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서버 점검 완료 안내 — 서버 점검이 완료되어 SDXL 및 Tsubaki.1 작업의 이미지 생성 속도가 정상화되었습니다. 점검 기간 동안 누적된 작업은 시스템에서 순차적으로 처리될 예정입니다. 이에 따라 일부 작업은 완료까지 다소 시간이 소…

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AI artwork featuring #남성, #장발, #헤일로, #천사 and #꽃밭
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장발, 헤일로

#남성#장발#헤일로#천사#꽃밭
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1boy, solo, androgynous, beautiful young man, about 20 years old, slender fragile build, white hair, long hair, straight hair, waist-length hair, bangs covering right eye, hair over one eye, muted light blue eyes, pale eyelashes, serene resigned expression, faint closed-mouth smile, angel, four wings, four large white feathered wings, white thorn halo, briar halo, halo of white thorns, pince-nez no, lace cuffs, white blouse, frilled cuffs, black slacks, black loafers, black rose, rose pierced through chest, pierced chest, lying down, lying on back, on side, white roses, white rose field, black thorns, thorny vines wrapped around body, vines across torso, vines around arms, engulfed by white roses, half-buried in roses, roses closing over shoulders, background of white roses, from above, high angle, three-quarter view, dutch angle slight, close foreground roses, high contrast, bold halftone dots, thick outlines, neon accents, graffiti marks, pop-graphic composition Seen from above and slightly off-axis, the young man lies on his back in a field of white roses, his head toward the lower left of the frame and his body running back into the bloom, chin tipped up and turned a little toward the lens. His waist-length straight white hair spreads under his shoulders in a loose fan, strands caught between petals and a few fine locks lying across the tops of the roses; the long bangs fall in a clean pale sheet that hangs over his right eye, hiding it entirely while the left eye stays open beneath half-lowered lids, its muted, dimmed pale blue catching the grey light and drifting off toward the upper corner of the frame rather than meeting the viewer. His brows sit drawn and flat, and the corners of his mouth lift in a small, deliberate, tired smile, lips barely parting, the resignation held still instead of acted out. He wears a white blouse with a soft open collar and lace cuffs that bunch at both wrists where his hands lie palms-up among the flowers, fingers loosely curled and unmoving; black slacks run from his hips down through the roses, and the shine of one black loafer shows between the blooms near the right edge, its toe turned up. A black rose is driven straight into the center of his chest, its head sitting proud of the blouse and its petals just beginning to bruise at the outer edges, a faint dark bloom of color soaked around the point of entry in the white cotton. White roses and black thorn vines are wound around his body — one strand lays over his ribs, another crosses his left forearm and disappears under the lace cuff, another loops his thigh — and the vines tighten just enough to press the fabric into the contours beneath them. Four large white feathered wings fold outward from his back and lie crushed sideways into the roses, the upper pair spread wide across the upper half of the frame with primary feathers splayed and tips dragging petals, the lower pair crumpled and half covered where the flowers have already risen over them. Bloom clusters crowd in from the lower left and from the top edge, closing over his shoulder and claiming the far side of his body, some flowers overlapping the wing coverts in front, so the field reads as slowly swallowing him rather than surrounding him. A white halo of twisted briar hovers just above and behind his hair, its thorny ring made of the same pale thorned wood as the vines, one bent spur dipping toward his forehead without touching it. Light is cold, diffuse and overhead, a flat grey-white bath with no visible sun; the wing edges and the tops of the roses bleach out slightly in the high key, the deepest shadow pooling in the gaps between petals, under his jaw, and in the crease where the vines press the blouse to his ribs, and each white bloom throws a short soft shadow down onto the petal beneath it. Palette is strictly white and near-white, black, and the one muted pale blue of the visible eye, nothing else admitted. Thick dark outlines around the blooms and the hair, flat cel shading cut hard at the shadow edges, a cloud of bold black halftone dots gathering in the corner darkness and along the vine strands, sparse angular graffiti marks scoring the negative space, and a punchy electric-cyan accent flickering along the sharpest highlight of the halo's thorns and one wing edge. The physical tell is the way the rose petals bend up around his weight and the hair spreads into them without flattening, each stem yielding exactly where his body presses. Quiet, resigned, luminous.
