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C9I

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C9I

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cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
매개변수 표시
원본 프롬프트
Melancholic dark art horror illustration of a gentle, glowing figure with a warm, compassionate aura standing in the middle of a freezing, dark crowd. The figure is offering a single, glowing white flower. The crowd, dressed in heavy black coats, has hollow, empty eyes and is slowly reaching out to crush the flower, their hands turning into sharp, icy claws. The glowing figure is crying tears of gold, but remains still. Tragic, emotional horror, betrayal of innocence, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blues, intense warm golden light, cinematic shot, film grain, by Zdzisław Beksiński, masterpiece, 8K --ar 2:3 --v 6
모드
pro
크기
992 x 992
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
7.18k

비슷한 작품

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AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I
AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I
AI artwork
Avatar image of C9I
cinematic shot, wide shot, from eye level at slight low angle, 2:3 vertical portrait aspect, single central gentle glowing figure standing still at the center of a dense freezing crowd, warm compassionate golden aura, single glowing white flower held out on an open upturned palm, crowd in heavy black coats, hollow empty eyes, crowd slowly reaching toward the flower, hands turning into sharp icy claws, gold tears running down the figure's face, melancholic dark horror illustration, gothic surrealism, hyperdetailed charcoal and ink texture, chiaroscuro, desaturated blacks, cold blue tones, intense warm golden light, film grain, tall composition, no text The frame is a vertical 2:3 cinematic shot seen from a low eye-level camera, the lens tilted a fraction upward so the glowing figure reads tall and the crowd's shoulders bank in around them. Dead center of the composition stands one slender androgynous figure wrapped in a pale, softly luminous robe of thin worn cloth, hoodless, hair long and straight falling in a loose light mass down the front of both shoulders; their face is calm and open, brow barely drawn, mouth set in a small still line, and from beneath both lowered, unmoving lids two slow tracks of molten gold tears run down each cheek, catching the light and hanging a single heavy gold bead at the jaw. They do not move: the torso is fixed, both feet planted level on the black floor, only the cloth shifting. Their right arm extends straight forward toward the viewer's side of the frame, elbow softly bent, palm turned up and fingers open, and above that palm floats one single white flower, small and star-petaled, burning with a soft white core. The crowd closes around this figure in a tight ring that fills the whole frame edge to edge, a forest of tall stooped bodies in heavy black wool coats with high collars and uneven hems, all faces turned inward toward the light. Their eyes are hollow — flat black sockets without pupil or highlight, no reflection anywhere in them. Out of the coats, a dozen arms reach slowly across the dark toward the floating flower: the nearest hands are already changed, fingers stretched long into sharp translucent icy claws with needle points, frost blooming in feathered blades along every knuckle and wrist; the closest claw hovers a hand's width from the white petals, another hooks in from the lower left, another from above the flower on the right. Their contact is one-sided — the glowing figure's own hand stays open and unclenched beneath the bloom. Light: the glowing figure is the only warm source. It radiates outward in a compassionate golden halo that lights the undersides of the reaching clawed hands, the front planes of the nearest black coats, the inner rims of the hollow eye sockets, and lays a fan of warm light across the figure's own robe and tear tracks. Everywhere the halo fails, the image drops into cold blue-black, and the back rows of the crowd dissolve into absolute desaturated darkness. No second light source; long raking shadows of the crowd fall outward across the floor away from the figure. Palette: desaturated blacks and cold blue-greys in the coats, floor and gloom, and one warm gold-white radiance reserved strictly for the glowing figure, the tears, and the flower. Texture throughout is hyperdetailed charcoal and ink — smeared charcoal masses, hatched ink lines building the coats' weave and the frost on the claws, grain rising in the deepest shadows, faint film grain over the whole image. Frost crystals have formed only on the upward-facing surfaces: coat shoulders, the tops of the claws, the flower's upper petals. Tragic, still, tender dread.
C9I

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