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Satoshi Shinada

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Satoshi Shinada

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2girls, female high school ninja, kunoichi, long black hair, black hair, blue ninja outfit, red ninja outfit, school skirt, pleated skirt, thighhighs, katana, sword, decapitation, beheaded, severed head, separated head, neck cut, heavy bleeding, blood spray, blood on face, blood from neck, dilated pupils, tormented expression, anguished expression, agony, limp body, lifeless, pale skin, wound, falling, falling off cliff, cliff edge, cliff, morning, dawn, sunrise, orange sky, both facing viewer, facing viewer, looking at viewer, dynamic angle, dutch angle, from below, foreshortening, motion blur, wind, flying hair, triumphant, triumphant smile, laughing, open mouth grin, smug, wielding sword, one-handed grip, mid-slash, afterimage, dust cloud, rocky ledge, deep valley, mist, blood, gore, blood splatter, grim, heartless, macabre, high contrast, cinematic lighting, dramatic shadows A dynamic dutch-angle shot from slightly below, so the cliff edge slices diagonally across the lower third of the frame, morning light breaking from the horizon at the upper right and throwing long orange streaks across the rock face and the two girls. The red kunoichi's severed head and her limp body are already over the lip of the cliff, falling into the deep misty valley below, the head trailing a long arc of blood that streaks back toward the ledge; her black hair fans out in the rushing wind, her eyes are wide with fully dilated pupils and an agonized clenched expression, her body slack and boneless, arms trailing behind her as she drops away from the camera. Her red ninja outfit is torn at the shoulders, her skirt flipping up with the fall, trails of blood flaring from the neck wound and splitting into fine droplets that catch the dawn light. Above her at the cliff edge, the blue kunoichi stands in a wide stance facing the viewer, her katana still extended in her right hand with its blade angled toward the fallen red, a thin line of blood running the length of the steel; her black hair swings out to one side from the backswing, her skirt and sash flare with the same motion. Her face is turned straight at the camera, a triumphant, wide-open laugh curving her mouth, eyes narrowed to satisfied crescents, shoulders squared with victory. Behind them, the early morning sky shades from deep indigo at the top to warm peach at the horizon, mist pooling in the valley below and a few distant peaks silhouetted in the haze; the ledge is rough stone scattered with small stones and dust kicked up by the strike, and the blood spray catches the sunrise in a fine, glittering haze. The whole scene is rendered in a mature anime style with glossy, high-finish rendering and soft lighting, skin blended with subtle gradients and warm highlights, controlled color harmony and smooth, minimally visible brushwork, no speech bubbles or lettering anywhere, purely visual. Cold, ruthless, beautiful.
매개변수 표시
원본 프롬프트
女子高生くノ一　殺し合い　くノ一青衣装とくノ一赤衣装　赤の背後から刀で一閃首を斬り落とし青が勝利　赤は首から多量の出血、瞳孔開いた苦悶の表情、全身脱力、頭と体が真っ二つになりながら落下　青が勝ち誇った顔で笑う　二人ともこちら向き　台詞無し　髪の毛は二人とも黒髪で下はスカート　赤は崖から落下していく　朝方の景色
모드
flash
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1104 x 1824
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모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.90k

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2girls, female high school student kunoichi, kunoichi, ninja, black hair, long black hair, blue outfit, blue pleated skirt, red outfit, red pleated skirt, katana, small knife, decapitation, severed head, headless body, heavy bleeding, blood spray, dilated pupils, anguished expression, limp body, falling, mid-air, cliff, from side, facing viewer, looking at viewer, gloating, triumphant smile, open mouth, mid-swing, katana drawn through, right hand gripping knife, day, early morning, sunrise, motion lines, blood splatter, dramatic lighting, wide shot, Side-on wide shot at cliff-edge height, both kunoichi turned to face the viewer. In the midground the blue-clad kunoichi stands braced on the cliff lip, weight sunk into her back leg, torso twisted through the follow-through of a single horizontal katana slash: the blade finishes past her leading shoulder, both hands on the hilt, steel edge bright and slightly blurred with speed. Her chin lifts, a gloating open-mouthed laugh splits her face, eyes fixed on the viewer with a flash of morning sun in them; her black ponytail and blue pleated skirt swing in a hard diagonal from the arc of the swing. Directly before her and drifting past the cliff edge into open air, the red-clad kunoichi hangs weightless and slack, limbs flopping loose, right hand still loosely gripping a small knife in the falling air; her head is entirely severed from her body and tumbles in a separate arc ahead and below her shoulders, black hair streaming upward, her anguished face turned toward the viewer with wide dilated pupils and slack jaw, a thick violent jet of blood spraying from the neck stump and from the falling body's cut. Nothing beneath the red kunoichi but the crumbling rock lip and a deep drop into a pale valley. Low backlit early-morning sun rimming both silhouettes with cold gold, the rest of the cliff in blue shadow. Glossy high-finish anime rendering with soft blended skin gradients warm highlights polished sheen, controlled color harmony, smooth minimally visible brushwork, cold grey stone and dusty sky framing crisp blue and red costume. Vicious, triumphant.
