Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

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alone ness

게시일 Nov 2, 2026

AB Afi

4-panel grid, comic layout, four panels, same character in all four panels, 1boy, solo, adult male, young adult man, short messy dark hair, weary face, wrinkled white button-down shirt, top buttons undone, loose charcoal trousers, bare feet, no shoes, no female characters, no other people, male only, alone in every panel, loneliness, solitude, drunk, drunken blush, half-closed eyes, flustered, blood, blood on hands, blood on face, blood dripping, crying, tears, despair, jitome, empty eyes, heartwarming, warm light, quiet intimacy, from above, from side, close-up, dutch angle, medium shot, wide shot, no text, photorealistic anatomy, mature anime style, glossy high-finish rendering, soft lighting, blended skin gradients, warm highlights, controlled color harmony A four-panel grid in even quadrants divided by thin white gutters, each panel the same young adult man entirely alone, no one else anywhere in any panel, no women at any point. Panel one, top left, seen from above and slightly to his side: he sits slumped on the tiled floor of a small bare kitchen, back against the cabinet door, one knee up and the other leg folded under him, his left hand loosely holding a half-empty glass that tilts and rests its rim on the floorboards, a dark spill spreading along the seam between two boards. His shirt is half untucked, the collar pulled wide, three buttons open at the chest, trousers creased at the hips; his head lolls back against the cabinet, eyes half closed and unfocused, a heavy drunken flush high on both cheeks, mouth slack and wet, a strand of dark hair stuck to his damp forehead. One ceiling bulb above and behind him throws his shadow forward across the tiles; the room beyond the bulb's pool falls to near black. Panel two, top right, seen in profile from the side at a low angle: he sits on the edge of an unmade bed in the same room, shoulders rounded forward, elbows on his knees, both hands hanging empty between them, his head tipped down so his chin nearly meets his sternum, eyes open and fixed on nothing, lids heavy, tear tracks cutting clean lines down the flushed skin of one cheek, mouth a flat line pulled down at the corners. The bedside lamp is the only light, warm and low from his front left, and it lights one side of his face while the other side sinks into shadow; the wrinkled sheet is compressed under his hip. Panel three, bottom left, a close-up from a slight dutch angle: his face fills the frame at three-quarter view, one bloodied hand raised and pressed to the side of his jaw, knuckles split and dark red running down the back of his hand to his wrist, a shallow cut across his cheekbone with a thin line of blood beading and one drop suspended at his jawline. His brow is drawn tight and his eyes are wide and wet, teeth set, breath caught; the blood on his fingers is the only saturated red in the panel, and the cold grey of the wall behind him is lit by a window off frame to his right, the light catching the wet shine of the blood and the tear at his lower lash. Panel four, bottom right, a wider shot from behind and above, over his shoulder: he sits on the floor of the same room with his back to the viewer, knees drawn up, a plain grey blanket draped over his shoulders and pulled closed at his throat with one hand, the other hand wrapped around a chipped mug of tea on the floor beside him, steam rising and curling toward the window. The morning sun comes through that window, a low warm shaft that lays a bright stripe across the floor and over his hair and the blanket's nap, catching every loose fibre; his shadow stretches behind him toward the camera. In all four panels the palette stays tight: the white of the shirt, charcoal trousers, cold grey walls and shadow, one warm amber light source per panel, and the red of the blood alone. No lettering, no signage, no captions anywhere in the grid. Quiet, tender, desolate.

alone ness

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