PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…
자세히 보기
どうするどうする？
매개변수 표시
- 원본 프롬프트
- Full-body character illustration of an original young man in his early twenties, drawn in the Mobile Suit Gundam SEED anime style — early-2000s Sunrise aesthetic, crisp cel shading, clean lineart, Hisashi Hirai-esque face design. He has fluffy, wavy golden-blond hair falling loosely around his face, large warm reddish eyes, and a gentle, easygoing smile. He wears a white military uniform jacket with a red-trimmed stand collar edged in gold, black shoulder panels, and a black undershirt; matching white uniform slacks and black boots below. He stands in a friendly, laid-back pose, one hand raised in an easy wave, weight shifted onto one leg, three-quarter view in a bright hangar bathed in warm afternoon light, background softly blurred, full figure from head to boots clearly visible.
- 모드
- flash
- 크기
- 1104 x 1824
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
ど
copyright: mobile_suit_gundam, gundam, gundam_seed
1boy, solo, young adult, early twenties, full-body, full figure from head to boots, three-quarter view, standing, weight shifted onto one leg, contrapposto, one hand raised, waving, open hand, gentle smile, closed mouth, looking at viewer, warm reddish eyes, large eyes, golden-blond hair, fluffy hair, wavy hair, loose hair strands framing face, white military uniform, military jacket, stand collar, red-trimmed collar, gold-edged collar, black shoulder panels, black undershirt, white slacks, black boots, bright hangar, warm afternoon light, blurred background, depth of field, crisp cel shading, clean lineart, flat cel highlights
A three-quarter view of a young man in his early twenties, seen from knee-height upward at a slight from-below camera so his boots sit close to the lower frame edge and the hangar ceiling recedes above his head, the whole figure from hair to boot soles fitting inside the frame with a hand's width of air at the top and bottom. He stands with his weight settled hard onto his right leg, that hip pushed out and that boot planted flat, while his left leg is relaxed: knee slightly bent, left boot set a half-step forward and turned out at an angle, heel barely weighted. His right arm hangs easy and slack at his side, fingers loosely curled. His left arm is raised to shoulder height, elbow softly bent, forearm angled up and outward, palm open and turned three-quarters toward the viewer, the wave caught mid-swing with the hand tilted a little at the wrist. His shoulders are level but not square — his right shoulder sits back, his left forward, opening his chest toward the camera in the three-quarter turn. His head is tipped slightly toward his raised hand. Fluffy, wavy golden-blond hair falls loosely around his face in soft separated locks, one wave flopping across his forehead and the ends curling just under his ears and brushing the collar behind; a few strands lift at his temple as if from his own motion. His large warm reddish eyes are wide and bright, catching the afternoon light as a small crisp highlight, and he looks directly at the viewer with a gentle, easygoing smile — lips closed, corners lifted just enough to soften his cheeks, no teeth, eyes narrowed slightly by the smile. His chin is tucked a touch, relaxed.
He wears a white military uniform jacket, the fabric a clean matte white with crisp cel-shadowed folds across the chest and at the inside of the elbow; the stand collar is trimmed in red piping and edged in gold, sitting snug around his throat, and the black shoulder panels are sharp, flat-edged blocks at the top of each sleeve. Beneath the open collar the black undershirt shows as a dark neat wedge at his throat and chest. The jacket falls to his hip. Below, matching white uniform slacks with a crisp crease down each leg, breaking once over the tops of black boots that come up over the ankle, their toes scuffed faintly and catching a hard specular highlight along the polish.
