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AI art "一期一振 - 大阪市立東洋陶磁美術館の開館式" featuring #도검난무, #이치고히토후리 and #좋아하는 것을, 좋아하는 방식으로 3
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一期一振 - 大阪市立東洋陶磁美術館の開館式

みずは님의 AI 작품 '一期一振 - 大阪市立東洋陶磁美術館の開館式'. PixAI에서 감상하세요. 태그: 이치고히토후리, 도검난무. 사용 모델: Tsubaki.3.

참가 작품
제3회 좋아하는 작품으로 참가하는 콘테스트#좋아하는 것을, 좋아하는 방식으로 3
#도검난무#이치고히토후리
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みずは

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character: ichigo_hitofuri 1:1, square composition, solo, 1boy, ichigo_hitofuri, upper body, from side, from front-right, eye-level camera, leaning forward, head tilt, looking down, looking at object, raised eyebrows, parted lips, light smile, hand on railing, arm at side, museum, glass display case, Southern Song oil-spot tenmoku tea bowl, black Jian-ware glaze, metallic oil-drop spots, gold-colored metal rim, dark fitted mount, warm-gray plinth, small scale, wooden viewing rail, pale stone floor, wood-paneled wall section, softly lit wall recess, single spotlight from upper left, thin glass edge reflections, aquamarine hair, short hair, side-swept bangs, porcelain-pale skin, slender adult male, midnight-blue herringbone wool blazer, narrow notched lapels, ivory fine-knit turtleneck, charcoal tailored trousers, dark waistband, unfastened horn buttons, welt pocket, buttoned sleeve cuffs, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25), masterpiece, best quality, detailed illustration, soft washes, blended hues, translucent layers, delicate linework, luminous shading, expressive eyes, warm glow, dreamy aesthetic, playful strokes, vibrant gradients, whimsical charm, painterly texture, light transparency, cheerful tones, flowing forms, watercolor splashes, smooth blending, youthful vibe, ethereal rendering, spectral_watercolor_texture, watercolor (medium), wet-on-wet, prism effect, chromatic aberration, detailed line art, translucent texture, Seen from his front-right at face level, the man leans in from the right side of the square frame, his upper body visible down to the natural waist; the small tea bowl occupies the lower-left area inside its glass box, no larger than life beside him. His short aquamarine hair falls in neat side-swept bangs over a slender oval face with a smooth forehead, narrow width and softly tapered jawline; his eyebrows are straight and softly arched, and his almond-shaped, horizontally elongated eyes are large enough in the frame for the iris structure to read — (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His brows lift clearly, his lips part with an appreciative, almost speechless pleasure, the corners tipping up just enough to avoid a posed smile; his head tilts toward the display, the inclination carrying through his shoulders. His gaze travels down to the silver-blue flecks on the bowl's inner surface. His right fingertips rest lightly on the wooden viewing rail in front of the case, while the left arm hangs loosely at his side; the rail alone bears his hand, not the protected ceramic. He is dressed in early-1980s civilian restraint: a midnight-blue herringbone wool blazer with narrow notched lapels hangs open from the throat to its lower edge, its two front panels separated around a soft ivory fine-knit turtleneck, two horn buttons unfastened, a narrow welt pocket and small buttoned cuffs giving the tailoring structure; below, charcoal trousers show their dark waistband at the natural waist. The heavy cloth breaks into diagonal bends above his resting right wrist and falls in straight vertical folds on the free left side. His build is that of a slender adult man around twenty-five, with realistic male proportions, restrained shoulder breadth and a slight natural shoulder slope; his porcelain-pale cool skin is smooth and even, his nose bridge straight and narrow, his mouth small with a thin upper lip and a slightly fuller lower lip, his cheek line smooth and unpronounced. The bowl itself is a shallow Southern Song Jian-ware vessel, about 7.5 cm high and 12.2 cm across, its low narrow stoneware foot supporting a rounded body under thick glossy black glaze; fine metallic oil-drop spots shift between silver, muted gold and deep blue across the inner and outer surfaces, and a narrow gold-colored metal rim reinforces the lip. It sits in a dark fitted mount inside a transparent display box above a warm-gray plinth; its rim spans barely one and a half palm widths at the same depth as the man's hand. The flecks only reflect the fixed light — the vessel does not glow. The gallery is otherwise empty of visitors: pale stone floor meets the plinth, a short wood-paneled section closes the right edge, and one softly lit recess sits in the wall behind him. A single museum spotlight from the upper left strikes the inner bowl and the gold rim; subdued bounce from the case and pale wall keeps his brows, mouth and iris colors readable. The glass shows thin edge reflections rather than broad glare, and shadows under the vessel, mount and wrist fall from that same upper-left source. The picture is painted in watercolor with wet-on-wet blooms: translucent layers, spectral watercolor texture, prism effect and chromatic aberration flicker at the contours; the blazer's midnight blue and the room's warm gray bleed softly into the paper field, linework stays delicate and detailed, and the handling keeps a quiet, appreciative intimacy.
