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밤비에타 바스터바인, 블리치
nyx23님의 AI 작품. PixAI에서 감상하세요. 태그: 블리치 천년혈전 편. 사용 모델: Tsubaki.3.
참가 작품
PixAI 「기묘한 할로윈 클럽」 스페셜 콘테스트 - 히간야의 밤#PixAI Halloween 2026
매개변수 표시
- 원본 프롬프트
- 1girl, bambietta basterbine, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, white hat, white gloves, jacket, wandenreich uniform, belt, military uniform, white skirt, long sleeves, white jacket, peaked cap, purple eyes, v-shaped eyebrows, pleated skirt, buckle, quincy (bleach), miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, sternritter, very long hair, blue eyes, white shirt, black eyes, boots, jewelry, the bloody corpse of a shirtless quincy soldat soldier lies on the floor in front of her split in half vertically, wandenreich background, bedroom background, red light, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, sitting on bed, putting clothes back on, zipping up shirt, cleavage, discarded cape, malevolent, seductive look, bored, seductive pose,
- 모드
- pro
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, solo, bambietta_basterbine, very long black hair, hair between eyes, long hair, purple eyes, blue eyes, black eyes, v-shaped eyebrows, eyelashes, beautiful face, white peaked cap, military hat, white hat, white gloves, gloves, jewelry, white jacket, long sleeves, jacket, white shirt, shirt, black belt, belt, heart-shaped buckle, buckle, white pleated miniskirt, pleated skirt, white skirt, skirt, miniskirt, boots, wandenreich uniform, military uniform, sitting on bed, putting clothes back on, zipping up jacket, one hand gripping zipper pull tab, discarded cape, seductive look, seductive pose, bored, malevolent, half-lidded eyes, heavy-lidded gaze, looking at viewer, mature female, split corpse, bloody corpse, half-naked male corpse, corpse split in half vertically, gore, blood, bedroom background, wandenreich background, red light, ominous lighting, white outline, sharp cel-shading, high contrast, dramatic rim lighting, cinematic, depth of field, from below, cowboy shot, dutch angle
From a low, tilted angle just above the rumpled bedding, so the white cap sits against the dark headboard and the dark red room recedes behind her, a lone woman sits on the edge of the bed with her weight rolled onto her left hip, right leg crossed over the left and right boot hanging slack, and she is caught mid-motion, finishing dressing: her right hand rises at her chest, white-gloved fingers pinching the zipper pull tab of her white jacket and drawing it up, the separated teeth still open below her collarbone and the newly closed teeth sealed tight beneath her chin. Her black hair is very long and has fallen loose forward over her right shoulder, several strands dropping straight between her eyes, and the fringe shades a face that is unreadable and beautiful, framed by dark lashes. Her v-shaped eyebrows are drawn low and inward; she has heavy-lidded eyes narrowed in a bored, knowing stare aimed straight at the viewer, mouth closed, one corner just barely tipped. A blunt white peaked cap rests on her head. The rest of the Wandenreich military uniform on her reads as crisp as an officer's despite the unmade bed: the white shirt beneath the open jacket, the black belt cinched at her waist with a heart-shaped buckle catching the red light, the white pleated miniskirt fanned across her thighs where she sits, white gloves on both hands, boots below. A length of thin jewelry lies at her throat. Her left hand rests low on the mattress beside her hip, fingers spread and pressing a shallow hollow into the sheet, and a discarded cape lies crumpled across the foot of the bed, only partly off the edge. Directly below her boots, on the floor in front of the bed, the bloody corpse of a half-naked male soldier in a torn quincy uniform lies split clean in half vertically, the two halves slightly parted, blood pooled and drying dark across the floorboards and soaking the trailing edge of the cape; she does not look at it — her eyes never leave the viewer — and the total indifference in her face is aimed entirely at the lens. The room is a Wandenreich chamber dressed as a bedroom: tall windows with pale stone mullions behind the headboard, white ornamental molding, the whole space washed in deep red light that floods in from the window at her back and from an unseen source above, so the light throws a hot rim along the crown of her cap, the outer edge of her hair and the tops of her shoulders, while the front of her face falls into cool shadow and the corpse below sits in the darkest part of the frame. Each figure and object, her body foremost, is edged with a thin crisp white outline separating it from the background. Palette is restricted to white, black and blood red, with her skin the only warm note. Shadows under her are hard and short against the bedding, dust motes are visible only in the red shaft from the window, and the blood on the floor is already losing its sheen as it dries, matte at the edges and glossy at the center. Sharp cel-shading with high-contrast steps, hard shadow shapes and glowing red accents. Malevolent, quietly terrifying.
