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Kylee Violette (Kiy Chan)

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character: rex_lapis_(genshin_impact), zhongli_(archon)_(genshin_impact), copyright: genshin_impact 2girls, tall female, dark skin, tanned brown skin, very long white hair, white ponytail, black eyes, large breasts, curvy, wide hips, thick thighs, black choker, long shoulder-length gloves, elbow gloves, red lips, red lipstick, geo tattoos, glowing gold tattoo lines on legs, tattoo on thigh, tattoo on shoulder, ancient Chinese outfit, Genshin Impact style dress, sleeveless bodice with bare shoulders, gold trim, calm, elegant, serene expression, closed mouth, looking up, looking at another, from below, low angle, profile, standing tall, rex_lapis, male, long brown hair, gradient hair, orange hair, hair between eyes, ponytail, yellow eyes, diamond-shaped pupils, dragon-like horns, white black and gold outfit, long sleeves, wide sleeves, glowing amber accents, glowing golden accents, ornamented robe, jewelry, tassel, earrings, dragon print, two-shot, interior, Liyue palace hall, warm golden light, intricate architecture From a low angle in a three-quarter view from the side, a woman with rich tanned brown skin stands in the left foreground, her head tipped back and her face turned up in profile toward the taller figure at her right. Her very long white hair is drawn into one high ponytail that falls past her waist, its loose ends crossing the frame and drifting against her glove. Her black eyes are fixed steadily upward on his face, and her red lips are closed in a calm, elegant line; her brows are relaxed, her breathing quiet. She wears an ancient Chinese two-piece cut in a Genshin Impact style: a fitted sleeveless bodice that seats her large chest and the slight curve of her waist and hips, bare shoulders, gold-trimmed edges, a skirt slit that bares one thigh. Long shoulder-length gloves run from above her elbows down over the backs of her hands, one thumb hooked lightly at the glove's cuff. A plain black choker sits flat around her throat. Geo tattoos glow along her body and legs -- angular gold diamond-and-bracket motifs like cracked stone lines wrap her outer thigh and calf below the glove, and smaller gold geo sigils sit on her bare shoulder and collarbone. She has shifted her weight onto her left leg, so her right hip rides a little higher and her shoulder tips back; her right hand rests against her own hip, fingers spread on the fabric, and her left arm hangs loose at her side. She is a full head shorter than him and the low angle stacks him above her, which makes her upturned face small and intent. At the right and filling the upper half of the frame stands the divine Geo Archon: long gradient brown-to-orange hair with a center lock falling between his eyes, drawn into a high ponytail that trails past his shoulder, calm yellow eyes with diamond-shaped pupils looking down at her. Curved dragon-like horns rise from his hair. He wears a ceremonial ancient Chinese robe in white, black and orange-gold, wide sleeves hanging heavy and a long tassel swinging at his hip; gold ornaments and a single earring catch the light. His face is composed and grave, mouth level, chin dipped slightly toward her. The glowing gold accents of his costume and the glowing gold lines of her tattoos are the brightest elements, the horns' gold tips and her thigh markings answering each other. He stands with his weight square and his right hand folded loosely into the hem of his left sleeve, looking down along the line of his nose to meet her gaze; she meets it without flinching. Only their eyes connect - no touch anywhere, the gap between them holding about a forearm's distance of empty air. Behind them, the golden hour filters through a carved wooden lattice ceiling high above, casting warm shafts of light down through the hall that catch her ponytail in a bright edge and leave her face in soft half-shadow; a faint dust-mote haze makes the god's glow bloom. The palette is white, black and orange-gold for him, warm brown skin and white hair and gold tattoo for her, all over dim stone grey and amber. The high ceiling and sloping wooden beams draw the eye upward with her gaze. Motionless, reverent, quietly sacred.
