward the lens, ankles loose and slightly apart, toes of both bare feet resting on the boards with the soles tipped up a little; the black short-length leggings end mid-calf, their elastic hems biting faintly into her calves. Her weight sinks into the floor through her chest and hips, the spandex stretched smooth and glossy over the curve of her rear with a shallow crease where the fabric folds between, and her forearms are folded under her chin at the far end so her upper body is propped just barely off the boards. Her head is turned in three-quarter profile back over her left shoulder, chin resting near her folded hands, one dark eye finding the viewer down the length of her own body with a flat, unimpressed sideways glance and one brow faintly arched; her straight-cut bangs hang forward and sweep slightly across her forehead from the turn, and the inward-curving ends of the black bob tuck against her cheek and the nape in two clean hooks. Behind her the room is reduced to nothing but floorboards running in long parallel lines to a shadowed baseboard, a single low window light coming in from the left side, grazing the boards and laying a long soft highlight along the left edge of her leggings and hair while her right side and the hollow under her ribs fall into dim brown shadow, her body casting a small tight shadow directly beneath itself. Palette held to black hair and black spandex against the warm honey-brown of the floor, no other colour admitted. Quiet, lazily defiant.
้ป’

๋” ์‚ดํŽด๋ณด๊ธฐ

์ถ”์ฒœ ํฌ๋ฆฌ์—์ดํ„ฐ

๋‹น์‹ ์—๊ฒŒ ์ถ”์ฒœ

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of ใƒชใ‚ช
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
ใƒชใ‚ช
AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