Satoshi Shinada
AI artwork
ss
2girls, female high school student kunoichi, kunoichi, ninja, black hair, long black hair, blue outfit, blue pleated skirt, red outfit, red pleated skirt, katana, small knife, decapitation, severed head, headless body, heavy bleeding, blood spray, dilated pupils, anguished expression, limp body, falling, mid-air, cliff, from side, facing viewer, looking at viewer, gloating, triumphant smile, open mouth, mid-swing, katana drawn through, right hand gripping knife, day, early morning, sunrise, motion lines, blood splatter, dramatic lighting, wide shot, Side-on wide shot at cliff-edge height, both kunoichi turned to face the viewer. In the midground the blue-clad kunoichi stands braced on the cliff lip, weight sunk into her back leg, torso twisted through the follow-through of a single horizontal katana slash: the blade finishes past her leading shoulder, both hands on the hilt, steel edge bright and slightly blurred with speed. Her chin lifts, a gloating open-mouthed laugh splits her face, eyes fixed on the viewer with a flash of morning sun in them; her black ponytail and blue pleated skirt swing in a hard diagonal from the arc of the swing. Directly before her and drifting past the cliff edge into open air, the red-clad kunoichi hangs weightless and slack, limbs flopping loose, right hand still loosely gripping a small knife in the falling air; her head is entirely severed from her body and tumbles in a separate arc ahead and below her shoulders, black hair streaming upward, her anguished face turned toward the viewer with wide dilated pupils and slack jaw, a thick violent jet of blood spraying from the neck stump and from the falling body's cut. Nothing beneath the red kunoichi but the crumbling rock lip and a deep drop into a pale valley. Low backlit early-morning sun rimming both silhouettes with cold gold, the rest of the cliff in blue shadow. Glossy high-finish anime rendering with soft blended skin gradients warm highlights polished sheen, controlled color harmony, smooth minimally visible brushwork, cold grey stone and dusty sky framing crisp blue and red costume. Vicious, triumphant.
Satoshi Shinada
AI artwork
ss
2girls, female high school student kunoichi, kunoichi in blue outfit, kunoichi in red outfit, black hair, long hair, pleated skirt, ninja outfit, decapitation, katana slash, severed head, falling head, large amount of blood, blood spray from neck, dilated pupils, agonized expression, limp body, limp limbs, floating in midair, falling off cliff, kogatana, held in right hand, katana swing follow-through, triumphant laugh, open mouth laugh, victorious, both facing viewer, looking at viewer, morning, dawn sky, cliff edge, from below, dutch angle, dynamic angle, motion blur on blade, blood droplets suspended, wide-eyed, clenched teeth, sweat, motion lines, dramatic lighting, cold blue versus hot red palette The camera sits low on the cliff ledge, tilted into a slight dutch angle, looking up past the blue kunoichi's hip into an open dawn sky -- so both girls face the viewer while the ground drops away behind them. In the near foreground at the right, the blue-outfitted kunoichi has just finished the slash: her weight is settled onto her back foot, front leg braced forward, torso twisted through the follow-through with the katana swept out low and to her left, its blade edge still carrying a thin smear of blood that beads and flicks off the tip. Her long black hair has been thrown forward across one shoulder by the rotation and is still settling. Her chin is lifted, one brow arched, mouth wide open in a full-throated triumphant laugh, eyes narrowed with the crescent creases of real laughter, and she is looking straight out at the viewer over the length of her own blade. Her blue outfit and pleated skirt snap outward, dragged by the same spin. Beyond her, past the cliff lip where the rock breaks into empty air, the red-outfitted kunoichi is already in freefall and floating weightlessly against the pale morning sky -- her body hangs slack, arms and legs trailing loose with no tension anywhere, her skirt and hair lifted upward by the drop as though gravity has already forgotten her. Her right hand still loosely holds a small kogatana, the blade angled back along her forearm. Her head is completely severed and hanging in the air a body-length above and behind the shoulders, black hair fanning out; her face is turned toward the viewer with pupils blown wide and dark, brows drawn in a tight agonized grimace, mouth open, jaw slack. From the open stump of her neck a thick, heavy arc of blood sprays up and outward, breaking into droplets that hang in the cold air between the two girls. The light is early morning: a low sun from the left edge of frame, pale gold and still cool, raking across the cliff rock and catching the wet sheen of the blood and the polished steel of both blades; the sky deepens from peach at the horizon to a clean pale blue overhead, and the cliff face below the ledge stays in blue shadow. Palette is disciplined: cold cobalt and steel for the victor, warm red and crimson for what is falling, black hair and morning sky holding everything else. Mature anime rendering with glossy, high-finish surfaces, softly blended skin gradients and warm highlights, controlled color harmony and minimally visible brushwork -- gore rendered as stylized anime violence, crisp and cold rather than visceral. Brutal, exultant.