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원본 프롬프트
a tanner brown skinned woman have a white hair ponytail longest and black eyes, wear ancient Chinese outfit Genshin Impact as having a large chest and curvy a bit, longest glove shoulder, calmly down with her elegant as beautiful woman. Geo tattoos on her body. red lips as top with outfit Genshin Impact, geo tattoos on her legs as Zhongli's tattoo arms, black choker she looked up at Morax (Zhongli's divine persona as the Geo Archon Rex Lapis) features a distinct traditional-meets-divine aesthetic characterized by a white, black, and orange/gold color palette, dragon-like horns, and glowing amber or golden accents. she looks up at him
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1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
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Avatar image of Kylee Violette (Kiy Chan)
character: rex_lapis_(genshin_impact), zhongli_(archon)_(genshin_impact), copyright: genshin_impact 2girls, 1girl, 1boy, tanned brown skin, dark brown skin, very long white hair, white hair in a single very long ponytail, ponytail reaching past her hips, blue eyes, ancient Chinese outfit, Genshin-style hanfu-inspired gown, red lips, black choker, long shoulder-length gloves, really large chest, curvy, wide hips, thick thighs, hourglass figure, geo tattoos, glowing amber geo tattoos on arms, glowing amber geo tattoos on legs, geo tattoo lines like Zhongli's arm markings, elegant, calm, looking up, from below, low angle, dutch angle, close-up, two-shot, Rex Lapis, Geo Archon, dragon-like horns, white black and orange-gold color palette, glowing amber accents, glowing golden accents, brown hair, long hair, orange gradient hair, ponytail, yellow eyes, diamond-shaped pupils, scales, long sleeves, wide sleeves, tassel earrings, earring, eyeliner, red eyeshadow, jewelry, brown hair, hood, hood up, dragon-like horns, amber glow, backlighting, dark stone hall, gold filigree, atmospheric Low-angle close two-shot, dutch angle tilted, filling the frame: the tanned brown-skinned woman occupies the lower-left foreground, and Morax stands above her at the upper right, his body rising out of the top of the frame so that his chin and jaw are seen from beneath. The camera sits low near her shoulder, looking up, so both figures tower and the space between them is compressed. She is turned in three-quarter view to her left, head tipped fully back, chin lifted, blue eyes angled up and to the right toward Morax's face — a steady, unblinking upward gaze, lids relaxed, mouth closed in a calm, faint curve of red lips. Her weight settles onto her back foot, right hip pushed out against the wide hip of her ancient Chinese Genshin-style gown, her torso leaning slightly back to open the line of the throat above the black choker. One gloved hand rests loosely at her waist, fingers curled against the sash; the other trails down at her side, fingertips just brushing a wide sleeve. Her white hair is gathered into a single very long ponytail, drawn up high at the crown and falling in a smooth heavy rope down past her hips, the tail's tip curling where it meets the floor, a few loose strands lifting near her temple. Her really large chest fills the front of the red top, the gown cut close over the bust and flaring at the waist into a curvy hourglass silhouette with wide hips and thick thighs visible through the slit of the skirt. Glowing amber geo tattoo lines run along her bare upper arms and her exposed legs where the skirt parts — angular, crystalline, Zhongli-like markings that catch the light and trail down toward the ankles. The long gloves cover her forearms to just above the elbow, leaving the tattooed upper arms bare. Morax stands above her, facing slightly down and toward her, white, black and orange-gold robes layered with wide dark sleeves and hanging tassels, tassel earrings swinging at his jaw, a single earring glinting, red eyeshadow and eyeliner sharpening his lids. Two dragon-like horns rise from his hair, dark at the base shading into orange toward the tips, and his long brown-orange gradient hair is pulled back in a ponytail, a strand falling between his eyes. His yellow eyes with diamond-shaped pupils look down into hers, chin lowered, and fine scales catch the light along his neck. His pose is still and formal, shoulders squared, one wide sleeve hanging heavy, the other hand resting near his waist where tassels hang. The amber glow of his accents and of her tattoos is the only warm light; it lifts the undersides of both faces and leaves the dark stone hall behind them in deep shadow. Palette held to white, black and orange-gold on Morax and red-black-gold on her, with the amber glow repeated in his accents, her geo markings and the dark ground. Fine detail concentrated on the two faces, the filament glow along her tattoos and his horns, and the fabric of both costumes; background simplified to shadowed pillars and gold filigree out of focus. Quiet, reverent, elegantly still.
