๋ฌด๋ฃ ๊ฐ์ ํ 10,000 ํฌ๋ ๋ง์ ๋ฐ์์!
๊ฐ์ ๋น์ผ ๊ณ์ ์ ์ง๊ธ๋๋ ์ฐฝ์ ํฌ๋ ๋ง!
ํ์๊ฐ์ ํ๊ณ ์ด๋ฏธ์ง 8์ฅ ๋ฌด๋ฃ ์์ฑ!
๊ฐ์ ๋น์ผ ๊ณ์ ์ ์ง๊ธ๋๋ ์ฐฝ์ ํฌ๋ ๋ง!
Marie
Marie๋์ AI ์ํ. PixAI์์ ๊ฐ์ํ์ธ์. ์ฌ์ฉ ๋ชจ๋ธ: Tsubaki.3.
๋งค๊ฐ๋ณ์ ํ์
- ์๋ณธ ํ๋กฌํํธ
- 1girl, flat chest, slim, 12 years old, she has long sandy blonde hair, jade-green big eyes with apricot specks in them, apricot details in eyes, glossy eyes, shimmering eyes with white details, pale skin, soft blush, wispy bangs, PCV figure collective, standing on a display base, she is stunningly beautiful, flat chest, anime pcv style
- ๋ชจ๋
- pro
- ํฌ๊ธฐ
- 1104 x 1824
- ์ํ๋ง ๋ฐฉ์
- Euler
- ์ ์ธ ์กฐ๊ฑด
- lowres, worst quality, low quality, bad anatomy, explicit
ํ๋กฌํํธ ๋์ฐ๋ฏธ
๋ชจ๋ธ ๋ฐ LoRA ์ฌ์ฉ
๋น์ทํ ์ํ
์์ธํ ๋ณด๊ธฐ
m
1girl, solo, flat chest, slim, small girl, child, long sandy blonde hair, wispy bangs, jade-green eyes, large eyes, apricot specks in eyes, glossy eyes, shimmering eyes, white highlights in eyes, pale skin, soft blush, stunningly beautiful, PVC figure, figurine, display base, standing, full body, from below, slightly from the side, three-quarter view, looking to the side, faint closed-mouth smile, arms held slightly out from the body, one hand raised at chest height with fingers half-curled, weight on one leg, collector figure photography, seamless studio ground, soft studio light, soft shadow under the base
The camera sits low and slightly to the girl's left, looking up at her from just above the rim of the display base, the whole figurine in frame from the soles of her feet to the top of her head, and the figure shown in a three-quarter turn: her right shoulder swung a little toward the lens, her left arm and hip carried away behind her own hair. She is a molded figurine, not flesh โ her pale skin has the closed, even sheen of finished PVC, the blush on her cheeks is painted on as a soft airbrushed bloom with crisp edges, and her long sandy blonde hair falls in sculpted ribbons down her back and over her far shoulder, each wispy bang cut at the brow with a fine hairline seam and a hard rim of highlight along every strand. Her face is small and doll-proportioned; her jade-green eyes are the largest thing on it, glossy and domed so the light gathers in a wet crescent on each, apricot specks scattered through the jade, a shard of white detail painted into every pupil, and her gaze slides off to her left, past the frame, not at the viewer. Her lips are pressed in the faintest closed-mouth smile, one brow a hair higher than the other.
Her slim body is posed in a gentle contrapposto: the weight rides on her right leg, the left knee bent and the left toe turned slightly out, the flat chest modeled smooth under her simple sleeveless dress, a molded fold of fabric falling from each hip. Her right hand is lifted to chest height with the fingers half-curled and held apart, the empty gesture of a figure caught before an accessory was slotted in; her left arm hangs just clear of her body so it does not fuse to the hip in the mold. Her hair and the hem of her dress are sculpted as though a light fan of air had caught them, each tip carved mid-swing and frozen there.
She stands on a clear circular display base with a beveled top edge, her bare feet planted flat on it, ten tiny toes molded with separation, a faint seam line running around each ankle. The light comes from a soft box high and to the front-left: a broad diffused highlight rolls down the left of her hair, her left cheek and the left side of her chest, a narrower specular glint breaks on each glossy eye and on her right shoulder, and her own freestanding shadow falls short and soft on the ground to the right. Beyond the base the ground is a seamless neutral studio sweep of pale warm grey that brightens behind her and darkens toward the lower corners, admitting nothing else โ no props, no set, no second figure. Every edge on her is a clean cel-hard contour with a thin darker line where the mold's forms turn away, the palette restricted to sandy gold, the green-and-apricot of her eyes, the blush and the pale ground. A faint vertical mold seam catches the light on her left upper arm, and the base's clear rim splits the studio glow into one thin bright streak. Quiet, covetable, collector's-shelf precious.
