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Fitentia Lombardy

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Fitentia Lombardy

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character: kurokawa_akane 1girl, 1man, 2girls? no, 2 subjects total, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes with green iris segments, heterochromia eyes, star-shaped pupils, enormous breasts, rococo style, opulent baroque gown, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy skirt, huge skirt, long oversized skirt, colossal earrings, colossal engagement ring, colossal bracelets, diamond collar, tiara, blush, sad expression, sighing, woman standing, tall man, ugly man, kiss on the lips, brutal kiss, forced kiss, kissing with malice, man kissing the woman, closed eyes on the man, half-closed wet eyes on the woman, trembling, clenched fists at her sides, furrowed brow, sweat, dutch angle, from below, cowboy shot, heavy atmosphere, ornate decorative aesthetic with intricate detailing, opulent textures, lavish embellishments, The shot is a low dutch angle tilt from below, canted so the tall ugly man towers into the upper-left of the frame and the woman is pushed toward the lower-right, the horizon of the great hall skewed by the tilt. The woman stands with her weight sunk into her right leg, hip dropped, left knee slightly bent, both arms hanging stiff at her sides with her fingers clenched into the sequined fabric of her skirt. Her head is pulled up and back, chin lifted awkwardly by the man's mouth on hers; her lips are crushed under his, her eyes half-closed and wet at the lower lids, brows drawn up in the middle, a tear track threatening at the outer corner of her right eye, and a deep embarrassed blush across both cheeks and the bridge of her nose. A long exhale escapes one corner of her pressed lips — the sigh — visible as a faint quiver of breath and the tiny lift of her shoulders. Her enormous lace-ruffled bust strains the monstrosity of the dress at the chest. Her black-to-blue gradient long hair, cut with heavy straight bangs across her brow, spills forward over the man's wrist as her head is tilted, some strands caught between the kiss and swinging free. The tall ugly man leans in from above, his back curved over her, one greasy hand gripping her jaw and cheek to hold her face up to his mouth, the other hand clamped on her bare shoulder above the puff of the sleeve; his lips mash brutally against hers, chin pressed in, and his expression, visible in profile eye and the set of his heavy brow, is a malicious half-smile of satisfaction. He is all hard angle against her softness — a jutting jaw, a blunt nose, wiry hair at the temples, a coarse dark coat. Her ornaments are a disaster of wealth: a tiara canted slightly askew in the gradient hair, colossal chandelier earrings dragging the earlobe, a diamond collar choking the throat above the dress's neckline, enormous bracelets sliding down her wrists, and the colossal engagement ring crushing her right ring finger, her fingers too clenched to display it comfortably. The dress is red and white in great swathes — white lace over the shoulder out to the enormous puffed sleeve, deep blood-red panels below, so much lace at the bodice it forms a second skin, ruffles stacked in tiers at the wrist and hem, bows at the elbow, waist, and both hip swags, sequins and glitter fabric catching tiny points of light, ridiculous ornaments — pasted-on jewel clusters and ribbon knots — scattered over the skirt. The huge skirt balloons out till its hem is lost off the bottom edge of the frame. Lighting comes from high windows behind and above: a cold white shaft falls across the man's shoulder and the back of her head, rimming the tiara and the tops of the sequins; the fronts of both faces are lit from the side by a warm chandelier, throwing the man's shadow across her cheek and throat and setting a hard edge down the center of her dress. The hall behind them recedes in dark red and gold, brocade panels and gilded molding receding upward in the tilt. Central palette: blood red, ivory white, and dim gold, the only bright points being the diamond collar, the earrings, and the highlight running along the massive skirt. The mood is an opulent, gilded humiliation — beautiful, awful, and sad.
