Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

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羽宮一虎

게시일 Nov 2, 2026

eripan

character: hanemiya_kazutora, copyright: tokyo_revengers 1boy, solo, hanemiya kazutora, multicolored hair, two-tone hair, blonde hair with black sections, yellow eyes, mole under eye, yukata, japanese clothes, barefoot, bare feet, sitting, cross-legged, agura, sitting on floor, tatami floor, washitsu, ryokan, hot spring inn, indoors, relaxed, at ease, leaning back, arm support, one knee slightly raised, looking to the side, half-closed eyes, light smile, head tilt, from above, high angle, wide shot, warm interior, shoji screens, low table, yukata fabric pattern, wood and paper room, soft lantern light, cozy Shot from above and slightly to the side, looking down into a tatami room of a wooden hot spring inn, the single figure of a young man with two-tone hair -- blond falling over a black underlayer at the nape and framing the face -- sitting cross-legged at the center of the frame. He wears a dark indigo yukata with a fine pale pattern, the collar crossed left over right at the chest, the obi tied loosely at the waist so the fabric falls open in a soft V at the throat and the hem spills in loose folds across the mat. Both feet are bare, soles turned up and toes relaxed, one foot tucked under the opposite thigh, the other lying flat against the tatami; a mole sits just below his right eye. His weight is thrown back onto his left hand, palm pressed flat to the mat behind his hip, fingers splayed, elbow locked soft; his right forearm rests across the raised right knee, the hand hanging loose, knuckles slack. The pose is agura, one knee up and one leg folded, the body asymmetric and comfortable. His head is tipped back a little and turned to his right, yellow eyes drifting toward the shoji screen and the garden beyond, lids half lowered, mouth in a faint closed smile, one corner tugged up -- the look of someone with nowhere to be. Hair falls back from his forehead with the tilt of the head, a few strands catching the light along the crown. The room reads as a ryokan washitsu: tatami mats with their binding lines running in a grid under him, a low lacquered table pushed to the right edge of frame with a folded towel and a small ceramic cup, shoji screens of paper and dark wood lattice behind and to his left, a sliding fusuma panel half open at the back. Depth comes from the room's own recession -- the near tatami seam large in the bottom foreground, his body in the midground, the shoji and the dim corridor beyond compressed in the background. Light is warm and interior: a paper-shaded lamp low at the left throws a soft pool across the tatami, and the shoji behind him glows with daylight diffusing through the paper so the room's brightest region is the screen itself, the shadows pooling under his folded legs and beneath the low table. His cast shadow falls to the right and slightly forward, softened at the edges by the diffused source. The palette is warm and restrained -- honey tatami, cream paper, dark wood, the deep indigo of the yukata, blond and black hair, and the yellow of his eyes as the one sharp accent. Texture is in the weave of the tatami, the fiber of the yukata cloth creasing at the hip and knee, the grain of the wood frame, and the papery translucence of the shoji. One physical detail carries the scene: the tatami dips faintly where his weight presses, and the hem of the yukata pools and folds where it meets the mat rather than lying flat. Quiet, unhurried, warm.

羽宮一虎

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