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Kylee Violette (Kiy Chan)

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Kylee Violette (Kiy Chan)

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2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
매개변수 표시
원본 프롬프트
a male light brown wavy short hair and green eye vertical slit pupils as muscle male wearing a black pants and white shirt button with brown vests, when he picked her up in a princess carrier as a woman having a curly red hair longest and red eyes as wrapped her arms around on his shoulder, wearing a T-shirt and short pants as look beautiful woman
모드
pro
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
7.10k

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Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, muscular male, light brown hair, short hair, wavy hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, princess carry, carrying, holding another, long hair, curly hair, red hair, red eyes, arms around neck, hugging, white t-shirt, short pants, beautiful woman, hetero, cowboy shot, from side, profile, dutch angle, looking at another, eye contact, light smile, closed mouth, parted lips, outdoors, stone terrace, sunset, backlight, rim light, depth of field, atmospheric A dramatic three-quarter side view shot from a dutch angle, framed at cowboy shot, holds the two figures on a narrow stone terrace in the late afternoon. The man — tall, broad-shouldered, built with heavy muscle through the arms and chest — stands with his weight settled into his back heel and his hips angled away from the camera, the woman cradled across his forearms. His short, wavy light-brown hair lifts slightly at the temple in the breeze, and one lock falls across a heavy brow. His green eyes are narrowed, the vertical slit pupils contracting against the low sun as his gaze drops to her face; the corner of his mouth pulls into a small, closed-lipped smile. The white button-up shirt strains at the shoulder seam and pulls across his chest, every button done except the top, and the brown vest sits open, its hem riding up where his forearm supports her. The black pants crease at the hip from the weight shift, and his boots are planted wide on the uneven flagstones, the front foot braced just inside a seam. His arms are bent and locked beneath her — one forearm under her shoulder blades, the other under the backs of her knees, his fingers spread to take the load, the knuckles pale where they press into the fabric of her clothes. She is turned three-quarters toward him, her long, curling red hair spilling over the crook of his supporting arm and down past his hip, the ends of it catching the low sun so the curls read amber at the edges. Her arms are wound around his shoulder and behind his neck, her forearms crossed over the back of his collar, one hand resting against the fabric of his shirt. Her red eyes are open and fixed on his, a bright smile just parting her lips, her chin tipped up. The plain white T-shirt stretches across her chest where his arm takes her weight, and the short pants ride up slightly at the thigh, her knees folded and her ankles relaxed. The two are pressed close, his shoulder against her ribs, her shoulder tucked under his chin. Behind them a low stone parapet and a run of dark cypress trees fall out of focus; the terrace is empty of other people. The setting sun sits low and behind the pair, so the light comes from over the man's right shoulder — a strong warm rim raking the edge of his jaw, the top of his wavy hair, the curve of her red curls, and the top of her forearm, while the front of both faces is filled by a soft bounce off the pale stone, so their features stay readable. Their shadows stretch away toward the camera's left, long and hard-edged across the flagstones. The palette is warm stone and skin against the deep green of his eyes, the deep red of her hair and eyes, the brown of the vest and the white of the shirts — nothing else admitted. The breeze moves her curls and the loose tail of his shirt, and a single strand of her hair rests across his collar. Intimate, golden.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girl, 1boy, male butler, muscular male, tall male, short light brown hair, wavy hair, green eyes, vertical slit pupils, slit pupils, white button-up shirt, black vest, black pants, butler outfit, carrying child, one arm carry, holding a little girl in one arm, little girl, child, five years old, long curly red hair, red eyes, princess dress, ancient fabric dress, arms around neck, arms wrapped around his shoulder, crying, tears, tearful, looking up at him, looking at another, head tilted up, from side, cowboy shot, profile, protective embrace, deep shadows, warm lamp light, intimate, emotional, dark background, half-closed eyes, trembling lip, glossy hair, fabric folds, warm highlights Seen in a close three-quarter profile from the side, the butler fills the left two-thirds of the frame: a broad-shouldered, muscular man whose light brown wavy short hair falls in loose waves against his temples, his green eyes narrowed and steady, the vertical slit pupils catching a thin thread of lamplight as he looks down and slightly across at the child in his grip. His white button-up shirt is buttoned to the collarbone, sleeves rolled to the forearm over heavy muscle, the black vest taut across his chest and cinched at the waist, black pants pressed into a clean crease; he stands with his weight settled on his back leg, hip cocked, one arm curled under the little girl's thighs and back, the other hand braced flat beneath her to take her full weight, fingers spread and slightly pale from the load. His chin tips toward her, jaw set, a quiet, grave tenderness in the set of his mouth. The little girl is perched high against his chest on his one arm, roughly five years old and small enough that her knees hook over the crook of his elbow; her very long curly red hair spills in heavy springs over the black vest and down his shoulder, coiling on the fabric, a few strands caught against his collar. Her red eyes are wide and wet, brimming, and two clean tear tracks slide down her cheeks and drop free to darken the shoulder of his shirt — the wet spot spreading where they land. Her arms are wrapped tight around his shoulder and neck, small hands clamped into the shirt at his nape, fingers digging in. Her ancient-style princess dress is heavy, layered fabric — a brocade bodice with dull gold thread and a deep wine-red skirt with dense folds gathered over his arm, the hem hanging and swinging slightly with the tilt of her body, the embroidered trim catching the light where the fabric creases. The single light source is a low warm lamp out of frame at the right, throwing a soft gold rim along the girl's cheek and the crest of her curls, catching the sheen of the man's wavy hair and the brass-thread of the dress, while the left side of his face and the hollows of his vest fall into deep shadow; the wall behind them is a dark, unreadable interior, out of focus, swallowing everything beyond the small pool of light. Muted palette of black, deep wine red, warm brown and skin-tone highlight against a near-black ground. His cast shadow spills long and soft across the wall behind him, shaped by the curve of her hair. Intimate and quietly sorrowful.
Kylee Violette (Kiy Chan)

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