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V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
매개변수 표시
- 원본 프롬프트
- ((lady bathing)), (eight doves perched), (twigs and branches emerge from broken glass window), [dim sun rays], [dust settled on the ground], ((calming reflecting pool), [moving waters], [dull ambience], cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur, [[[high contrast]]]
- 모드
- flash
- 크기
- 1104 x 1824
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot
The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple.
Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines.
The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1girl, solo, adult woman, bathing, sitting in shallow water, long wet hair, wet skin, from behind, over-shoulder composition, looking back over shoulder, doves, perched, multiple doves, bird on windowsill, bird on ledge, bare shoulders, bare back, calm reflecting pool, moving water, ripples, broken window, shattered glass, twigs, branches, branch growing through window, stained glass window, mosaic glass, wild plants, vines on wall, ivy, moss, dust motes, sunbeam, god rays, dim light, cool color palette, blue and teal and stone grey, ruined interior, wellspring, spring water, cinematic shot, wide shot, sharp focus, crisp, clear, no blur, detailed, HDR, physically based rendering, subsurface scattering on wet skin, atmospheric, serene, quiet
The camera sits low behind her near the waterline and slightly to her left, in a wide cinematic composition: the woman is seen from behind and above the hips, her back to the lens, head turned so that her right cheek and one lowered eye show past the curtain of her own wet hair. She sits on a submerged stone step at the shallow lip of a circular spring-fed reflecting pool, hips settled, both knees bent toward the far rim, feet flat on the algae-slick floor below the surface; her weight rests on her right hip with her left hand braced flat on the pool's carved stone edge, water beading the whole length of that forearm. Her long wet hair clings in dark ropes over her spine and right shoulder blade, dripping, the strands at the ends floating out into the pool where the water moves. Circling ripples spread from her waist and thighs and cross the entire basin, and where those ripples flatten the surface the water mirrors the arched window opposite her, breaking its stained-glass colours into wavering bands; the water is darker and softer than the glass it reflects. Four pale doves are perched along the broken sill and the bent frame of the great arched window in the midground wall: one on the intact lower mullion, two tucked close together inside the empty lead tracery of a shattered pane, one on a leaning branch that has grown in through the fracture and bends under its weight, and that branch's leaves hang directly overhead in the foreground, softly out of the near plane. Through the broken window a gnarled branch thrusts inward, bark ridged, twigs and buds pushing past jagged teeth of glass still set in the lead; the stained glass that survives is a mosaic of cool blue, sea-green and pale violet fragments in lead cames, and the low dim sun behind the wall drives its beams through the gaps so coloured shafts slice the dust which hangs thick in the air, settling in a pale even film on the dry stone paving, on the pool's rim, on the sill, on the doves' folded wings and the top-facing surfaces of the ivy, while nothing settles on the vertical faces. Wild plants have colonised the walls: ivy and thin creeper run down the mortar joints, moss fills the cracks, fern fronds spill from a spandrel and dip toward the water. The light is the only source, cool morning sun filtered through foliage and glass, sparse and low-contrast, leaving the corners of the vault in deep shadow; in the pool it strikes the lit faces of the ripples and their crests, and no caustic pattern reaches the shaded back wall. The palette is restrained and cold -- wet slate, green-black, bone-pale stone and pale bird white, with the only saturation in the stained glass and in her dark wet hair. Behind her, beyond the pool, the spring's source seeps from a cracked stone wellspring head in the back wall, its thin fall adding one steady thread of moving water to the surface. Everything from the film of dust on the foreground rim to the furthest ivy leaf is tack-sharp and crisply resolved, with no blur anywhere but the natural motion of the water, quietly devotional, still.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
1girl, solo, lady bathing, long flowing hair, hair floating on water surface, partially submerged, sitting in shallow reflecting pool, calm reflective water, moving water ripples, concentric ripple rings, doves perched, multiple doves, doves on broken window frame, doves on stone ledge, broken glass window, shattered glass panes, twigs emerging from window, branches growing through broken window, wild plants grown on walls, moss, ivy and ferns on stone walls, stained glass mosaic windows, colorful stained glass fragments, dim sun rays, volumetric god rays through broken window, dust settled on ground, dust motes in air, cool colors, teal and slate blue palette, dull ambience, simple aesthetic, serene, wellspring, water source spring, stone basin, cinematic shot, wide shot, from side, from below, water level camera, crisp sharp focus, high detail, deep focal depth, dramatic low-key lighting, 3d render, octane render, artstation quality, best photometry, clear, no blur, atmospheric, quiet tranquility, contemplative
A cinematic wide shot from a low camera just above the waterline, looking slightly up and across the flooded chamber: a young woman sits waist-deep at the shallow lip of a still reflecting pool, its surface broken into slow perfect concentric rings that spread outward from where her hips displace the water and lap against the cracked stone rim; her long dark hair fans out flat across the surface, half of it lifted and floating on the moving water, the strands nearest her shoulders sunk beneath it. She is turned three-quarters away toward the shattered window, weight settled on one hip against the pool's edge, one hand resting palm-flat on the submerged stone beneath her, the other lifted to wring water from a lock of hair at her collarbone; her chin is tipped up and her eyes follow the light, not the lens. Behind her, the tall window stands blown open — leading lattice bent, jagged glass teeth still gripping the frame, and through the gap a living thicket pushes inward: pale twigs and thin branches arch into the room, their leaves and buds catching the dim shafts. Three doves are perched along the broken mullions and the stone sill, claws curled around the split lead, one preening with its head tucked, one facing the pool, one with its breast turned toward the light; a fourth settles on a jutting branch above. All around, the walls have gone wild — fern and ivy and creeper climbed up the stone courses, drinking from the damp, their leaves crowding the mosaic windows where panels of stained glass survive in place, and where they are missing the coloured shards scatter their reds and blues and ambers across the wet floor in pools faintly brighter than the grey light. The light source is the single broken window: cool, diffuse, low-slung sun falling in soft dusty shafts that slope down, strike the top of her hair and the shoulders of the nearest dove, and die in the shadows beneath the arches; the far end of the chamber beyond the shafts is dark and depthless. Dust lies in a still film on the dry flagstones, undisturbed except for one broken clean line where a fallen twig has dragged. Everything is in crisp, deep focus; the water is glassy with a fine grain of suspended motes. Cool teal and slate palette with stained-glass accents confined to the shards and their reflections. Quiet, contemplative.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot
The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple.
Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines.
The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
5
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
1#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
4
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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