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SteelPink
SteelPink님의 AI 작품. PixAI에서 감상하세요. 사용 모델: Tsubaki.3 Flash.
매개변수 표시
- 원본 프롬프트
- Bara, Male, no woman, no women, muscular body, hairy chest, hairy legs, bearded, wearing ballgown style wedding dress, wedding veil, white stockings, high heels, garter belt, lace veil, thigh high stockings, man dressed as bride, bent over,
- 모드
- flash
- 크기
- 1104 x 1824
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
sp
1boy, solo, bara, muscular, muscular male, hairy chest, chest hair, hairy legs, leg hair, beard, facial hair, adult man, ballgown wedding dress, white wedding dress, voluminous skirt, bridal gown, bride cosplay, man dressed as bride, wedding veil, lace veil, sheer lace veil over head, white thighhighs, thigh-high stockings, garter belt, white garter straps, high heels, white pumps, bent over, leaning forward, arched back, looking back, looking at viewer, from side, full body, interior, bridal fitting room, soft window light, white and cream palette, warm skin tones
A single muscular adult man stands alone in a bridal fitting room, seen in a full-body three-quarter side view, his torso bent nearly horizontal so that his back arches and his hips push back, thighs vertical, weight sunk into his left leg while his right heel lifts free of the floor. His broad shoulders and thick arms are bare above the dress, every heavy muscle of his upper back and chest reading under taut skin, dark hair curling across his pectorals and spilling down the slope of his abdomen. A dense dark beard covers his jaw and throat. His face is turned back over his right shoulder toward the viewer, one brow lifted, a lopsided closed-mouth smirk on his lip, eyes traveling down his own back then flicking up to the lens.
The white ballgown wedding dress is cut for a narrower body: the bodice strains across his chest, the boned seams pulling into shallow folds where the fabric can no longer close cleanly, and the immense skirt — satin over layered tulle — collapses forward and pools around his planted left foot, its hem creased in long radial folds that spread from the point where it meets the floor. A sheer lace veil is pinned at the crown of his head and cascades over his shoulders and down his back, the lace pattern stretched and distorted where the fabric drapes across the ridge of his spine; a longer plain wedding veil falls beneath it, its edge brushing the small of his back.
Below the fallen skirt line, white thigh-high stockings sheath his thick hairy legs, the dark leg hair pressing visibly through the stretched knit; white garter straps run up from the stocking tops to a white garter belt at his upper thigh, the clasps biting small dimples into the stocking edge, and white high-heeled pumps sit on his feet, the raised right heel lifted clear of the floor, the left pump planted with the foot arched high.
The room is quiet and pale: a tall window at the left pours soft cool daylight across the scene, striking the left side of his back, the crown of the veil, and the crisp satin of the skirt while the right side of his body and the folds deep in the skirt fall into warm grey shadow. A low bench and a plain mirrored screen sit behind him out of focus, a single fallen pin and a coiled measuring tape resting on the polished floor where the skirt lifts. Palette held to white, cream, pale gold light and the warm brown of skin and hair. Intimate, unexpectedly elegant.
SteelPink
sp
1boy, solo, bara, muscular, muscular male, hairy chest, chest hair, hairy legs, leg hair, beard, facial hair, adult man, ballgown wedding dress, white wedding dress, voluminous skirt, bridal gown, bride cosplay, man dressed as bride, wedding veil, lace veil, sheer lace veil over head, white thighhighs, thigh-high stockings, garter belt, white garter straps, high heels, white pumps, bent over, leaning forward, arched back, looking back, looking at viewer, from side, full body, interior, bridal fitting room, soft window light, white and cream palette, warm skin tones
A single muscular adult man stands alone in a bridal fitting room, seen in a full-body three-quarter side view, his torso bent nearly horizontal so that his back arches and his hips push back, thighs vertical, weight sunk into his left leg while his right heel lifts free of the floor. His broad shoulders and thick arms are bare above the dress, every heavy muscle of his upper back and chest reading under taut skin, dark hair curling across his pectorals and spilling down the slope of his abdomen. A dense dark beard covers his jaw and throat. His face is turned back over his right shoulder toward the viewer, one brow lifted, a lopsided closed-mouth smirk on his lip, eyes traveling down his own back then flicking up to the lens.
The white ballgown wedding dress is cut for a narrower body: the bodice strains across his chest, the boned seams pulling into shallow folds where the fabric can no longer close cleanly, and the immense skirt — satin over layered tulle — collapses forward and pools around his planted left foot, its hem creased in long radial folds that spread from the point where it meets the floor. A sheer lace veil is pinned at the crown of his head and cascades over his shoulders and down his back, the lace pattern stretched and distorted where the fabric drapes across the ridge of his spine; a longer plain wedding veil falls beneath it, its edge brushing the small of his back.
Below the fallen skirt line, white thigh-high stockings sheath his thick hairy legs, the dark leg hair pressing visibly through the stretched knit; white garter straps run up from the stocking tops to a white garter belt at his upper thigh, the clasps biting small dimples into the stocking edge, and white high-heeled pumps sit on his feet, the raised right heel lifted clear of the floor, the left pump planted with the foot arched high.
The room is quiet and pale: a tall window at the left pours soft cool daylight across the scene, striking the left side of his back, the crown of the veil, and the crisp satin of the skirt while the right side of his body and the folds deep in the skirt fall into warm grey shadow. A low bench and a plain mirrored screen sit behind him out of focus, a single fallen pin and a coiled measuring tape resting on the polished floor where the skirt lifts. Palette held to white, cream, pale gold light and the warm brown of skin and hair. Intimate, unexpectedly elegant.