매개변수 표시
원본 프롬프트
中性的な美男。20歳くらい。腰ぐらいまでの白髪ストレートロング。右目隠れるくらいまでの前髪、水色の暗めの目。儚げ。天使。結構大きい翼4枚。茨のような白色のヘイロー。レースカフス付きブラウス。黒のスラックス。靴は黒のローファー。黒薔薇が胸に刺さってる。諦めたように微笑んでる。背景は白薔薇、白薔薇と黒い茨が体に巻きついてる。白薔薇にのまれながら横になってる。
모드
flash
스타일
네온 포스터
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
스타일: 네온 포스터
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
水
1boy, solo, androgynous, beautiful young man, around 20 years old, long white hair, hair spread out around head, bangs covering right eye, one eye visible, pale blue eyes, muted desaturated iris, delicate fragile features, slender build, angel, four large white feathered wings, wings splayed and folded against the ground, white halo of tangled thorn branches, jagged thorn ring hovering above head, white blouse, lace cuffs, black slacks, black loafers, black rose pierced through chest, thorny black stem through the fabric, quietly crying, tears on cheeks, closed lips, lying on back, body enveloped by white roses, white roses and black thorns entwined around body, black thorn vines coiled around arms and throat and ankles, white rose bed, from above, foreshortening, high-contrast anime style, bold halftone dots, graffiti marks, punchy neon accents, thick outlines, pop-graphic composition Shot from directly above, looking straight down: he lies on his back in a dense bed of white roses, head near the lower left of the frame, body running diagonally up toward the upper right, one knee bent so the black slacks crease and the loose leg of the trouser rides up over a black loafer. The camera looks down on a full-body figure, no upper-body crop: four large white wings spread out flat beneath and beside him, the two lower wings crushed under his hips and shoulders so their primaries fan out past his elbows, the two upper wings lifting slightly off the petals, feathertips bent where they meet the flowers. Black thorn vines wrap the body — one coils twice around his left forearm and pins the lace cuff against the wrist, another crosses his throat without tightening, a third loops his ankles and disappears under the rose heads; small black thorns catch on the lace in little hooked points. His white blouse is open at the collar and the black rose sits at the center of his chest, its stem driven through the fabric, a thin dark stain blooming outward in the white weave around the puncture; the petals of that one rose are almost black with a faint maroon sheen. White roses crowd in from every edge and swallow the outline of his body: hips and both shoulders are already buried, blossoms pressed against his cheek, a spray of petals settled across his collarbone and in his open palm where his right hand rests upturned among the flowers. His left hand lies across his stomach, fingers loosely curled, a thorn pressed against the fingertip without piercing. Long white hair spread in wet-looking strands over the petals, bangs fallen across his brow so the right eye is entirely hidden; the visible left eye is open, pale blue and muted, half-lidded, gaze going up and slightly away from the lens, unfocused toward nothing in the frame. A single tear track runs from the outer corner of the visible eye down to the jaw, one drop caught at the chin, another already on a white petal beside his cheek; his mouth stays closed, lower lip faintly pressed, brow drawn in a small tight crease. The thorn halo floats just above and behind his head, a ring of white barbed branches with the tips pointing inward, casting a thin broken shadow across the roses beneath it. Lighting is a cold white overhead source, its shadow pool small and soft directly under the torso and wings, petals glowing where they face up, the hollows between flowers falling to grey; the only warmth comes from a pinkish neon bloom at the upper right corner where a few rose edges catch it, and the black thorns read as hard matte silhouettes against all that white. Palette restricted to white, black and pale blue with a single hot pink accent at the frame edge, held together by coarse halftone dots in the shadow areas, thick black contour lines, and small graffiti scrawl marks flicked into the empty corners as pure graphic noise with no readable lettering. Everything is still except the tear and the faint out-of-focus foreground of petals swaying at the bottom edge of the shot. Quiet, sorrowful.
水流水花

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