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원본 프롬프트
A square 1:1 intimate museum scene imagining a quiet viewing moment around the 1982 opening of the Museum of Oriental Ceramics, Osaka. A single authentic-looking Southern Song dynasty oil-spot tenmoku tea bowl in its glass case fills the lower-left visual area; Ichigo Hitofuri leans toward it from the right, his whole head and upper body visible down to the natural waist. The camera is at his face level, looking from his front-right side across the display. His face is large enough for the colors and structure of his visible irises to be read; the bowl stays at its real small ceramic scale beside him rather than becoming an oversized monument. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth forehead contour, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, refined upper eyelid crease, thin clean eyelid line, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, moderate brow thickness, clear brow-to-eye distance, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, compact nostrils, narrow philtrum, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, clean subtle eye area, (golden outer iris:1.25), (lime-green inner iris ring:1.35), (two-layer gold and lime-green iris:1.25). His brows rise clearly, and his lips part with an appreciative, almost speechless look; the corners turn upward just enough to carry pleasure rather than a posed smile. He looks downward toward the silver-blue flecks on the bowl's inner surface. His head tilts toward the display, and the inclination continues naturally through his shoulders. His right fingertips rest lightly on the wooden outer viewing rail in front of the case, while the left arm hangs loosely beside his body. The rail supports his hand independently of the ceramic object protected behind the glass. He wears a restrained early-1980s civilian outfit: a midnight-blue herringbone wool blazer with narrow notched lapels, a soft ivory fine-knit turtleneck and charcoal tailored trousers. The blazer is open from the throat to its visible lower edge, with both front panels hanging separately around the knit and leaving the dark trouser waistband visible at the natural waist. Two unfastened horn buttons, a narrow welt pocket and small buttoned sleeve cuffs give the garment a clear tailored structure. The heavy jacket cloth forms diagonal bends above his resting right wrist and straight vertical folds at the free left side. Its matte weave contrasts with the soft knit, the transparent case and the bowl's polished glaze. The tea bowl is a small, shallow, gently flaring black-glazed Jian-ware vessel from Southern Song China, approximately 7.5 centimeters high and 12.2 centimeters across its open rim. Its low, narrow stoneware foot supports a rounded lower body. Thick glossy black glaze covers the inside and outside, densely scattered with fine metallic oil-drop spots that shift between silver, muted gold and deep blue in the fixed gallery light. A narrow gold-colored metal rim reinforces its upper edge. The vessel sits securely in a dark fitted mount inside a transparent display box above a warm-gray plinth. Its real rim diameter is only about one and a half times the width of the nearby adult palm, measured at nearly the same depth across the case. The flecks reflect light; the vessel does not emit light. The gallery itself is restrained: a pale stone floor meets the plinth, with a short wood-paneled section on the right and one softly lit wall recess behind the figure. No other visitors enter the scene. A single museum spotlight from the upper left illuminates the inner bowl and the gold rim, while subdued reflected light from the case and pale wall keeps his brows, mouth and iris colors visible. The glass carries thin edge reflections rather than a broad glare; shadows beneath the vessel, the mount and the wrist follow the same source. single coherent lighting setup. masterpiece, best quality, detailed illustration, soft washes, blended hues, translucent layers, delicate linework, luminous shading, expressive eyes, warm glow, dreamy aesthetic, playful strokes, vibrant gradients, whimsical charm, painterly texture, light transparency, cheerful tones, flowing forms, watercolor splashes, smooth blending, youthful vibe, ethereal rendering, spectral_watercolor_texture, watercolor (medium), wet-on-wet, prism effect, chromatic aberration, detailed line art, translucent texture
모드
pro
품질 태그
﹝프롬프트﹞
크기
992 x 992
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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