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서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

AI art "萬聖之夜" featuring #맨발, #흑발, #갈색머리, #벌레, #나비, #감은 눈, #초승달, #보케, #소녀 and #골목

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萬聖之夜

#맨발 #흑발 #갈색머리 #벌레 #나비 #감은 눈 #초승달 #보케 #소녀 #골목

게시일 Nov 2, 2026

大柿子

vertical poster, 1girl, child, ten-year-old girl, solo focus with gentle spirits, night, narrow alley, bluestone paved lane, wet stone slabs, crescent moon, oil-paper umbrella, bamboo ribs umbrella, umbrella held overhead blocking the moon, backlit umbrella paper, paper texture glowing translucent, folk paper fox mask worn at the side of her head, cotton linen clothing, cream robe, indigo trim, smiling eyes, crescent-shaped closed smiling eyes, closed mouth smile, looking at ghost, translucent paper ghost, small paper ghost, lantern spirit, smoke-like paper spirit, golden glowing butterflies, butterflies formed from laughter, drifting golden light, red lanterns, flickering lantern shadows, night mist, fog, blue-teal night palette, warm orange lantern light, cold moon rim light, gentle mild ghosts, mysterious yet tender, clean composition, left side negative space, poetry text space, detailed skin, skin pores, vellus hair, individual eyelashes, glowing hair strands, paper grain texture, cinematic illustration, paper-textured gongbi fine-brush style, soft lighting, warm light in dark alley, from below, low angle, tiptoes, umbrella, looking up, depth of field, masterpiece, highly detailed The camera sits low, near the wet bluestone under the girl's feet, tilted up so the alley walls converge and the crescent moon hangs small and cold between them. She stands slightly right of center on the stone lane, weight lifted onto the toes of her right foot, left foot flat for balance, chin tipped back, both closed smiling eyes curving like crescents as she gazes up at the small translucent paper ghost that floats at her eye level, a hand's width to her left. Her right hand grips the bamboo shaft of the oil-paper umbrella at shoulder height, arm bent, and the umbrella canopy tilts leftward over her head so its rim crosses directly in front of the moon; the thin paper glows where the moonlight and lantern light pass through it, bamboo ribs reading as dark spokes through the luminous membrane, the paper fibre grain visible in the transmission. Her left hand hangs loose at her side, fingers half-curled, sleeve of cream cotton-linen falling back from the wrist so the weave shows. The folk paper fox mask sits pushed up at the left side of her forehead, its red-painted ear tips and white paper cheek catching a warm edge of lantern light, tilted off the axis of her face; loose hair strands escape around its ties, each strand rimmed with a soft glow where the cold moon touches them, and the fine vellus hair along her jaw and nape stands out against the blue mist. Her skin is rendered close and clean: pores on the cheekbone, a faint blush at the temple, individual eyelashes casting tiny separate shadows, all in the fine even stroke of paper-textured gongbi brushwork. The translucent paper ghost drifts close to her upturned face, small, round, faintly luminous, its body made of layered paper fibres so thin the alley behind it shows through; two soft dark eyes and a mild puckered mouth make it entirely gentle, and its little paper arms trail shreds that curl upward like smoke. Around and above it a cluster of golden glowing butterflies spins outward from her laughter, each one a fleck of warm light with pale gold wings, the nearest butterfly casting a warm spot on the wet stone below it, the farthest dissolving into the mist. The lantern spirit — a squat paper lantern with a soft friendly face and a glowing core — floats at hip height near the alley wall, bobbing, its light pulsing. Wisps of smoke-like paper spirit stream past her shoulder and between the stones. Red lanterns hang in a staggered receding line down the right wall, some near and large with visible bamboo frames, some far and small; their warm orange pools fall on the stones and the alley wall and leave the deep shadow between them almost black. The alley is narrow, walls crowding close on the right, opening away on the left, and the left third of the frame is left deliberately open: mist, dark stone, a soft empty gradient of teal and blue where poetry text would be set, no figure and no lantern intruding there. Moonlight enters from high behind her, cold blue-white, tracing the umbrella rim, the crown of her head, the tops of her shoulders and the edge of each floating paper form, so all the warm light comes from below and beside while all the cold light comes from above and behind. Night mist drifts low over the bluestones, thickest at the far end of the alley, thinning to nothing near her feet, and softens every distant edge. The palette is disciplined: blue-teal night, wet indigo stone, and warm orange lantern glow, with a single gold note reserved for the laughter butterflies and the spirit cores; cream cotton-linen and white paper hold the girl and the ghosts separate from the dark. Fine gongbi linework, visible paper tooth across the whole poster, soft diffuse light everywhere, deep and quiet. Tender, mysterious, comforting.

萬聖之夜

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