매개변수 표시
원본 프롬프트
1 girl,akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts,rococo style,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,red and white dress,sad,colossal engagement ring,colossal bracelets,tiara,blush,la mujer esta suspirando,la mujer esta de pie,diamond collar,1 man,tall man,ugly man,kiss in lips,brutal kiss,forced kiss,el hombre besa con maldad a la mujer
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
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AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy, heterochromia, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, long hair, bangs, hair between eyes, swept bangs, enormous breasts, red and white dress, rococo style dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments on dress, tiara, colossal earrings, colossal bracelets, diamond collar, colossal engagement ring, tall man, ugly man, forced kiss, brutal kiss, kiss on lips, standing, sad, sighing, blush, closed eyes, furrowed brows, from side, profile, cowboy shot, dutch angle, ornate ballroom, chandelier light, dramatic shadow, looming, dominant, seductive_smile? no — cruel smirk, trembling, motion_lines, spoken_heart, From side, in a slight dutch tilt, the frame holds two figures against a tall mirrored ballroom wall: on the left, a young woman with long multicolored gradient hair — black at the crown melting to blue through the lengths — with swept bangs and a fringe of hair falling between her heterochromatic eyes, one eye blue and one green. She stands in a towering red and white rococo gown so overloaded it nearly swallows her: a huge puffy skirt that balloons out at the hips and trails to the parquet, crusted in glitter fabric and sequins, layered with excessive ruffles at every tier, frothed with too much lace at the neckline and cuffs, and studded with too many bows and ridiculous ornaments — wax-sealed medallions, glittering ribbon rosettes, tiny gilded cages — until the dress reads as an intentional catastrophe of riches. A tiara sits pushed slightly askew on her crown; colossal earrings drag at her earlobes and colossal bracelets clank along both wrists, a diamond collar glints at her throat, and on her ring finger a colossal engagement ring rides painfully heavy, its stone tipping her hand. She is standing, weight sunk into her back hip, one gloved hand hanging limp at her side, the other pressed flat to her own collarbone; her shoulders have dropped, her lashes are lowered over her mismatched eyes, and her open lips are caught mid-sigh, a warm blush blooming across her cheeks and the bridge of her nose. To her right, looming half a head taller and leaning down hard into her, a tall, ugly man: a heavy-browed, thick-jowled face with a crooked nose, deep-set eyes, stubbled jaw, and a mouth pulled into a cruel smirk as he crushes a brutal, forced kiss onto her lips. His hand fists the lace at her shoulder to hold her in place; the angle of his head crowds hers back and to the side, her tiara tilting further, strands of her gradient hair pulled taut between them. Her eyes stay lowered and half-closed, and beside her cheek a small hand-drawn heart floats inside a speech bubble — a symbol only, no words. The chandelier hangs behind them; its light comes from high at the upper right, laying warm highlights on the man's brow and the woman's cheekbone while her enormous skirt falls away into shadow and the parquet reflects a darker, softer echo of the sequins. Palette: the dress's deep reds and whites, pastel-champagne lace, glittering silver-pink, and the cool blue of her hair against the ballroom's murky gold-brown dark. Highly ornate, decorative rendering with elaborate lace and ruffle detail and a luxurious pastel-influenced opulent palette. Oppressive, glittering dread.
Fitentia Lombardy
AI artwork
bb
character: kurokawa_akane 2girls? no -- 1girl, 1boy, 2 subjects, kurokawa akane, long hair, bangs, multicolored hair, gradient hair, black and blue two-tone hair, blue eye, green eye, heterochromia, enormous breasts, rococo style dress, overly ornate tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments on dress, red and white dress, glitter fabric, sequins, puffy huge oversized long skirt, (((la chica lleva un abrigo negro encima del vestido))), black fur coat over dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, tall man, ugly man, kiss on lips, brutal kiss, forced kiss, malicious kiss, woman not enjoying kiss, turning away, closed eyes, distressed, from side, profile, cowboy shot, dutch angle, dramatic lighting, chiaroscuro, A low three-quarter profile view from slightly below, tilted a few degrees off level, with the two figures filling the frame from mid-thigh up and the huge skirt spilling out of the bottom edge. The woman stands at the left of frame, her weight sunk onto her right leg so her left hip juts and the enormous puffed skirt bulges toward the lower right, its hem lost off-frame; her