Nov 9, 2026

[공지] 이미지 생성 지연 및 GPU 자원 부족에 관한 안내 — PixAI 커뮤니티 여러분, 안녕하세요. 항상 PixAI를 이용해 주시고 보내주시는 관심과 성원에 진심으로 감사드립니다. 최근 PixAI 서비스 전반에서 생성 속도가 저하되고 대기 시간이 평소보다 길어지는 현상이 발…

AI art "トイレ" featuring #물, #풍경, #아무도 없다, #테두리, #햇빛, #싱크대, #실내, #수도꼭지, #거울, #욕실, #타일 벽 and #타일 바닥

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トイレ

#물 #풍경 #아무도 없다 #테두리 #햇빛 #싱크대 #실내 #수도꼭지 #거울 #욕실 #타일 벽 #타일 바닥

게시일 Nov 5, 2026

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グレイテストアシッド

no humans, empty room, modern women's restroom interior, public restroom, multiple closed toilet stall doors, row of stalls receding in a straight line toward the back, one-point perspective, deep vanishing point, sinks along the side wall, large wall mirrors, tiled walls, tiled floor, soap dispensers, bright ceiling lights, clean interior, architectural interior, no people, wide shot, eye-level, from side, vanishing point centered A wide eye-level architectural interior shot looks down the length of a completely empty modern women's public restroom, the camera placed just inside the doorway on the sink side so the room opens in one-point perspective: the row of closed toilet stall doors runs along the right of frame in a straight line toward the back wall, each door slightly narrower than the one before it, their vertical edges converging cleanly on a single vanishing point set slightly left of centre, and the stall partitions above and below the doors step down in height as they recede. Every stall door is shut and latched, pale laminate panels with a thin dark gap at the bottom, a small vacant/occupied indicator on the latch of each, and identical door edges casting thin parallel shadow lines onto the tiled floor. Along the left wall runs a long counter with two deep white sinks set into it, chrome faucets angled over the basins, and above them a continuous band of large wall mirrors that repeats the row of stall doors in reverse, darker and slightly softer than the doors themselves, the reflections hazed at the far end by distance and a faint bloom of the ceiling lights. A chrome soap dispenser is bolted to the tiled wall between the two sinks, a second one at the near end of the counter, each with a short drip of soap hanging from its spout and a small pool of dried residue beneath. The walls are clad in large-format pale grey tile with a fine grout grid that stays crisp in the foreground and thins to a dense lattice at the back; the floor is a matching tile in a slightly warmer tone, its grout lines running toward the vanishing point and pulling the eye down the corridor of stalls. Bright ceiling lights sit in a row of recessed rectangular panels down the centre of the ceiling, their spacing shrinking with the perspective, and each throws a soft rectangular pool of light onto the floor between the stall row and the counter, the pools overlapping into an even, shadowless brightness with only faint darkness gathered in the corners and under the stall doors. The palette is restrained: pale grey, chalk white, cool chrome, and one muted warm tone in the floor tile, with a single green tinge in the mirror glass at its far edge. On the counter, one folded paper towel lies flat and a stray water droplet sits on the porcelain rim of the near basin, its reflection a smaller, darker dot directly beneath it in the still water. The room is immaculate and entirely unoccupied. Quiet, sterile calm.

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