The hangar around him is bright and warm: a tall open bay behind his right shoulder, structural girders and a gantry rail receding, a large hangar mouth letting in low late-afternoon sun. The background is softly blurred — girders, cabling and panel seams reduced to soft out-of-focus shapes with only the big silhouettes readable, nothing sharp behind him. Warm afternoon light comes in low from the front-right of frame, striking the right side of his face, his right shoulder panel and the leading plane of his white slacks in a golden tone; the shadowed side of his face and the underside of his raised arm sit in cool reflected grey bounced off the hangar floor. A long soft cast shadow falls from his boots across the polished concrete toward the lower left of the frame. The palette is warm gold light, clean white cloth, black panels and undershirt, red and gold trim, with cool grey-blue only in the shadows and the blurred hangar depths. Dust motes hang visible in the sunbeam where it cuts across the bay, drifting and half-lit, the one thing that makes the still air of the hangar readable. Rendered in an early-2000s Sunrise broadcast-anime look: crisp cel shading with two-tone shadow blocks and hard-edged highlights, clean uniform lineart, the flat glossy eye with a single large catchlight, the simplified Hirai-style facial structure of a high forehead, pointed chin and long clean jaw. Friendly and sunlit.
どうするどうする？
ど
copyright: mobile_suit_gundam, gundam, gundam_seed
1boy, solo, young adult, early twenties, full-body, full figure from head to boots, three-quarter view, standing, weight shifted onto one leg, contrapposto, one hand raised, waving, open hand, gentle smile, closed mouth, looking at viewer, warm reddish eyes, large eyes, golden-blond hair, fluffy hair, wavy hair, loose hair strands framing face, white military uniform, military jacket, stand collar, red-trimmed collar, gold-edged collar, black shoulder panels, black undershirt, white slacks, black boots, bright hangar, warm afternoon light, blurred background, depth of field, crisp cel shading, clean lineart, flat cel highlights
A three-quarter view of a young man in his early twenties, seen from knee-height upward at a slight from-below camera so his boots sit close to the lower frame edge and the hangar ceiling recedes above his head, the whole figure from hair to boot soles fitting inside the frame with a hand's width of air at the top and bottom. He stands with his weight settled hard onto his right leg, that hip pushed out and that boot planted flat, while his left leg is relaxed: knee slightly bent, left boot set a half-step forward and turned out at an angle, heel barely weighted. His right arm hangs easy and slack at his side, fingers loosely curled. His left arm is raised to shoulder height, elbow softly bent, forearm angled up and outward, palm open and turned three-quarters toward the viewer, the wave caught mid-swing with the hand tilted a little at the wrist. His shoulders are level but not square — his right shoulder sits back, his left forward, opening his chest toward the camera in the three-quarter turn. His head is tipped slightly toward his raised hand. Fluffy, wavy golden-blond hair falls loosely around his face in soft separated locks, one wave flopping across his forehead and the ends curling just under his ears and brushing the collar behind; a few strands lift at his temple as if from his own motion. His large warm reddish eyes are wide and bright, catching the afternoon light as a small crisp highlight, and he looks directly at the viewer with a gentle, easygoing smile — lips closed, corners lifted just enough to soften his cheeks, no teeth, eyes narrowed slightly by the smile. His chin is tucked a touch, relaxed.
He wears a white military uniform jacket, the fabric a clean matte white with crisp cel-shadowed folds across the chest and at the inside of the elbow; the stand collar is trimmed in red piping and edged in gold, sitting snug around his throat, and the black shoulder panels are sharp, flat-edged blocks at the top of each sleeve. Beneath the open collar the black undershirt shows as a dark neat wedge at his throat and chest. The jacket falls to his hip. Below, matching white uniform slacks with a crisp crease down each leg, breaking once over the tops of black boots that come up over the ankle, their toes scuffed faintly and catching a hard specular highlight along the polish.
