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AI art "新山聡美(アキウルミナ～光のもり～)" featuring #성숙한 여성, #나무, #숲, #울려라! 유포니엄, #니이야마 사토미 and #무엇이든 가능한 콘테스트

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新山聡美(アキウルミナ～光のもり～)

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#성숙한 여성 #나무 #숲 #울려라! 유포니엄 #니이야마 사토미

게시일 Nov 3, 2026

北

北宇治高校仙台分校

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, anime-style, A photorealistic night view photo that looks like a real photograph of a woman walking along a lit forest walking path during "Aki Urumina ~Hikari no Mori~" held in the Akiu Onsen area of Taihaku Ward, Sendai City, Miyagi Prefecture, in early November. The narrow path surrounded by the rich nature of Akiu has various sizes of rocks and trees on both sides, and the autumn leaves and green leaves are fantastically lit up in various colors such as red, orange, yellow, green, and blue. The lighting effect utilizes the natural terrain and the shape of the forest, creating a beautiful night forest completely different from the daytime. It expresses a fantastical and calm atmosphere of slowly strolling through the lit nature on a quiet autumn night. In the center of the screen, there is a narrow paved walking path continuing deep into the forest. The path is a narrow pedestrian lane, extending gently from the foreground to the background, curving slightly between the trees. The road surface is dark brown or gray, showing natural pavement texture and fine irregularities. Large rocks and natural stones are irregularly placed on both sides of the path, and moss or damp parts are visible on the surface of the stones. The rocks are not artificially aligned but are naturally arranged along the original forest terrain. The surrounding lighting reflects on the surface of the stones, with blue, green, and warm-colored lights hitting parts of them. On the left side of the path, tall trees grow densely. The trunks are thick, branches spread upward and sideways, and leaves overlap to create a dark forest ceiling. Particularly in the upper left, there is a large maple tree, and the leaves colored in red and deep orange are vividly lit. The parts close to the ground and the base of the trunks are illuminated with blue or cyan lighting, creating a beautiful contrast with the red autumn leaves. The three-dimensionality of the tree trunks and branches is clear, and there are natural areas where light hits individual leaves and areas that remain dark. On the right side of the path, large and small rocks and trees are also placed, and the tree trunks and branches are brightly highlighted with yellow, golden, and yellow-green lighting. A large tree on the right has a trunk extending upward, with branches curving and spreading overhead. Warm yellow and orange light hits parts of the trunk, and green or yellow-green light spreads across the leaves. Blue or dark green lighting hits the surface of the rocks, creating mysterious light accents within the dark parts of the forest. While the lights illuminating the trees and rocks each have different colors, they harmonize naturally throughout the forest. The woman maintains the appearance specified by the character LoRA. She is a married woman in her early 30s with a neat and elegant atmosphere and long hair. She is wearing calm, adult autumn outing clothes suitable for strolling through the Akiu forest at night. On her upper body, she wears a soft ivory or pale beige knit, and over it, she wears an elegant knee-length long coat in greige or camel. The coat is made of a moderately thick autumn/winter material with natural fabric texture at the collar and cuffs. Around her neck, she softly wears a bordeaux or deep brown muffler. For bottoms, she pairs it with a dark brown or charcoal gray long skirt, and on her feet, she wears easy-to-walk black or dark brown short boots. She carries a small, elegant shoulder bag on her shoulder, and her accessories are modest. Her attire is neat and elegant, blending into the nature of an autumn night without being too flashy. The woman's long hair flows naturally from her shoulders to her back with a soft gloss. Her hair is neatly groomed but not overly styled, with the ends naturally resting on the shoulders and back of the coat. A few soft stray hairs remain around her face, maintaining a neat and elegant impression. Her hair is in a natural state for a night stroll, ensuring it does not completely hide her face. Her expression is calm, with a modest and gentle smile as if enjoying the forest scenery surrounded by fantastical light. The character LoRA is used for facial features and basic body structure, while the clothing, hairstyle, accessories, posture, and expression are depicted according to this description. The woman is walking slowly and alone on the path in the forest. She is depicted in a natural walking posture, enjoying the colorful light production while looking at the lit trees and rocks. She takes a calm step, with one foot forward and the other naturally pushing off the ground. Her back is naturally straight, her shoulders are relaxed, and she is strolling without rushing. Both arms move naturally by her side; one hand may lightly touch the