SteelPink
sp
1boy, solo, male focus, bara, muscular, muscular male, hairy, hairy chest, chest hair, hairy legs, beard, facial hair, ballgown, wedding dress, bridal gown, white dress, wedding veil, lace veil, translucent veil, bridal veil, thighhighs, white thighhighs, zettai ryouiki, garter belt, garter straps, high heels, white heels, bridal, crossdressing, man dressed as bride, bent over, leaning forward, arched back, standing, hands on knees, looking back, from behind, from below, cowboy shot, three-quarter rear view, looking over shoulder, fully clothed, indoor, empty white studio, seamless backdrop, softbox lighting, crisp fabric folds, high detail
The view is from behind and slightly below, a three-quarter rear angle at cowboy-shot framing: the camera sits low behind him and a little to his left, so his bent-over back, the upswept train of the dress and the backs of his thighs fill the frame while his bearded face is seen in three-quarter profile as he turns his chin back over his right shoulder. He stands bent nearly in half at the hips, torso close to horizontal, spine arched and shoulders pulled back, both legs straight and thigh-vertical, weight carried on the balls of both feet inside the high heels, heels lifted a centimetre off the floor; both hands brace flat on his own knees, fingers spread and pressing dimples into the fabric there. Long thick calf and thigh muscle reads taut through the white stockings, their lace tops cutting a straight band across each upper thigh, and the garter belt's straps run down from beneath the gathered waist of the gown to clip those bands, drawn snug. The ballgown is white satin with a boned bodice and a wide gathered skirt that has fallen forward and pooled around his shins, its long lace-edged train sweeping up and back toward the lens in a soft arc; the skirt's volume hides his hips but not the horizontal line of his back. His chest is bared above the sweetheart neckline, thick pectorals and a dense mat of dark chest hair spilling over the satin edge, one shoulder strap slipped slightly off the deltoid. A lace veil is pinned at the crown of his head and falls in a translucent curtain past his ear and down over one shoulder, its floral mesh printing a faint shadow pattern on the skin of his neck; through it the close-trimmed full beard and the hard line of his jaw are visible, and his eyes are turned back toward the camera with a flat, challenging stare, one brow slightly raised, mouth set in a small lopsided smirk. The lighting is a single large softbox high and to the front-left of him, so the backs of his arms and the underside of the train fall into clean cool shadow while every upward-facing surface — the curve of his shoulders, the crest of the train, the tops of the stockings — takes the light; the backdrop is a seamless off-white sweep with no horizon line, and his shadow pools small and soft beneath his braced feet. The palette is white, ivory, warm skin and dark hair, nothing else admitted. Sharp satin sheen against matte lace, wool-soft body hair against the slick stockings. Effortlessly absurd, quietly proud.
SteelPink
sp
1boy, solo, male, muscular, bara, bearded, hairy chest, hairy legs, chest hair, body hair, ballgown, wedding dress, white dress, bridal gown, wedding veil, lace veil, white thighhighs, thighhigh stockings, garter belt, high heels, man dressed as bride, bent over, standing bent forward, torso horizontal, arched back, from behind, from side, looking back, over shoulder, hands on knees, white gloves-free bare hands, empty ballroom, tall windows, daylight
The camera is placed low and off to his left rear three-quarter, so we see him from behind and slightly to the side: his broad back fills the upper left of the frame, and his bearded face is turned back over his right shoulder toward the lens. He is bent nearly in half, torso close to horizontal and thighs nearly vertical, back deeply arched, hips raised. His weight rides on the balls of his feet in the heels, calves taut, the spike heels planted and the ankle straps buckling under the load; his palms brace flat on his own knees, fingers spread, elbows slightly bent, shoulders rolled forward so the trapezius and lats bunch. The ballgown's white satin bodice strains across his back, seams pulling taut along the shoulder blades, and the skirt pours down from his hips in heavy gathered folds that brush the floor; the lace veil hangs from a comb at the crown and falls forward alongside his turned cheek, its mesh pressed into his shoulder and its scalloped edge draping toward his chest. The open neckline of the bodice sits away from his body as he bends, exposing a thick matted dark hairy chest and the dark hair trailing down his sternum. Below, the white satin-ribboned garter belt sits over his hips, its straps drawn tight and indenting the skin and the dark hair of his upper thighs; the white thigh-high stockings are pulled high and taut, the elastic bands dimpling the hairy legs, and the skin above them is thick with dark hair.
His expression is a level, almost challenging look back from under a lowered brow, lips just parted, one corner of the mouth pulled slightly; his eyes are fixed on the viewer over his shoulder, chin tipped low against the veil. Behind him a tall empty ballroom: pale plaster walls, a row of tall windows on the right throwing cool daylight across the floor, deep shadow gathering under the hem of the skirt and beneath his hips. The daylight is the only source, low and directional from the windows, so the left half of his back and the turned side of his face take the light, the veil scatters it into a soft glow, and the white satin picks up a broad sheen with a bright rim along the arched spine while the floor and far corners stay dim. Palette is restrained to white, off-white, warm skin, and the dark brown of his hair, beard and body hair, with cool grey in the shadowed room and a thin strip of honeyed floorboards. The veil's mesh catches a faint moiré where it lies over the shoulder. Composed, quietly audacious.
SteelPink
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
4#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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