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AI art "No quiero que te vayas" featuring #스파이 패밀리 and #요르 포저

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No quiero que te vayas

Yor se encariño de más con su objetivo.

#스파이 패밀리 #요르 포저

게시일 Nov 3, 2026

Máxima1991

character: kitagawa_marin, yor_briar, copyright: spy_x_family 2girls, kitagawa marin, yor briar, blonde long hair, red eyes, black long hair, sidelocks, gold hairband, hair ornament, red eyes, pajamas, yor in tight pajamas, hugging from behind, arms around waist, neck kiss, lips pressed to neck, eyes closed, in love, marin tense, confused, frightened, wide-eyed, sweatdrop, furrowed brow, trembling, open mouth, looking at viewer, from side, cowboy shot, hotel room, love hotel interior, night, dim lamp light, no earrings, bare earlobes, hair unadorned on marin, bare hands, no gloves, indoors A low three-quarter side view from slightly behind Yor's shoulder, camera placed at chest height off to the right of both women, so both faces sit in the same frame: Marin nearer the lens and turned partway towards the viewer, Yor set a half-step behind her left shoulder. Marin stands with her weight knocked back onto her right heel, hips pushed forward by the arms locked around her waist, shoulders hunched up towards her ears, chin pulled to the left away from the mouth at her throat. Her blonde hair is loose and unbrushed down her back, a few strands stuck flat to her cheek; her red eyes are wide and wet-rimmed and stare straight into the lens, brows drawn up and pinched in the middle, lips slightly parted on a held breath, one bead of sweat at her temple, a faint shiver running through her jaw and hands -- both her hands hover uselessly at her own collarbone, fingers curled, not quite touching Yor's forearms. Her pajamas are a soft loose shorts-and-camisole set in pale cream, wrinkled from the squeeze, one strap slipped off her bare right shoulder, both ears completely bare and both earlobes unobstructed, hair free of any clip or ornament. Yor presses in behind her, body moulded along Marin's back, taller by half a head, her chin dropped over Marin's left shoulder and tilted so her lips meet the side of Marin's neck just above the collarbone, mouth soft and closed on the skin. Her arms cross Marin's waist, both forearms overlapping at the centre of Marin's stomach, her hands clasped and her hips braced against Marin's lower back so Marin's weight leans into her. Her black hair falls forward over her own shoulder and slips across Marin's pajama top; the gold hairband glints in the lamp light, her sidelocks brush Marin's jaw. Her eyes are shut, lashes low, brows softly lifted, the corners of her mouth curled upward against the neck she is kissing -- a private, entirely adoring smile. Tight pajamas in deep wine red cling to her frame, the short-sleeved top pulled taut across her back and the fabric creasing where her arms bend and where Marin's shoulders press into her chest; her hands are bare, no gloves, no earrings, earlobes bare. The room is a love hotel at night: a low wide bed with a mirror-backed headboard immediately behind them, crumpled sheets, satin coverlet sheeting the light, a gold-trimmed ceiling coffer overhead, a small round side table with a single low lamp. That lamp on the side table -- a small warm amber bulb under a pleated shade -- is the only light source in the room beyond a thin spill from a closed bathroom door; it throws a hot pool across the left side of Marin's face and Yor's cheekbone, warm amber on the skin, and the right sides of both faces fall away into soft rose-brown shadow. Behind them the darkness is near absolute, a blush-pink strip of neon from the window blind cutting the far wall and staining the mirror glass. The mirror throws a dim, darker and softer reflection of the two silhouettes, out of focus. Palette restrained to warm amber, deep wine red, pale cream and shadowed rose-brown, with the one cold pink neon slash as counterpoint. Shadows: the lamp casts both women's joined shadow onto the near pillow, and where the coverlet is pulled taut under the weight of their hips a long crease funnels the satin sheen towards the light. Detail budget on faces, neck contact and hands; the room simplified into blocks of light and dark. Quiet dread, intimately tender.

No quiero que te vayas

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