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[공지] 이미지 생성 지연 및 GPU 자원 부족에 관한 안내 — PixAI 커뮤니티 여러분, 안녕하세요. 항상 PixAI를 이용해 주시고 보내주시는 관심과 성원에 진심으로 감사드립니다. 최근 PixAI 서비스 전반에서 생성 속도가 저하되고 대기 시간이 평소보다 길어지는 현상이 발…

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Ирина Котова

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Ирина Котова

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1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
매개변수 표시
원본 프롬프트
Fart in the pants anime girl police on you
모드
flash
크기
1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
2.00k

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AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова
AI artwork
ик
1girl, solo, police uniform, police hat, short-sleeved police shirt, dark necktie, duty belt, dark pencil skirt, black pantyhose, black pumps, farting, fart, gas cloud in pants, gas cloud trapped under skirt fabric, bulge of gas under skirt, from behind, looking back, over-shoulder composition, cowboy shot, standing, weight on left leg, right heel lifted, hand braced on desk edge, hand on own hip, head turned back over shoulder, raised eyebrow, lopsided smirk, half-closed eyes, blush, sweatdrop, slight wince, embarrassed, mischievous, office interior, police station break room, fluorescent ceiling light, desk, paperwork, filing cabinet, cool grey-green palette, glossy high-finish rendering, soft lighting, warm skin highlights, smooth blended shading, intimate, wry The camera stands behind and slightly to the left of a single young woman in a police uniform, caught in a cowboy shot from just below the hip to above the hat. She has turned her upper body back toward the viewer: her chin is over her right shoulder, her gaze angled straight into the lens, one brow arched high while the other stays flat, one eye narrowed half-shut, the corner of her mouth pulled into a lopsided, unrepentant smirk, a light flush high on both cheeks, one small sweatdrop at her temple, and a faint wince pinching the inner corner of the eye as the pressure catches her. Her weight is settled on her left leg, hip cocked out to that side; the right heel is lifted off the floor, toe still down, the calf tensed. Her right hand braces on the near edge of a metal desk, fingers curled over the edge, thumb hooked under; her left hand rests flat on her own hip just above the duty belt. Her dark hair swings forward off her shoulder from the turn, a few strands lifting away from the nape, and the short sleeve of her shirt hangs slightly away from the arm she has planted. The gag is the skirt: the dark pencil skirt is taut across her seat and visibly ballooning, the fabric pushed out and strained into a rounded dome behind, a trapped pale cloud of gas pressing the skirt outward from inside and thinning, faint and grey-green, where it leaks from under the hem above her pantyhose. The seams of the skirt pull, a wrinkle bunching at the small of her back, and the hem lifts a centimetre away from the backs of her thighs. A single fleeing crease runs down the skirt's back panel; the tautest point of the fabric catches a hard specular highlight. The setting is a small police-station back room: a scuffed metal desk with stacked paperwork in the near foreground at her hand, a filing cabinet against the far wall, a time clock and pinned duty rota behind her shoulder, all of it rendered in a cool grey-green register with dull institutional paint. The only light source is a fluorescent ceiling panel directly overhead and slightly forward of her; it lays a hard specular sheen along the skirt's swollen back, pools warm highlights in her hair and on the tops of her cheeks, and leaves the undersides of the desk edge and the cabinet in flat shadow, with her cast shadow dropping short and dense on the linoleum beneath her braced hand. Palette is restricted to grey-green walls, black uniform, warm skin, and the one pale sickly cloud, so the gas reads as the single bright event in an otherwise muted room. The rendering is a mature anime style with glossy, high-finish surfaces and soft lighting: skin blended with subtle gradients and warm highlights, an almost airbrushed polish, controlled colour harmony, minimally visible brushwork. Wry, intimate mischief.
Ирина Котова

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#마법소녀 마도카☆마기카#카나메 마도카#마법소녀 마도카☆마기카
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