spine leans back and away, chin pulled to her right, whole torso torqued to escape. The man at the right of frame is a head and a half taller, stooping down and forward over her: his right hand clamps the back of her neck under the fur collar, his left fist bunches the black fur at her shoulder, and his mouth is crushed flat against hers, mashing her lips, his head tilted hard to one side. Her mouth stays compressed and pulled to one corner under his; her eyes are squeezed shut with the brows drawn up and pinched at the center, a shine of tears along the lower lash line, cheeks flushed deep red with blush, and her breath goes out in a thin visible puff from the corner of her mouth, the sigh escaping around the kiss. His eyes are open, narrowed, looking down at her face with a mean curl at one mouth corner. Her hair is long, falling past her shoulders in a black-to-blue gradient -- black at the crown and blue down the lengths -- with a heavy fringe of straight bangs over her brow, some strands crushed between her cheek and his jaw, the ends swinging back from the tilt of her head; one blue eye and one green eye, the blue on the frame-left side. The dress is a rococo explosion in red and white: a tight boned bodice crusted with sequins that throw hard pinpoint highlights, white lace foaming at the neckline in three stacked tiers, absurdly many ribbon bows in alternating red and white stuck at every seam, ruffles pleated so densely they read as a ridge of coral, gilt and paste-jewel ornaments of no consistent design bolted across the front, and a skirt puffed and gathered into a balloon that is wider than she is tall with more lace and bows at the hem. Over all of it she wears a heavy black fur coat, worn open and pushed back off her shoulders so it frames the dress, its thick nap swallowing the light and its collar standing up around her neck and crushed under his hand. A diamond collar rings her throat beneath the fur, above it colossal drop earrings pull at both earlobes, a tiara sits tilted in the black hair at her crown, enormous bracelets of stacked stones weight both wrists, and on her left hand the colossal engagement ring sits as a faceted mass the size of a plum, that hand hanging limp at her side with the fingers slack. The man's face is coarse and heavy-jawed, big nose, broken-veined cheeks, stubble, small wet eyes, greasy dark hair combed back; he wears a plain dark high-collared formal coat, dull and unornamented, so the visual weight sits entirely on her. The light is a single hard warm lamp from high frame-left, off-camera: it rakes the left side of the scene, catching the sequins and the facets of the ring and tiara in bright chips, throwing the man's shadow across her cheek and lighting the rim of the fur, while the right side of the frame and the underside of the skirt fall into deep brown-black. Palette is red and white on her, black in the fur and his coat, and warm skin tones -- nothing else admitted. A few loose sequins have fallen and lie scattered on the front of her skirt, twinkling where the light hits. Oppressive, glittering cruelty.
Brago bloodfallen
#쿠로카와 아카네
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, 2girls? no, 1girl 1boy only, kurokawa akane, long hair, bangs, hair between eyes, swept bangs, multicolored hair, gradient hair, black hair fading into blue hair, heterochromia, one blue eye, one green eye, star-shaped pupils, enormous breasts, cleavage, rococo style, overly ornate tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments on dress, red and white dress, fur-trimmed dress, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, frowning, teary eyes, 1boy, ugly man, tall man, grabbing waist from behind, hand over mouth, kidnapping, struggling, from behind, over-shoulder composition, dutch angle, cowboy shot, seductive_smile no — distressed, heavy_breathing, trembling, motion_lines, clutched hands, ballroom interior, chandelier light, Seen from a low dutch angle over the woman's shoulder: her back is toward the camera, her head twisted into a sharp left profile so the camera catches only that left cheek, one visible blue eye wide and wet, and the black-and-blue gradient hair spilling over her shoulder toward the viewer. Both of the tall man's arms are wrapped around her from behind — his left forearm barred across her waist, crushing the fur-trimmed red-and-white satin against her enormous chest, his right palm clamped flat over her mouth from jaw to nose, the fingers spread and denting her cheek so her lips are pressed unseen against his skin. Her hands claw up at that wrist, her colossal bracelets bunching and sliding at her forearm and her colossal engagement ring catching the light as she pulls; she lifts onto her toes, heels lifting out of the huge puffy skirt, weight tipping off balance into his grip. Her chin is craned up and away from the palm, no eye contact with him, gaze thrown toward the upper-left out of frame; his