Kylee Violette (Kiy Chan)
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Avatar image of Kylee Violette (Kiy Chan)
character: rex_lapis_(genshin_impact), zhongli_(archon)_(genshin_impact), copyright: genshin_impact two girls, 2girls, tall woman looking up, looking up at another, from below, low angle, dutch angle, cowboy shot, tanned, dark skin, brown skin, very long hair, white hair, ponytail, black eyes, black sclera, red lips, lipstick, curvy, hourglass figure, large breasts, wide hips, thick thighs, narrow waist, black choker, bare shoulders, long gloves, black gloves, elbow-length gloves, opera gloves, geokinesis markings, glowing tattoos, gold tattoos, geo symbol, arm tattoo, thigh tattoo, leg tattoo, hanfu, chinese clothes, wide sleeves, gold trim, white and gold textile, sash, calm, expressionless, elegant, closed mouth, looking up, glowing, amber light, dragon horns, orange horns, black horns, glowing gold accents, long brown hair, orange hair, gradient hair, hair between eyes, yellow eyes, diamond-shaped pupils, multicolored hair, single earring, tassel earrings, long sleeves, eyeliner, red eyeshadow, hood, divine, godlike, standing behind, looming over, size difference, backlighting, rim light, dramatic shading, dark background, golden particles, rock formations, ancient chinese architecture, stone pillars, night, indigo atmosphere, warm gold key light The camera sits low and tilts a few degrees off level, looking up from beside her hip so both figures tower above the lens; she is the near subject in the left half of the frame, cut at mid-thigh by the cowboy-shot crop, and he stands behind and to her right, his shoulder and raised forearm crossing the upper right of the frame while the rest of his body recedes into shadow. She is a grown woman with deep tanned brown skin, her figure full and curvy -- a heavy, prominent bust straining the gold-trimmed fabric across her chest, a narrow waist cinched by a wide sash, wide hips and thick thighs filling the embroidered skirt. Her white hair is pulled into one extremely long ponytail that falls past her waist and drifts slightly toward the right of frame, a few loose strands lifting at her temple. Her eyes are solid black from lid to lid, rimmed in a thin line of dark liner; her lips are painted deep red, closed and composed. Geo tattoos in glowing gold trace her arms from shoulder to wrist -- angular diamond-and-lattice patterns like carved amber -- and the same glowing marks climb both her thighs and shins where the skirt falls open. Black shoulder-length gloves sheath her forearms up past the elbow to the mid-upper arm, their cuffs folded back once. A plain black choker sits snug at her throat above the collarbone, and nothing else adorns her neck or ears. She is caught mid-turn toward him: her chin lifted, her weight settled onto her back foot with her front foot on tiptoe, one gloved hand resting open at her hip and the other hanging at her side with fingers loosely curled. Her face stays calm and unmoved -- lashes low, brow smooth, one corner of the red mouth barely softened -- and both black eyes are fixed upward on his face. The gold of her tattoos throws a faint reflected glow onto the underside of her jaw and the inner curve of her gloves. Above her, his tall figure is built on a traditional-meets-divine silhouette: long layered robes in white and black banded with orange-gold, a hood thrown back over his shoulders, wide draping sleeves trimmed with a tasselled edge, and one long tassel earring hanging against his jaw. Two dragon-like horns sweep back from his temples -- dark at the root, bleeding to warm orange at the tips -- and molten amber light runs along their edges and along the seams of his sleeves. His long brown hair shades from deep brown into orange at the ends, one lock falling between his eyes; his yellow eyes with their diamond-shaped pupils are angled down toward her upturned face, and the gold in them is the brightest point in the frame. The setting is a night courtyard of ancient stone: carved pillars and a low balustrade recede behind them, half-lost in a deep indigo darkness. A single warm gold source sits high behind his shoulder, so his back is rimmed in amber while his face stays in soft shadow, the light spilling past him to strike the crown of her white hair, the tops of her bared shoulders and the raised planes of her chest, and leaving everything below her waist in cool dim blue. Fine gold particles drift in the beam, brightest where they pass in front of his horns. The palette is strictly white, black and orange-gold against indigo night, with the single red note of her lips. Quiet, reverent awe.
Kylee Violette (Kiy Chan)
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Avatar image of Kylee Violette (Kiy Chan)
copyright: genshin_impact 2girls, tanned skin, dark skin, brown skin, very long hair, white hair, low ponytail, black eyes, black sclera, red lips, lipstick, black choker, sleeveless, tank top, ancient Chinese outfit, Genshin Impact style, long gloves, elbow gloves, shoulder-length gloves, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, geo tattoos, tattooed arms, tattooed legs, body markings, gold tattoo patterns, glowing geo marks, looking up, from below, low angle, looking at another, calm, elegant, serene expression, half-closed eyes, beauty, elegant woman, standing, head tilted up, long hair flowing down back, ornate dragon motif clothing, gold and black palette, hanfu, gold trim, Morax, male, long brown hair, amber eyes, horns, glowing amber horns, long ponytail, dark hair with amber tips, white and brown robe, gold accents, tall, imposing, gentle look, returning gaze, warm expression, two-shot, wide composition, close-up on faces, upward perspective The camera sits low, tilted up: a two-shot looking up past the woman's shoulder toward the tall man above her, both heads filling the upper frame. The woman stands in the foreground right, head tilted back, chin