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AI art "一期一振 - システィーナ礼拝堂の天井画完成・公開" featuring #도검난무, #이치고히토후리 and #무엇이든 가능한 콘테스트
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一期一振 - システィーナ礼拝堂の天井画完成・公開

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#도검난무#이치고히토후리
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character: ichigo_hitofuri A square 1:1 historical scene inside the Sistine Chapel in Rome in 1512, imagined during a quiet pause after the ceiling frescoes have been completed. The vast vaulted ceiling is the first visual focus, and Ichigo Hitofuri is the only living person in the space. From a low viewpoint near the marble choir screen, the camera looks upward along the length of the chapel. The painted vault and the upper side walls occupy most of the image; his entire standing figure occupies about one quarter of the image height in the lower-right area. The altar wall is outside the view. All other human figures belong to the historical fresco paintings. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio. He stands on the patterned stone floor beside the marble screen, both feet firmly supported. His upper body inclines backward just enough for his head to turn fully toward the frescoes. His right hand rests on the screen's smooth carved upper edge, with the forearm tracing a relaxed path from shoulder to stone. The left arm hangs beside his gown, the open hand settled near its fold. His lifted chin, unguarded posture, and the long stillness of that upward gaze suggest an unusually deep sense of wonder. His small figure remains unmistakably attentive rather than merely standing as a scale marker. He wears clothing inspired by Italian men's dress in the second decade of the sixteenth century. A deep moss-green wool gown hangs open from the shoulders to its calf-length hem, revealing a close charcoal doublet over an ivory linen shirt. The shirt gathers into a narrow band around the low square neckline of the doublet. A row of small dark fabric fastenings secures the doublet down the center of the torso. A muted wine-colored woven girdle lies at the natural waist beneath the open gown. The outer garment has a broad folded collar and loose sleeves; its turned-back cuffs reveal the darker lining and small sections of linen at the wrists. Long folds fall from the shoulders, gathering gently where the right forearm meets the stone. Dark fitted hose and broad-toed brown leather shoes complete the full-length silhouette. Dry wool, dense doublet cloth, and pale linen remain different in weight and surface. The great barrel vault rises over him, carrying Michelangelo's nine narrative scenes from Genesis within painted architectural divisions. Seated prophets and sibyls occupy the surrounding painted framework, and the upper side walls retain their earlier frescoes. The painted human forms remain part of the architecture, not additional visitors. The tall window openings and the continuous floor-to-screen relationship give the chapel a believable scale. The polished stone screen is firmly connected to the floor beside his standing position. Daylight enters through the high windows on the left, softly revealing the pigments and the curved architectural divisions. A weaker reflection rises from the pale stone floor to separate his dark gown from the screen. The folds of wool fall into deeper shadows, while the painted ceiling receives broad, diffused illumination. The light and architectural perspective remain coherent. masterpiece, best quality, detailed environment, ethereal luminous, flowing delicate details, soft cinematic light, harmonious vibrant colors, luminous soft glow aesthetics, glittering accents, elegant details, harmonious palette
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원본 프롬프트
A square 1:1 historical scene inside the Sistine Chapel in Rome in 1512, imagined during a quiet pause after the ceiling frescoes have been completed. The vast vaulted ceiling is the first visual focus, and Ichigo Hitofuri is the only living person in the space. From a low viewpoint near the marble choir screen, the camera looks upward along the length of the chapel. The painted vault and the upper side walls occupy most of the image; his entire standing figure occupies about one quarter of the image height in the lower-right area. The altar wall is outside the view. All other human figures belong to the historical fresco paintings. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio. He stands on the patterned stone floor beside the marble screen, both feet firmly supported. His upper body inclines backward just enough for his head to turn fully toward the frescoes. His right hand rests on the screen's smooth carved upper edge, with the forearm tracing a relaxed path from shoulder to stone. The left arm hangs beside his gown, the open hand settled near its fold. His lifted chin, unguarded posture, and the long stillness of that upward gaze suggest an unusually deep sense of wonder. His small figure remains unmistakably attentive rather than merely standing as a scale marker. He wears clothing inspired by Italian men's dress in the second decade of the sixteenth century. A deep moss-green wool gown hangs open from the shoulders to its calf-length hem, revealing a close charcoal doublet over an ivory linen shirt. The shirt gathers into a narrow band around the low square neckline of the doublet. A row of small dark fabric fastenings secures the doublet down the center of the torso. A muted wine-colored woven girdle lies at the natural waist beneath the open gown. The outer garment has a broad folded collar and loose sleeves; its turned-back cuffs reveal the darker lining and small sections of linen at the wrists. Long folds fall from the shoulders, gathering gently where the right forearm meets the stone. Dark fitted hose and broad-toed brown leather shoes complete the full-length silhouette. Dry wool, dense doublet cloth, and pale linen remain different in weight and surface. The great barrel vault rises over him, carrying Michelangelo's nine narrative scenes from Genesis within painted architectural divisions. Seated prophets and sibyls occupy the surrounding painted framework, and the upper side walls retain their earlier frescoes. The painted human forms remain part of the architecture, not additional visitors. The tall window openings and the continuous floor-to-screen relationship give the chapel a believable scale. The polished stone screen is firmly connected to the floor beside his standing position. Daylight enters through the high windows on the left, softly revealing the pigments and the curved architectural divisions. A weaker reflection rises from the pale stone floor to separate his dark gown from the screen. The folds of wool fall into deeper shadows, while the painted ceiling receives broad, diffused illumination. The light and architectural perspective remain coherent. masterpiece, best quality, detailed environment, ethereal luminous, flowing delicate details, soft cinematic light, harmonious vibrant colors, luminous soft glow aesthetics, glittering accents, elegant details, harmonious palette
모드
pro
스타일
세미 리얼
품질 태그
﹝프롬프트﹞
크기
992 x 992
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
스타일: 세미 리얼
프롬프트 도우미

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