Marie
m
1girl, solo, flat chest, slim, small girl, child, long sandy blonde hair, wispy bangs, jade-green eyes, large eyes, apricot specks in eyes, glossy eyes, shimmering eyes, white highlights in eyes, pale skin, soft blush, stunningly beautiful, PVC figure, figurine, display base, standing, full body, from below, slightly from the side, three-quarter view, looking to the side, faint closed-mouth smile, arms held slightly out from the body, one hand raised at chest height with fingers half-curled, weight on one leg, collector figure photography, seamless studio ground, soft studio light, soft shadow under the base
The camera sits low and slightly to the girl's left, looking up at her from just above the rim of the display base, the whole figurine in frame from the soles of her feet to the top of her head, and the figure shown in a three-quarter turn: her right shoulder swung a little toward the lens, her left arm and hip carried away behind her own hair. She is a molded figurine, not flesh โ her pale skin has the closed, even sheen of finished PVC, the blush on her cheeks is painted on as a soft airbrushed bloom with crisp edges, and her long sandy blonde hair falls in sculpted ribbons down her back and over her far shoulder, each wispy bang cut at the brow with a fine hairline seam and a hard rim of highlight along every strand. Her face is small and doll-proportioned; her jade-green eyes are the largest thing on it, glossy and domed so the light gathers in a wet crescent on each, apricot specks scattered through the jade, a shard of white detail painted into every pupil, and her gaze slides off to her left, past the frame, not at the viewer. Her lips are pressed in the faintest closed-mouth smile, one brow a hair higher than the other.
Her slim body is posed in a gentle contrapposto: the weight rides on her right leg, the left knee bent and the left toe turned slightly out, the flat chest modeled smooth under her simple sleeveless dress, a molded fold of fabric falling from each hip. Her right hand is lifted to chest height with the fingers half-curled and held apart, the empty gesture of a figure caught before an accessory was slotted in; her left arm hangs just clear of her body so it does not fuse to the hip in the mold. Her hair and the hem of her dress are sculpted as though a light fan of air had caught them, each tip carved mid-swing and frozen there.
She stands on a clear circular display base with a beveled top edge, her bare feet planted flat on it, ten tiny toes molded with separation, a faint seam line running around each ankle. The light comes from a soft box high and to the front-left: a broad diffused highlight rolls down the left of her hair, her left cheek and the left side of her chest, a narrower specular glint breaks on each glossy eye and on her right shoulder, and her own freestanding shadow falls short and soft on the ground to the right. Beyond the base the ground is a seamless neutral studio sweep of pale warm grey that brightens behind her and darkens toward the lower corners, admitting nothing else โ no props, no set, no second figure. Every edge on her is a clean cel-hard contour with a thin darker line where the mold's forms turn away, the palette restricted to sandy gold, the green-and-apricot of her eyes, the blush and the pale ground. A faint vertical mold seam catches the light on her left upper arm, and the base's clear rim splits the studio glow into one thin bright streak. Quiet, covetable, collector's-shelf precious.
Marie
m
1girl, solo, flat chest, slim, small girl, child, long sandy blonde hair, wispy bangs, jade-green eyes, large eyes, apricot specks in eyes, glossy eyes, shimmering eyes, white highlights in eyes, pale skin, soft blush, stunningly beautiful, PVC figure, figurine, display base, standing, full body, from below, slightly from the side, three-quarter view, looking to the side, faint closed-mouth smile, arms held slightly out from the body, one hand raised at chest height with fingers half-curled, weight on one leg, collector figure photography, seamless studio ground, soft studio light, soft shadow under the base
The camera sits low and slightly to the girl's left, looking up at her from just above the rim of the display base, the whole figurine in frame from the soles of her feet to the top of her head, and the figure shown in a three-quarter turn: her right shoulder swung a little toward the lens, her left arm and hip carried away behind her own hair. She is a molded figurine, not flesh โ her pale skin has the closed, even sheen of finished PVC, the blush on her cheeks is painted on as a soft airbrushed bloom with crisp edges, and her long sandy blonde hair falls in sculpted ribbons down her back and over her far shoulder, each wispy bang cut at the brow with a fine hairline seam and a hard rim of highlight along every strand. Her face is small and doll-proportioned; her jade-green eyes are the largest thing on it, glossy and domed so the light gathers in a wet crescent on each, apricot specks scattered through the jade, a shard of white detail painted into every pupil, and her gaze slides off to her left, past the frame, not at the viewer. Her lips are pressed in the faintest closed-mouth smile, one brow a hair higher than the other.
Her slim body is posed in a gentle contrapposto: the weight rides on her right leg, the left knee bent and the left toe turned slightly out, the flat chest modeled smooth under her simple sleeveless dress, a molded fold of fabric falling from each hip. Her right hand is lifted to chest height with the fingers half-curled and held apart, the empty gesture of a figure caught before an accessory was slotted in; her left arm hangs just clear of her body so it does not fuse to the hip in the mold. Her hair and the hem of her dress are sculpted as though a light fan of air had caught them, each tip carved mid-swing and frozen there.