head is above and behind hers, tilted down, small eyes fixed on the top of her head, mouth slack and grim. He looms a full head and a half above her — heavy brow, crooked nose, stubbled jaw, sloping shoulders, shabby dark overcoat that ends bluntly against her glittering sequined silhouette, no lace, no ornament on him. The dress is a burden of excess: tiered lace cascading at the neckline, fur edge at the hem and cuffs, ruffles stacked in layers so dense the skirt stands out in a puffed bell wider than her hips, bows knotted at the waist, the sleeves and the bodice until they are almost too many to count, ridiculous ornaments of paste jewels and ribbons pinned everywhere, sequins strewn across the satin and the glitter fabric scattering pinpricks of light at every fold. The puffy skirt crumples and twists where his forearm digs into her hip. The colossal earrings swing forward on their long chains, the tiara slides a fraction off level, and the diamond collar sits rigid at her throat, digging in as she strains. Fur trim blurs at the edges where the fabric is crushed. Set in a dim ballroom: a gilded rococo interior dissolves in shadow behind them, cornices and a candelabra chandelier above the frame. A single warm chandelier light comes from high above and slightly right, laying highlights on the tiara, the diamond collar, the sequins and the man's bare forearm, and casting both their shadows hard and long onto the marble floor at the lower left. Beyond that pool the darkness is absolute. Palette: red and white dress, blue and black hair as the only cool note against warm gold and umber surroundings. One physical tell: where his palm presses her mouth, her breath fogs and the sequins at her cheek catch a fine sweat sheen, while the loose fur strands along the hem lie flat rather than puffing — crushed, not stirred. Tense, suffocating dread.
Fitentia Lombardy
AI artwork
fl
character: kurokawa_akane 1girl, 1boy, kurokawa akane, long hair, bangs, swept bangs, hair between eyes, multicolored hair, gradient hair, black hair fading to blue hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, crying, tears, furrowed brows, red and white dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, fur trim, puffy skirt, huge skirt, long skirt, oversized dress, 1 man, tall man, ugly man, kidnapping, being carried, arm support, over-shoulder carry, from below, dutch angle, cowboy shot, looking at another, reaching out, outstretched arm, clenched teeth, struggle, dim grand hall, chandelier light, Shot from below at a tilted dutch angle: a tall, gaunt, ugly man fills the right half of the frame, and against his chest he hauls the girl off her feet in a rough over-shoulder carry, his thick forearm clamped across her back, her weight slumped forward over his shoulder so her enormous ruffled skirt hangs down behind him and her long gradient black-to-blue hair spills over his sleeve. His face, seen in three-quarter from below, is drawn long and coarse -- heavy sloping brow, big hooked nose, small deep-set eyes squinting down at her, wide crooked mouth pulled back in a grin with a couple of teeth showing -- and he is unhurried, one hand gripping her waist under the lace, the other planted flat on her shoulder blade. She is seen mostly from the waist up: her head is tipped toward the camera, cheek pressed near his collarbone, brows pinched up in the middle, blue eye and green eye both wet and shining, tears escaping sideways into her hair, a small open mouth, a hot blush smeared across both cheeks. Her hand stretches down and out toward the viewer with the colossal engagement ring heavy on it, the gigantic stone catching a spark of light, colossal bracelets rattling at her wrist, and the huge teardrop earrings swinging away from her jaw as she is turned. The dress is a rococo disaster: red and white satin and fur, a bodice plastered in layers of lace and sequined appliqué, bows stacked on bows from the neckline to the hem, absurd porcelain-figure ornaments and a tiny candy-striped cage strung on the skirt, glitters and sequins studding every fold so the fabric throws specks of light wherever it turns. A small tiara sits crooked in her bangs, and a diamond collar glints at her throat just under the lace. Her gaze goes past the man toward the viewer, and his gaze is pinned down on her face. Around them a dim grand hall, tall rococo mouldings and a marble floor falling away into shadow; a single chandelier high behind and above them is the only light source, so their faces are lit from above, the underside of her skirt and the space behind the man go black, and a huge soft shadow pools on the floor at his feet. Cool white light, warm red and gold from the dress and the gilding, deep brown shadow. Melodramatic, uneasy.
Fitentia Lombardy
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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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