서버 점검 완료 안내 — 서버 점검이 완료되어 SDXL 및 Tsubaki.1 작업의 이미지 생성 속도가 정상화되었습니다. 점검 기간 동안 누적된 작업은 시스템에서 순차적으로 처리될 예정입니다. 이에 따라 일부 작업은 완료까지 다소 시간이 소…
자세히 보기
息耐者カール
매개변수 표시
- 원본 프롬프트
- 中央の男は両脇の花嫁のほっぺにキスされる。男の目がハートでキスマークだらけにされる。胸の谷間。ハートの光の枠。周囲にハート。
- 모드
- flash
- 스타일
- 모던 러스터
- 크기
- 1632 x 1232
스타일: 모던 러스터
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
息
3girls, 1boy, male focus, three people, symmetrical composition, from front, eye-level, upper body, close-up, two brides flanking one man, bride on the left kissing the man's left cheek, bride on the right kissing the man's right cheek, lips pressed to both cheeks at once, heart-shaped eyes, heart pupils, lipstick kiss marks all over his face, kiss mark on forehead, kiss marks on jaw and chin and neck, white satin wedding gowns, deep plunging neckline, cleavage, glowing heart-shaped frame, heart-shaped bokeh, hearts floating around, sparkling, blush, closed eyes on the brides, long hair, veils, bare shoulders, warm pink and gold palette, glossy highlights, soft bloom, romantic, playful
The camera sits straight on and level, tight and symmetrical: the man fills the centre of the frame in an upper-body close-up, and the two brides close in from the left and right edges so that their faces are turned in profile against his cheeks, sealing him between them. Each bride's lips are pressed flat to his cheek -- the left bride's mouth against his left cheekbone just below the eye, the right bride's mouth against his right cheek at the same height -- and each bride's near hand comes up to cup the far side of his jaw for balance, fingertips sunk slightly into his cheek so the skin dimples. Both brides lean in with their shoulders angled toward him, weight tipped onto the foot nearest the man, veils sliding forward off their shoulders and hanging in loose folds across his upper arms; both brides have their eyes shut in the kiss, lashes down, brows softly drawn. The man's head is held level between them, chin slightly lifted, and his eyes are two glossy heart-shaped pupils, bright and wet, both pointed straight out at the viewer; his mouth is open in a small helpless grin, and a flush runs from his collar up to his ears. His face is thoroughly stamped: overlapping pink-red lipstick prints on his forehead, both cheeks around the brides' mouths, his chin, his jaw and down the side of his neck, some crisp and some smeared where a second kiss crossed the first. Below, the two brides' white satin gowns are cut into deep plunging necklines that open in a V down the chest, the satin stretched taut over the bust and gathering into shadowed cleavage on both women, the fabric catching a hard bright specular line along each fold. Around the three of them a glowing heart-shaped frame of light arcs through the air, its luminous rim passing behind the man's shoulders and closing above his head, and smaller hearts float loose in the surrounding space, some sharp and some thrown out of focus, drifting at different depths. The light comes from the heart-shaped frame itself, a warm rose-gold glow that rims the man's hair, the brides' veils and the edges of the satin from behind, while a soft frontal fill keeps every face readable; beyond the glow the background falls away into a dark warm rose that swallows the edges of the frame, and where the light is strongest the kiss marks on his skin shine wetly. Palette is held to white satin, rose-pink, red lipstick and gold light on a deep rose ground, nothing else admitted. Effortlessly silly, warmly romantic.
息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood.
A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
息
A medium shot from a front-facing angle depicts a young man positioned in the center, flanked by two brides who are simultaneously kissing his cheeks. The man has a blissful expression with heart-shaped pupils, his face covered in numerous red kiss marks. The brides, wearing elegant white wedding dresses with detailed lace and deep necklines that emphasize their cleavage, lean in close to him, their hands gently resting on his shoulders. The entire group is enclosed within a glowing, heart-shaped frame of light. The surrounding atmosphere is filled with floating, shimmering pink and red hearts of various sizes. The scene is rendered in a high-quality anime illustration style, featuring a vibrant and romantic color palette with soft, luminous lighting that enhances the whimsical and affectionate mood.
息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood.
A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
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A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
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Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
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