The hangar around him is bright and warm: a tall open bay behind his right shoulder, structural girders and a gantry rail receding, a large hangar mouth letting in low late-afternoon sun. The background is softly blurred — girders, cabling and panel seams reduced to soft out-of-focus shapes with only the big silhouettes readable, nothing sharp behind him. Warm afternoon light comes in low from the front-right of frame, striking the right side of his face, his right shoulder panel and the leading plane of his white slacks in a golden tone; the shadowed side of his face and the underside of his raised arm sit in cool reflected grey bounced off the hangar floor. A long soft cast shadow falls from his boots across the polished concrete toward the lower left of the frame. The palette is warm gold light, clean white cloth, black panels and undershirt, red and gold trim, with cool grey-blue only in the shadows and the blurred hangar depths. Dust motes hang visible in the sunbeam where it cuts across the bay, drifting and half-lit, the one thing that makes the still air of the hangar readable. Rendered in an early-2000s Sunrise broadcast-anime look: crisp cel shading with two-tone shadow blocks and hard-edged highlights, clean uniform lineart, the flat glossy eye with a single large catchlight, the simplified Hirai-style facial structure of a high forehead, pointed chin and long clean jaw. Friendly and sunlit.
どうするどうする？
ど
copyright: mobile_suit_gundam, gundam, gundam_seed
1boy, solo, young adult, early twenties, full-body, full figure from head to boots, three-quarter view, standing, weight shifted onto one leg, contrapposto, one hand raised, waving, open hand, gentle smile, closed mouth, looking at viewer, warm reddish eyes, large eyes, golden-blond hair, fluffy hair, wavy hair, loose hair strands framing face, white military uniform, military jacket, stand collar, red-trimmed collar, gold-edged collar, black shoulder panels, black undershirt, white slacks, black boots, bright hangar, warm afternoon light, blurred background, depth of field, crisp cel shading, clean lineart, flat cel highlights
A three-quarter view of a young man in his early twenties, seen from knee-height upward at a slight from-below camera so his boots sit close to the lower frame edge and the hangar ceiling recedes above his head, the whole figure from hair to boot soles fitting inside the frame with a hand's width of air at the top and bottom. He stands with his weight settled hard onto his right leg, that hip pushed out and that boot planted flat, while his left leg is relaxed: knee slightly bent, left boot set a half-step forward and turned out at an angle, heel barely weighted. His right arm hangs easy and slack at his side, fingers loosely curled. His left arm is raised to shoulder height, elbow softly bent, forearm angled up and outward, palm open and turned three-quarters toward the viewer, the wave caught mid-swing with the hand tilted a little at the wrist. His shoulders are level but not square — his right shoulder sits back, his left forward, opening his chest toward the camera in the three-quarter turn. His head is tipped slightly toward his raised hand. Fluffy, wavy golden-blond hair falls loosely around his face in soft separated locks, one wave flopping across his forehead and the ends curling just under his ears and brushing the collar behind; a few strands lift at his temple as if from his own motion. His large warm reddish eyes are wide and bright, catching the afternoon light as a small crisp highlight, and he looks directly at the viewer with a gentle, easygoing smile — lips closed, corners lifted just enough to soften his cheeks, no teeth, eyes narrowed slightly by the smile. His chin is tucked a touch, relaxed.
He wears a white military uniform jacket, the fabric a clean matte white with crisp cel-shadowed folds across the chest and at the inside of the elbow; the stand collar is trimmed in red piping and edged in gold, sitting snug around his throat, and the black shoulder panels are sharp, flat-edged blocks at the top of each sleeve. Beneath the open collar the black undershirt shows as a dark neat wedge at his throat and chest. The jacket falls to his hip. Below, matching white uniform slacks with a crisp crease down each leg, breaking once over the tops of black boots that come up over the ankle, their toes scuffed faintly and catching a hard specular highlight along the polish.