nyx23
n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, solo, bambietta basterbine, very long black hair, floating hair, hair between eyes, purple eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, jacket half-zipped, zipper slider gripped in right hand, white shirt underneath, black belt, heart-shaped buckle, white pleated miniskirt, white gloves, boots, jewelry, sitting on bed, putting clothes back on, sitting at edge of bed, legs crossed at the knee, leaning forward, seductive pose, chin lowered, half-closed eyes, looking at viewer, smug lopsided smirk, bored half-lidded stare, malevolent, seductive look, discarded white cape heaped on the floor, bloody corpse of a shirtless male soldier split in half vertically, severed halves, blood pooling, bedroom background, Wandenreich shadow-palace architecture through the window, red light, ominous lighting, volumetric lighting, white outline, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, wide angle lens, depth of field, dim interior blue-grey shadows, vibrant red accent, moody atmosphere, cinematic perspective, highly detailed, perfect anatomy, masterpiece, best quality, absurdres,
The camera sits low and close, tilted slightly off level, looking up across the edge of the bed at a young woman with very long black hair that spills over the mattress behind her and hangs loose in strands between her eyes. She sits at the near corner of the bed with her hips turned a quarter away from the lens, one booted leg crossed over the other at the knee, the top boot swinging free with its heel off the floor -- all her weight on the hip and thigh pressed into the mattress, the quilt compressed in a deep hollow under her. Her torso leans forward toward the viewer, shoulders rolled in, and her chin is lowered so she looks up through half-closed purple eyes with a lopsided smirk: the lids heavy and bored, one brow arched higher than the other, the corners of the mouth pulled up only on one side. It reads as malevolent amusement rather than warmth. Her right hand is at her chest, white-gloved fingers pinching the zipper slider; the white jacket is half closed, closed teeth below the slider, separated teeth above it fanning open to show the white shirt beneath, the black belt and its heart-shaped buckle sitting at her waist above the white pleated miniskirt spread over the quilt. Her left gloved hand rests flat on the mattress behind her hip, taking her weight, fingers splayed and denting the sheet.
On the floor between the bed and the door, in front of her, lie two halves of a shirtless male soldier's body split vertically down the middle, laid apart a hand's width from each other, both halves face-up, blood pooled around them in a wide dark slick that creeps into the seams of the floorboards and touches the toe of her boot. Her white cape is heaped and discarded on the floor off to the side of the bed, crumpled with one edge trailing into the blood.
The room is a bedroom inside the Wandenreich's shadow palace: pale blue-white stone walls with a tall arched window behind the headboard, through which the inverted silhouette of a city hangs in the dark outside, rigid geometric towers and a spired palace form in the distance. The window is the only source of cool blue-grey dusk light, and everything else in the room is drowned in an ominous deep red glow that rises from the left of the frame and paints the right side of her face, the white of her cap, her glove and the rucked quilt in saturated crimson, leaving her far side and the corpse in heavy shadow. A thick white outline traces her silhouette, the cap brim and her shoulders, separating her from the dark background under the dramatic backlighting, and the rim light catches the floating stray hairs around her face.
The palette is disciplined: white uniform, black hair and black belt, and red -- red light, red blood, red accents on the buckle and her lips -- against desaturated blue-grey stone. Sharp cel-shaded planes, high contrast, crisp hard-edged shadow shapes, a shallow depth of field keeping her face and the zipper sharply resolved while the window city and the far wall soften into haze. Her white glove pinches the slider, the separated teeth above it catching the red light while the closed teeth below stay in shadow. Quiet, cruel satisfaction.
nyx23
n2
character: bambietta_basterbine, artist: ratatatat74, copyright: bleach
1girl, solo, bambietta basterbine, very long black hair, floating hair, hair between eyes, purple eyes, blue eyes, black eyes, heterochromia, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white jacket, long sleeves, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, boots, wandenreich uniform, sternritter, quincy, cowboy shot, standing, seductive pose, seductive look, maniac look, malevolent grin, looking at viewer, depth of field, volumetric lighting, ominous lighting, penthouse suite background, several desiccated male bodies on the floor in the background, white outline
Cowboy shot from a low three-quarter angle, the camera just below her hip line and tilted a few degrees so the penthouse's floor-to-ceiling glass runs as a slanted diagonal behind her. She stands with her weight sunk into her right boot, left knee bent and toes turned out, hips cocked hard to one side; her torso twists so the right shoulder comes toward the lens while her chin drops and her head tilts down at the viewer. Her left hand is raised, white-gloved fingers curled loose and half-open at chest height, wrist bent back; her right hand rests on the heart-shaped buckle of the black belt at her waist, thumb hooked under the strap, the white pleated miniskirt flaring a half-step outward from the twist. Her very long black hair sweeps sideways off the twist of her body, several strands falling between her eyes, one long lock whipped across the white jacket's lapel; the peaked cap sits low, its brim cutting a hard shadow across her brow. She looks straight down the lens: eyelids heavy and half-lowered, one brow arched high and the other flat and v-shaped, lips pulled into a wide crooked grin with the teeth showing and one corner hitched higher than the other -- the maniac pleasure and the seductive invitation arriving in the same face.