She stands on a clear circular display base with a beveled top edge, her bare feet planted flat on it, ten tiny toes molded with separation, a faint seam line running around each ankle. The light comes from a soft box high and to the front-left: a broad diffused highlight rolls down the left of her hair, her left cheek and the left side of her chest, a narrower specular glint breaks on each glossy eye and on her right shoulder, and her own freestanding shadow falls short and soft on the ground to the right. Beyond the base the ground is a seamless neutral studio sweep of pale warm grey that brightens behind her and darkens toward the lower corners, admitting nothing else โ no props, no set, no second figure. Every edge on her is a clean cel-hard contour with a thin darker line where the mold's forms turn away, the palette restricted to sandy gold, the green-and-apricot of her eyes, the blush and the pale ground. A faint vertical mold seam catches the light on her left upper arm, and the base's clear rim splits the studio glow into one thin bright streak. Quiet, covetable, collector's-shelf precious.
Marie
em
1girl, solo, 10 years old, flat chest, child, fair skin, soft blush, big round glossy eyes, deep ocean blue eyes, coral-orange and gold glowing specks around pupils, white glossy highlights, sandy-blonde eyelashes, long sandy-blonde hair, pastel peach-coral undertone, bangs swept to the left side, ribbon hairband, dress, big bow around chest, ankle socks, loafers, standing on a display base, pvc figure, figure collective style, anime pvc figure style, looking at viewer, full body, from front, from slightly below, product photography, seamless studio backdrop
She is an anime PVC figure of a ten-year-old girl, seen full body from the front with the camera set slightly below her eye level so the display base reads as a solid plinth under her weight. She stands on a circular glossy display base, a short puck of clear-tinted acrylic with a faint bevel, its top surface catching a soft inverted reflection of her loafers; her polished brown loafers meet the base flat and even, weight settled on her left leg with the right knee just softly bent, toes turned out a few degrees, so the stance is asymmetric rather than parade-square. White ankle socks sit snug at each ankle with a clean cuff above the loafer's edge.
Her dress falls from the shoulders in soft moulded folds, and a big bow sits high on her chest, its two loops slightly uneven, one drawn a touch longer, the ribbon surface glossed and stiff like sculpted plastic rather than fabric. Her long sandy-blonde hair is cast in solid, thick strands that break into a few defined locks, pastel peach-coral tinting the undersides where the hair turns inward behind her shoulders; a ribbon hairband crosses the crown and holds the bangs, and the fringe is swept cleanly to the left side of her face, leaving the right brow and temple open.
Her face is turned straight to the viewer with both eyes wide open and aimed at the lens. The eyes are large and round, deep velvety ocean blue from rim to iris, and tightly clustered around each pupil sit sharp glowing specks of vivid coral-orange and gold that scatter into the blue like sunlight striking the top of a reef, each iris capped with a crisp white glossy highlight so the eyes read as wet, glazed plastic; her sandy-blonde lashes are moulded as separate fine ridges along the upper lid. A soft blush is airbrushed low on each cheek, a faint matte-to-gloss gradient, and her small mouth is closed in a calm neutral line, not smiling.
Lighting is a figure-photography setup: a large soft key from the upper left sculpting a smooth sheen down the left of her hair and the left loop of the chest bow, a cool fill from the right to keep the shadow side readable, and a narrow rim tracing the hair's peach-coral underside and the edges of her ankles; the display base returns a soft mirror image of her loafers and the hem of her dress. The background is a seamless studio sweep in a desaturated cool grey-blue that she is lit against, separated from her shoulders by a gentle gradient falloff. The palette holds to fair skin, sandy-blonde warmed by peach-coral underneath, white, brown loafers, and the single high-chroma event of coral-orange and gold inside the blue irises. Crisp injection-moulded edges, uniform satin-gloss surface, no dust, no seam flash. Still, glazed, collector-case pristine.
Ella More
๋ ์ดํด๋ณด๊ธฐ
์ถ์ฒ ํฌ๋ฆฌ์์ดํฐ
๋น์ ์๊ฒ ์ถ์ฒ
แฏโ
โก โก แฏโ
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
ํธ๋ฅธ ๋ฌผ๊ฒฐ ์์ ์ ๋น๋ก์ด ์๋
์กฐ๊ฐ
anime
๐๐๐๐๐๐๐๐
miku
๐๐๐๐๐๐๐๐
๐งฃ๐ ๐ช โงโห โก หโโง
(mai)
โ๏ธLoliciaโ๏ธ
weirdcore...
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
reunited at last
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
โหโนโก ๐ฏ๐๐ป๐ป๐ ๐ด๐ถ๐ฟ๐น โกโนหโ
โโกโ ๐๐พ๐ฝ๐ฝ๐ฎ๐ป๐ฏ๐ต๐โขสัษ.๐๐
...
Tofu
5
...
Tofu
2
โห ๊ฐแข. .แข๊ฑ ๐๐ โง
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใชใช
Sg75
...
Tofu
์ด๋ฆ
์ด๋ฆ
2
...
Tofu
...
Tofu
3
the ballerina
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๋๊ธ