shoulder strap of the bag. The other hand is relaxed and hanging naturally. She is not running or posing, but captured in a moment of leisurely walking through the forest. The woman is not facing forward but is walking in a slightly diagonal or nearly side-facing posture. Her face is tilted slightly upward, gazing at the lit trees and the branches and leaves overhead. Her gaze is directed not at the camera, but at the autumn leaves and trees illuminated by the lights. Her expression shows natural emotion and curiosity, as if she accidentally slowed down upon finding a beautiful scene. Her mouth is in a gentle smile, and there is a gentle glow in her eyes. Her movements and expressions are not exaggerated, valuing the calm atmosphere of quietly enjoying the night forest. The woman is placed slightly in front of the center of the walking path or slightly to the right of the center of the screen. She is depicted in a size where her entire body from head to shoes is naturally visible, with her feet firmly touching the paved road. The figure is not enlarged to fill the screen, allowing the rocks, trees, and colorful lighting on both sides to be sufficiently visible. She is walking slightly to one side, not blocking the center of the path. The outline of the figure does not blend into the dark trees in the background, and the coat, hair, and face are naturally visible due to the surrounding light. A distance is maintained between the woman and the trees or rocks, ensuring her body does not unnaturally overlap with plants or stones. Deep in the forest, small lighting facilities and modest light-up devices are placed along the walking path. Spotlights near the ground illuminate rocks and tree trunks from below, bringing out the layering of leaves and the shape of branches. The colors of the lighting vary by location: red, orange, and blue on the left; green and emerald in the center background; and golden and yellow-green light on the right. As the light hits the trees and rocks, colorful layers of light are created in the forest. Rather than exposing a large number of lights themselves, the colors and reflections of the light cast on the trees and rocks are the main focus. On the right side of the screen, a guide sign consisting of wooden posts and a frame is installed. The sign is a vertical rectangle with a light at the top, and the whitish inner guide surface is brightly lit with warm light. The sign is naturally placed by the side of the walking path, and the wooden frame has a wood grain and a calm brown texture. The guide surface looks as if tourist information or facility guides are posted, but detailed letters are not forced, and meaningless characters or large logos are not drawn. The light from the sign slightly illuminates the surrounding rocks and ground, adding a warm accent to the space on the right. The season is early November autumn. Among the trees in the forest, those with green leaves and autumn-colored trees in red, deep orange, yellow, and golden coexist. Not all trees are a single color, but a scene typical of the Akiu forest is expressed where evergreen trees and autumn-colored deciduous trees naturally overlap. A few dead leaves have fallen on the ground, naturally accumulating at the edges of the walking path and around the rocks. The night sky is slightly visible through the gaps in the trees, appearing deep blue or navy close to black. The cold autumn night air contrasts with the warm light illuminating the trees and the cool blue light illuminating the rocks, creating a fantastical night forest. The camera uses a wide-angle composition shot from a slightly diagonal position from the foreground of the path toward the depth of the forest. A narrow paved road extending from the foreground to the background is placed in the center of the screen, with large rocks and trees lined up continuously on both sides. In the upper left, a red-lit autumn tree is placed, and blue or cyan light is cast on the rocks and ground in the lower left. In the center background, trees enveloped in green lighting are placed, and in the upper right, branches and trunks lit in yellow and golden are shown. From the foreground to the middle ground on the right, a warmly lit wooden guide sign is placed. The woman is placed in the middle ground of the walking path, in a composition where her full body walking the road and the surrounding lit forest are visible simultaneously. Rather than a portrait with a large crop of the person, it is a landscape photo that conveys the beauty of the forest walking path itself enveloped in light. The lighting maintains the darkness characteristic of a night forest while making the colorful lighting on the trees and rocks the main focus. Red and orange lights vividly highlight the autumn leaves, blue and cyan lights create cool shadows at the base of rocks and trees, and green and yellow lights fantastically illuminate the tree trunks and leaves. The boundaries of the lighting are natural, ensuring colors do not mix unnaturally. The surrounding light softly reflects on the woman's face and coat, with red, green, and

新山聡美(アキウルミナ～光のもり～)

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