The hangar around him is bright and warm: a tall open bay behind his right shoulder, structural girders and a gantry rail receding, a large hangar mouth letting in low late-afternoon sun. The background is softly blurred — girders, cabling and panel seams reduced to soft out-of-focus shapes with only the big silhouettes readable, nothing sharp behind him. Warm afternoon light comes in low from the front-right of frame, striking the right side of his face, his right shoulder panel and the leading plane of his white slacks in a golden tone; the shadowed side of his face and the underside of his raised arm sit in cool reflected grey bounced off the hangar floor. A long soft cast shadow falls from his boots across the polished concrete toward the lower left of the frame. The palette is warm gold light, clean white cloth, black panels and undershirt, red and gold trim, with cool grey-blue only in the shadows and the blurred hangar depths. Dust motes hang visible in the sunbeam where it cuts across the bay, drifting and half-lit, the one thing that makes the still air of the hangar readable. Rendered in an early-2000s Sunrise broadcast-anime look: crisp cel shading with two-tone shadow blocks and hard-edged highlights, clean uniform lineart, the flat glossy eye with a single large catchlight, the simplified Hirai-style facial structure of a high forehead, pointed chin and long clean jaw. Friendly and sunlit.
どうするどうする？
ト
copyright: mobile_suit_gundam, gundam, gundam_seed
1boy, solo, young adult, early twenties, full body, head to boots visible, three-quarter view, standing, friendly laid-back pose, weight shift, contrapposto, hips tilted, one hand raised, waving, hand up, open palm, gentle easygoing smile, closed-mouth smile, looking at viewer, fluffy hair, wavy hair, golden-blond hair, loose hair falling around face, large eyes, warm reddish eyes, white military uniform jacket, stand collar, red-trimmed collar, gold collar edging, black shoulder panels, black undershirt, white uniform slacks, black boots, bright hangar, warm afternoon light, blurred background, depth of field, bokeh, cel shading, clean lineart, early-2000s anime aesthetic, crisp outlines, flat two-tone shading, high-contrast rim light,
A full-body three-quarter view of a young man in his early twenties, standing on the polished concrete floor of a bright hangar, framed head to boots with breathing room above his hair and below his soles. He is turned about forty-five degrees from the camera, his left side nearer the lens, and his weight rests on his right leg so that hip sits higher and pushes out while the left knee bends and the left boot turns slightly inward, heel barely lifted; his torso rises off that tilted hip in a loose, unhurried curve. His right arm lifts beside his shoulder, elbow bent, palm open and angled forward at shoulder height in an easy wave, fingers relaxed and separated; his left arm hangs at his side, thumb hooked into the front pocket of his slacks so the white fabric pulls taut across that hip. His head tips a little to his right, chin slightly down, and his large warm reddish eyes look straight at the viewer over cheeks rounded by a gentle, easygoing closed-mouth smile — a soft crease at one eye corner, an open brow.
His fluffy wavy golden-blond hair falls loosely around his face, ends brushing his jaw and lifting slightly at the temples, one strand drifting over the crown of his head as if a hangar fan had just passed. His uniform is crisp and clean: the white jacket fastens high with a stand collar trimmed red and edged in gold, a black undershirt closing the throat beneath it, black shoulder panels capping each shoulder cleanly at the seam, and matching white slacks falling straight to the black boots that catch a hard glossy highlight on their toes.
Behind him the hangar is open and bright, a wide bay doorway letting in a flood of warm afternoon light that lands as a long parallelogram on the floor, edges gently out of focus. The background is softly blurred — pale catwalks, gantry rails, vague service cranes and one large shadowed machine silhouette reduced to soft tonal masses, no readable markings. The afternoon sun comes from the doorway behind his left shoulder, warm and low, rimming his hair and the raised forearm in gold, lighting the left side of his face while the right cheek falls into cool grey shade; the polished floor mirrors his boots as a darker, softer reflection than the boots themselves. The palette stays tight — white, red, gold, black, and the warm amber of the light — against restrained grey-blue hangar shadow. Friendly and easygoing.
トットトット
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추천 크리에이터
당신에게 추천
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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ichikiki
𝄞 ⧽ lingyang ◞ 🌾゛
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Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
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桂
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
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anipix
PLAY WITH ME?
リオ
character: qiao_ling, copyright: shiguang_dailiren
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Lord Potato
·.🖤🪞🐑
(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
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