Behind her the penthouse suite opens up in soft focus: polished dark stone floor, a low modular sofa, a floor lamp, a glass wall with the blurred city beyond it, wide enough that the room dwarfs her silhouette. In the background, sprawled across the floor in the middle distance, several desiccated male bodies lie where they fell -- grey, sunken, hollow-cheeked, limbs splayed at bad angles, one arm hooked over a rug's edge -- rendered smaller and softer than her by the shallow depth of field, their outlines dissolving into the bokeh while hers stay razor-cut.
The light is the penthouse's own: cold blue-white volumetric shafts pour in through the glass wall behind and above her, hazing the air and rimming the white peaked cap, the shoulders of the white jacket and the outer sweep of her black hair in hard bright edges, while her face sits in the shadow the cap brim throws and her eyes catch two small points of that backlight. A second, warmer low source -- the floor lamp at frame left -- rakes her white skirt and the heart buckle from below. The contrast is pushed hard: the white uniform reads almost blown out, the black hair and the black belt crush to near-black, and the dead men lie in the darkest band of the floor.
Palette is disciplined to white, black, cold steel-blue and the city's sodium haze, with the only saturated note the hot amber glint on the buckle and one thin violet flare in her irises. Sharp cel-shaded edges, crisp rim lighting, a wide-angle cinematic perspective that lets the room bow slightly at the frame edges, high resolution detail concentrated in her face, gloves and the pleated skirt's swing. Ominous, effortlessly cruel.
nyx20
n2
artist: ratatatat74
1girl, solo, long hair, very long hair, black hair, hair between eyes, white military peaked cap, military hat, white gloves, white jacket, long sleeves, white shirt, white cape, black belt, heart-shaped buckle, buckle, white pleated miniskirt, pleated skirt, miniskirt, boots, jewelry, witch, glowing blue eyes, blue eyes, long eyelashes, v-shaped eyebrows, beautiful face, white outline, malevolent expression, seductive look, maniac look, seductive pose, glowing eyes, looking at viewer, grin, one eye closed, head tilt, hand on own hip, from below, cowboy shot, dutch angle, volumetric lighting, ominous lighting, depth of field, several desiccated charred male bodies lying on the floor in the background, penthouse suite background, sharp cel-shading, high contrast, rim lighting, moody atmosphere, wide angle lens,
Camera tilts up from floor level in a low dutch angle: the witch stands in the foreground of a glass-walled penthouse suite, her white-caped silhouette towering against the night cityscape, hat brim and shoulders cutting the skyline. She has propped her weight on her left leg, right hip pushed out, cape sweeping backward off her shoulders and hanging open behind her. Her right hand rests flat on her hip just above the black belt, white-gloved fingers spread wide and curling into the fabric; her left arm hangs loose, gloved fingers half-curled, a silver ring and a thin chain at her throat catching the light. She tips her chin down toward the lens so the peaked cap shades the top of her face while her glowing blue eyes burn from beneath the brim, pupils narrowed, one eye half-lidded, a lopsided maniac grin baring teeth on one side; two strands of black hair fall straight between her eyes, the rest of the very long hair spilling over her shoulders and down her back to her calves. The white jacket is buttoned to the collar, its long sleeves buttoned at the wrist; above it the white pleated miniskirt fans in sharp pleats under the heart-shaped buckle of the black belt, and black boots plant her stance on the polished marble.
Behind her, a wide expanse of floor-to-ceiling glass, low white sofas, and a scatter of desiccated charred male bodies lie broken across the marble in the soft-focus background, one arm flung out, ash-grey skin shriveled over bone, their silhouettes blurred by the shallow depth of field. The only light is the cold night glow of the city through the glass behind her: it rims the edge of her cap, her cape, and one line along her jaw in a bright thin outline, while her face stays in darkness except for the two blue glowing points of her eyes; the marble in front of her carries a long, hard cast shadow of her boots and the cape's hem. The palette locks to white uniform against charcoal-marble grey and the night city's cold blue, with one warm ember-orange glint smoldering in the ruined bodies behind her. Rim light, sharp cel-shaded edges, glossy highlights on the leather boots and the polished marble floor. Ominous, exultant.
nyx21-
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
4#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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