Satoshi Shinada
AI artwork
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3 girls, three schoolgirl assassins, cliff edge, victor standing at the cliff lip, defeated girls falling, mid-cliff height, high angle looking down the cliff face, from above, extreme vertical drop, 1girl with long black hair, green blazer school uniform, green pleated skirt, katana in right hand, blade angled down and out, clutching left shoulder wound, blood seeping between her fingers, looking down, standing on one leg, weight on right leg, brown-haired girl, navy blazer uniform, navy pleated skirt, falling on her back, head tilted back toward the sky, mouth wide open screaming, eyes squeezed shut, tears streaking sideways from the wind, torn blazer, ragged cuts on arms and legs, blood soaking through white shirt, blood-spattered thighs, blue-haired girl, red blazer uniform, red pleated skirt, already dead, limp, falling head-down, arms trailing above her head, hair hanging straight down, eyes half-open and glassy, blood running from a gash at her temple, two katanas floating in mid-air, one beside the brown-haired girl, one beside the blue-haired girl, empty hands, dropped weapons, overcast sky, cold grey light from above, sea mist below, jagged rock face, wind, no ground under the falling girls, deep shadow in the cliff cleft, blood, torn uniforms, dramatic, tragic The camera looks down over the cliff lip from above and slightly behind the victor's right shoulder, so her back and the back of her head fill the lower-left foreground while the two falling girls hang in the open air beyond the rock edge, shrinking into the middle of the frame. She stands on her right leg at the very lip, her left leg set back and toe braced against a crack, her torso twisted so her left shoulder turns toward the drop; her left hand is clamped flat over the wound on that shoulder, fingers spread and slicked dark, the sleeve soaked through, and her right arm hangs forward and outward past the edge with the katana gripped low, the blade pointing down the cliff face, tip toward the girls. Her chin is lowered and her eyes are fixed on the navy-uniformed girl, lids narrowed, mouth a flat line. The brown-haired girl falls on her back with her spine arched away from the rock, head tipped back so her face is turned up toward the sky and the viewer, mouth stretched wide in a scream, throat corded, both arms flung out and trailing upward from the drag of the air; her navy blazer is torn open at the shoulder seam, the white shirt beneath blotched red, her skirt flaring up around her hips, one shoe gone and the bare foot twisted, her brown hair streaming away from her scalp in the wind. Far below and to her left the blue-haired girl falls head-down, already dead: her body is slack and vertical, head leading, red blazer hanging open and slipping off one shoulder, red skirt collapsed around her legs, arms drifting up past her head, blue hair falling straight down in a heavy sheet past her face; her eyes are half open and dull, and blood runs from her temple in a thin line that beads off and stains backward across her cheek in the updraft. Two katanas hang in the air at their own heights, unsupported: one just beyond the brown-haired girl's outstretched left hand, turning slowly end over end with its tsuba catching the light; the other beside the dead girl's trailing fingertips, blade pointing down and slightly inward, its polished steel reflecting a narrow cold band of sky. Between the cliff lip and the falling bodies the rock face steps back in wet grey shelves, and the wind pushes spray upward along it so the girls' hair and loosened blazers all stream in the same upward direction, against their fall. The only light is a flat overcast sky overhead: it lays a weak cool sheen on the victor's black hair and the top plane of her shoulder, leaves her face in soft shadow, catches the flats of both airborne blades, and darkens to near-black in the cleft of the cliff behind her; the sea mist below swallows the bottom of the drop into featureless white-grey. The palette holds to grey rock, grey sky and white mist, with the three uniforms as the only strong colour -- green above, navy and red below -- and dark red blood running through all of them. Quiet, merciless.
Satoshi Shinada

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