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Teodor

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1boy, solo, town, street, white bikini, light brown hair, long hair, curly hair, low-tied long hair, tied sidelock, hair between eyes, orange eyes, glowing eyes, slit pupils, medium horns, black horns, horns on forehead, body scales, claws, lean, toned body, no tail, thighs, bare lower back, bare hips, from below, looking to the side, walking, mid-stride, sunlight A low camera looks up from street level at a single lean, toned boy strolling down a narrow town street, and the whole frame is built around the upward view: the cobbled street recedes behind him in converging lines, two- and three-story town houses with shuttered windows and overhanging eaves stack up on both sides, and a slice of bright midday sky closes the top of the frame behind his head. He is caught mid-stride, weight loaded on his right leg with the left foot just lifting off the stones, hips riding slightly to the right as a result, torso turned a quarter away from the lens so the street opens diagonally past his left shoulder. His right hand is raised and half-curled, claw tips catching the light as he pushes a stray lock back from his temple; his left hand hangs relaxed at his side, claws slightly parted. His head is turned to his left, gaze aimed past the buildings down the street rather than at the viewer, and the low angle throws his jaw and chin forward. His light brown hair is long and curly, gathered in a low tie falling over his nape and spilling in loose ringlets past his shoulders, one curled sidelock bound off to the side of his face, and a few short curls drop down between his eyes. Two medium black horns rise from his forehead, ridged and tapering, and the sunlight catches their edges. His eyes are orange and glow faintly from within against the daylight, their slit pupils narrowed; a dusting of fine scales runs along his cheekbones, his neck, his forearms and the tops of his shoulders, matte against the smooth skin. He wears only a white bikini, its top knotted at the center of his chest and its briefs a slim white band at the hips, leaving his lean, toned midriff, thighs and bare lower back completely exposed from the waistband to the base of his spine, and there is no tail anywhere on his body, only flat bare skin and the smooth curve of his lower back and hips. His white garments are the brightest thing in the frame. The light is a hard midday sun coming down from the upper left, so it strikes the left side of his face and the tops of his shoulders while the undersides of his horns, his chin and the inside of his left arm fall into crisp shadow, and his shadow is thrown short and dark onto the cobbles at his feet; the street's shop awnings cut the far background into bands of glare and shade. The palette is warm and narrow: sun-bleached ochre walls and pale stone greys for the town, the boy's skin a warm tan, and the single white of the bikini, with his orange eyes the one saturated accent. Depth is layered, his body large in the foreground and simple against the long compressed perspective of the street behind him. Late-afternoon heat, effortlessly confident.
매개변수 표시
원본 프롬프트
town, street, white bikini, Light brown hair, long hair, curly hair, low-tied long hair, orange eyes, glowing eyes, slit pupils, lean, medium horns, 1boy, body scales, tied sidelock, black horns, horns on forehead, claws, hair between eyes, toned body, no tail, thighs,
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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Avatar image of Teodor
1boy, solo, very long hair, light brown hair, curly hair, low-tied long hair, tied sidelock, hair between eyes, orange eyes, glowing eyes, slit pupils, medium horns, black horns, horns on forehead, body scales, claws, lean, toned body, white bikini, thighs, no tail, bare lower back, beach, ocean, sand, daylight, from below, cowboy shot, standing on one leg, looking at viewer, light smile, head tilt, arm up The camera sits low, just above the wet sand, tilted up so the boy rises against a tall band of open sky; a cowboy shot cuts him at mid-thigh, both thighs and the full length of the white bikini bottoms in frame. He is caught mid-motion, balancing his weight entirely on his right leg with the left knee lifted and the left foot drawn up behind the calf, toes just clearing a shallow film of water; his right arm is flung up and out toward the sky with the fingers spread, claws splayed and catching the sun, while the left hand rests light on his own hip, thumb hooked just above the bikini's tie. A thin white two-piece: a triangle top whose strings knot at the back of his neck and between his shoulder blades, and low-cut bottoms with ties at both hips, the fabric slightly darkened where sea spray has touched it. His very long light brown hair is curly and heavy, gathered low at the nape into a loose tie so the mass spills down his back and pools in coils past his waist, lifting and drifting sideways in the shore wind; one separate sidelock springs free at the temple and is bound with its own small tie, the twisted strand hanging forward across his cheek. Curls fall between his eyes and break the line of his brow. Two medium black horns rise from his forehead, ridged and tapering, their bases hidden in the hairline, their shadowed undersides cutting dark against the bright sky. His eyes are orange and lit from within, a visible glow that does not depend on the daylight, and the slit pupils narrow to vertical blades as he looks straight into the lens, chin tipped with a slight head tilt, a faint closed-lip smile on one side of his mouth only. Body scales sheet his shoulders, the outer planes of both arms, the sides of his ribcage and a faint tracing down his hips and the tops of his thighs, each flat scale catching a small hard specular glint and shifting from a warm bronze to a cooler olive where the torso turns into shadow. He is lean and toned, the abdominal line and the cut of the obliques readable, a corded lift in the raised arm. The lower back and both hips are entirely bare and unobstructed, the skin of his back continuous and scaled, nothing attached there or hanging behind him. The beach: pale dry sand in the upper frame giving way to wet, mirror-smooth sand in the foreground, a single low wave breaking far out, the horizon set high behind his raised hand. The only light source is the sun low and to the right of frame, so it strikes the right side of his face and the right flank warm and rakes across the sand, leaving his left side in cool reflected fill from the water and casting one long shadow that stretches to the lower left; water in the foreground is thin enough to hold his shadow instead of reflecting his face. Palette of bleached white, sand beige, warm light brown, orange, and the blue-green of the sea. Bright, sun-struck, effortlessly wild.
Teodor

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Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