Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

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NergoProxy

게시일 Nov 1, 2026

NergoProxy

wide shot, 16:9 cinematic horizontal banner, chapter header composition, tech-noir chemistry aesthetic, high-contrast monochrome blueprint drafting style, subterranean alchemical black market, bustling market crowd, makeshift chemical stalls, glowing glass retorts, pressure valves, rare essence vials on crude wooden tables, blue-taped containers, glowing electric blue highlights on volatile chemical solutions, figures as abstract chaotic ink scribble silhouettes, dark scribbled ink-line figures, scribbled heads, faceless, no facial features, alchemical formulas overlay, distillation schematics overlay, market trade blueprints overlay, monochrome with electric blue accent, gritty atmosphere, ink linework on dark ground A wide 16:9 horizontal banner, camera at crouched eye level under the vault, twenty-odd scribbled ink figures packed along a curving aisle that funnels from the lower-left foreground to a vanishing point at upper right, so the crowd reads as a dark scribbled river of shoulder and hood and raised arm rather than a row of portraits. Every figure is pure agitated ink: bodies built from dense crosshatched scribble strokes, heads knots of looping dark ink with no eyes, no mouth, no face plane, some heads small and hunched into collars, some a wild loose scribble taller than the rest; their edges fray into stray ink hairs and spatter. In the nearest booth at left a scribbled figure leans far over a crude wooden table, one ink arm braced flat between two rare essence vials whose contents glow electric blue, the other ink arm reaching toward a glass retort; behind the table a stall-keeper scribble tips a bottle into a second retort, and where the two liquids meet a thin blue light spills up onto both scribbled forearms and the underside of the tilted chin-less head. Stalls crowd in ranks: plank tables, crooked shelving, coiled copper tubing, brass pressure valves with their gauges reading bright against the darkness, lidded jars and squat containers wrapped in bands of blue tape, essences in tall thin vials catching light from below and throwing small blue pools onto the tabletop, a single overturned vial on the ground releasing a glowing ribbon that runs along a floorboard seam. Overhead, iron pipes and hanging lamps recede; each lamp is a hot small core in the dark rather than a wash, and the ink figures cast soft-grained shadows down and away from each source, blacker than the scribble itself. Into that darkness the drafting layer is laid like a plate printed over the scene: pale grey alchemical formulas in tight rows across the upper-left vault, distillation schematics with flasks, condensers and direction arrows traced in fine white line across the ceiling haze, and a market trade blueprint grid with lot numbers and a street plan running faintly along the lower right and climbing the far wall, all of it semi-transparent, eroded at the edges, densest where the scene is emptiest and unreadable where it crosses a lit retort. Palette is strict: charcoal black, paper white, cold grey draftsman's linework, and electric blue admitted only where a solution is live or a tape band is wound, so the blue reads as the market's whole visible energy. Fine ink spatter and blueprint paper tooth across the frame; the haze near the lamps glows faintly, far more at the lamp cores than at the frame edges. Claustrophobic, gritty, humming with quiet danger.

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