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AI art "Girl Car Ass" featuring #zetaCollab
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Girl Car Ass

참가 작품
PixAI × zeta 자캐 콘테스트 2026 #zetaCollab
mt

Madis&Tõnis Tuulik

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character: annytf Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny lies back along the hood of the black BMW, seen in three-quarter overhead view from above and slightly to the side, her body running diagonally up the glossy black panel. She is propped on one elbow, chest lifted, back gently arched, shoulders drawn back. Her black hair with bold purple stripes, shoulder-blade length, is loose from its ponytail enough that the tail is fanned against the dusty black paint beneath her head. She has striking sapphire-blue eyes, looking up along her own body directly into the lens with a slow, upside-down, teasing gaze, chin tipped back, lips softly parted in a smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the full weight of her bust held in the pink cotton as she lies back. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the tight pink tank top, and the hem has ridden up her torso so a long bare stretch of her flat midriff is exposed, the fabric bunched just beneath her bust with the pink cotton still fully covering her chest. The tight pink shorts sit snug across her hips. Clean white sneakers, one knee bent with the sole planted flat on the black paint, the other leg extended, both legs clearly separated. Her right hand rests on her own bare midriff, fingers spread against the warm skin, thumb moving slowly; her left hand lies flat on the black hood behind her, fingers spread through the dust film and leaving clean streaks. Details to hold: the bare stretch of her midriff between the bunched tank top and the waistband of her shorts, the soft crease of skin where she is lying back, her fingers spread against her own stomach, the fabric bunched and creased beneath her bust, the strain of the thin straps at her shoulders, her purple-striped hair fanned against the dusty black paint, the silver ring, the clean palm-streaks in the dust. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight hood panel, bright chrome trim, clear glass, a light dust film now heavily marked in the shape of her body and hands. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight spilling in from the open roller door. Warm tungsten pendant bulb overhead falling across her body and the black hood. Camera: three-quarter overhead angle looking down along her body, full-length shot, shallow depth of field with her face and hand sharp. Visual focus is her hand on her own bare midriff and her upward gaze at the lens. Subtle film grain.
매개변수 표시
원본 프롬프트
Photorealistic cinematic photograph, mature glossy rendering, subtle film grain. Single subject, clean composition, no extra people or random objects, no anatomical errors, no merged limbs: Anny lies back along the hood of the black BMW, seen in three-quarter overhead view from above and slightly to the side, her body running diagonally up the glossy black panel. She is propped on one elbow, chest lifted, back gently arched, shoulders drawn back. Her black hair with bold purple stripes, shoulder-blade length, is loose from its ponytail enough that the tail is fanned against the dusty black paint beneath her head. She has striking sapphire-blue eyes, looking up along her own body directly into the lens with a slow, upside-down, teasing gaze, chin tipped back, lips softly parted in a smirk. Neatly arched dark brows. Fair porcelain complexion with delicate freckles across her nose and the tops of her shoulders, a warm sun-kissed sheen with realistic pores and subtle texture, a faint flush high on her cheeks. Full glossy lips with a natural pink tint. A voluptuous, busty 32 GG figure with pronounced curves against her narrow waist, the full weight of her bust held in the pink cotton as she lies back. A delicate silver ring and a thin leather bracelet. A black choker with a small silver crest at her throat. She wears the tight pink tank top, and the hem has ridden up her torso so a long bare stretch of her flat midriff is exposed, the fabric bunched just beneath her bust with the pink cotton still fully covering her chest. The tight pink shorts sit snug across her hips. Clean white sneakers, one knee bent with the sole planted flat on the black paint, the other leg extended, both legs clearly separated. Her right hand rests on her own bare midriff, fingers spread against the warm skin, thumb moving slowly; her left hand lies flat on the black hood behind her, fingers spread through the dust film and leaving clean streaks. Details to hold: the bare stretch of her midriff between the bunched tank top and the waistband of her shorts, the soft crease of skin where she is lying back, her fingers spread against her own stomach, the fabric bunched and creased beneath her bust, the strain of the thin straps at her shoulders, her purple-striped hair fanned against the dusty black paint, the silver ring, the clean palm-streaks in the dust. The black old BMW is in good condition: deep glossy black paint with a clean even shine, straight hood panel, bright chrome trim, clear glass, a light dust film now heavily marked in the shape of her body and hands. Setting: open concrete bay, pale bare floor, cinder-block walls in shadow, cool daylight spilling in from the open roller door. Warm tungsten pendant bulb overhead falling across her body and the black hood. Camera: three-quarter overhead angle looking down along her body, full-length shot, shallow depth of field with her face and hand sharp. Visual focus is her hand on her own bare midriff and her upward gaze at the lens. Subtle film grain.
모드
ultra
크기
1232 x 1632
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

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