lifted, black eyes meeting his with a calm, composed gaze—a faint, self-possessed half-smile on her red lips. Her very long white hair sweeps down her back in a low ponytail, the strands closest to her neck catching light. She wears a black choker at her throat; a sleeveless tank top in ancient Chinese style with gold trim cuts across her large chest, and the long gloves run from her fingers to mid-upper arm, the fabric stretched taut. The geo tattoos trace gold linework up her bare arms and along her exposed thighs like the old seals; a few faintly glow. She maintains a curvy silhouette in the low angle—full hips and bust, narrow waist. Above her, Morax leans slightly forward; his sculpted face and amber eyes catch the light, and his brown hair with amber tips lashes loose around his shoulders. A long robe of white and brown drapes around him; tall gold horns curve from his head, casting a shadow over his brow. The two of them share a single beam of warm gold light slanting from the upper left, and the rest of the scene is shadowed. The background is a plain dark backdrop, no visible environment, concentrating focus on the two faces. A subtle physical detail: the light catches the fine stray hairs escaping both their ponytails at once, making visible the gentle movement of air. Intimate, quiet.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: rex_lapis_(genshin_impact), zhongli_(archon)_(genshin_impact), copyright: genshin_impact 2girls, tall female, dark skin, tanned brown skin, very long white hair, white ponytail, black eyes, black sclera-free irises, curvy, really large breasts, wide hips, thick thighs, hourglass figure, ancient Chinese outfit, hanfu, Genshin Impact style attire, red top, red upper garment, bare midriff, shoulder-length black gloves, long gloves, black choker, red lips, lipstick, geo tattoos, glowing amber geotattoo lines on her arms and torso, geo tattoos on legs, geometric amber tattoo bands along her thighs and calves, black eyeliner, calm expression, elegant, closed mouth, gentle upward gaze, looking up, head tilted back, from below, low angle, dutch angle, close-up, cowboy shot, Rex Lapis, Morax, male, tall, long brown hair, gradient orange hair, hair between eyes, ponytail, yellow eyes, diamond-shaped pupils, dragon-like horns, glowing amber accents, golden glowing markings along his arms and chest, white black and orange gold palette, black robe, wide sleeves, dragon print, single earring, tassel earrings, jewelry, red eyeshadow, eyeliner, scales on neck, hood down, standing over her, looking down at her, two-shot, close framing, warm candlelit interior, stone chamber, soft dust motes, geo crystal glow The camera sits low, looking up from beneath the two of them, so the woman in the foreground towers and Morax rises behind her shoulder in the same low view. She stands close to the frame, turned three-quarters toward the right, and her head is tipped back and up; her black eyes are fixed directly on Morax's face above and behind her, and her lips are parted just enough for a calm, composed breath, the red of her lips the warmest point of her face. Her very long white hair is gathered into a high ponytail that falls from the crown down past her shoulder blades toward the small of her back, strands of it sliding over the bare dark skin of her shoulder and her bare upper chest where the red top meets the collarbone. The red sleeveless upper garment crosses her chest snugly, wide shoulder-length black gloves sheathing both forearms from the elbow down over the back of her hands, and the black choker sits high and flat against her throat, just under the jaw. Geo tattoo lines in glowing amber run as fine geometric bands down the outside of her arms and sweep across the tops of her thighs below the hem of the red garment, angular and crystalline like carved stone seams, catching the light where the skin turns toward the source. Her weight rests on her right hip with her left knee slightly bent, one gloved hand relaxed open at her side and the other resting loose against her own hip, wrist curved. A slight wind-tinged draught lifts the ponytail and the hem of her garment away from her in the same quiet direction. Morax stands directly behind and above her, a full head taller, his face angled down toward hers. His long brown hair, faded into burning orange at the tips, hangs around his shoulders and a lock of it falls forward across his brow between the eyes; his yellow eyes with diamond-shaped pupils meet her upward gaze from under the shadow of his own brow, and his expression is still and measured. Two dark curved dragon-like horns sweep back from above his temples, and faint amber gold markings glow along the line of his jaw, his bare forearms and his throat, the glow faintest where the shadows of his wide sleeves fall across his chest. He wears a black wide-sleeved robe with a white underlayer at the collar, a gold dragon print curling across the fabric of one sleeve, a single earring with a tassel hanging at his ear, and a thin crimson band of eyeshadow traces the outer corner of each eye. His right hand is raised slightly beside his hip, open, fingers relaxed; the dragon horns and the gold tassels behind his ear catch the same warm light as her hair. The scene is a dim stone chamber with carved pillars rising out of frame, a shallow pool of warm amber light from below washing up both their faces and the undersides of their chins, their hair and the gold in his robe the brightest objects in the frame while the stone behind them falls into deep brown shadow. The low camera and the upward light give the composition its whole shape: her chin and throat are the nearest bright plane, his face the second, and the ceiling darkness above them climbs out of the crop. His gold and her red against the white of her hair make the palette. Quiet, ceremonial, arrestingly tender.
Kylee Violette (Kiy Chan)

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