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AI art "centaura fan art" featuring #젤다의 전설 and #링크

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centaura fan art

#젤다의 전설 #링크

게시일 Nov 9, 2026

cmk0303

1girl, solo, demon girl, demon soldier, upper body, facing forward, expressionless, blank stare, empty eyes, crying, streaming tears, tears running down cheeks, despair, black military uniform, dark peaked cap, small horns, pointed ears, black silhouette, high contrast, silhouette, red and black background, two-tone, red glow, text, upper left title, small subtitle, large red lettering, 1boy, many boys, soviet soldiers, military uniform, ushanka, charging, running, emerging from trench, rifle in hands, raised weapon, dynamic pose, right side of image, war, battlefield, wide shot, dutch angle, lettering overlay, CENTAURA, another, ONLY THE DEAD HAVE SEEN THE END OF WAR, poster layout, dramatic, bleak A wide, slightly low, dutch-tilted poster composition: a flat graphic field of intense red and deep black, no horizon line, no sky, no ground plane -- pure silhouette against red. The whole frame is drawn in full-body high-contrast silhouette: every figure is a solid black shape with hard edges, lit from nowhere but implied from behind and above-left, so the red ground glows around each contour and no surface detail or interior shading exists. At the center-left, the demon-race soldier is shown only from the chest up, cut off cleanly at the bottom of the frame so the shoulders and upper torso sit at the lower-left third. She faces directly forward, square to the viewer, and her face is entirely a blank black profile-less shape except for two wide, pale gaps where the eyes are -- expressionless, hollow, staring straight ahead, past the viewer, at nothing. From those eyes, tears stream down the black of her cheeks as bright red-white streaks: two long unbroken runs on each side, pooling at the jaw and dripping off the chin, the only luminous thing on her silhouette. From the crown of her head rise two short curved demon horns, black against the red, and the tips of her pointed ears break the outline at either side. Her shoulders are slack, no tension in the neck, the head held perfectly level; a heavy dark collar sits at her throat and the suggestion of a uniform jacket closes up to it. She does not look at the soldiers, does not look at the viewer's eyes, and does not react -- her despair is that she does not react. At the right of the frame, mirroring her, a mass of Soviet soldiers in long military greatcoats and soft-crowned field caps boils up out of a trench that runs as a ragged black notch across the lower-right third. They are mid-assault, caught at the top of the climb: one near soldier is planted with one knee already over the lip of the trench, torso pitched forward, rifle held diagonally across his body with the muzzle high; another rises behind him, arm flung back, mouth open in a shout that has no face; others are stacked in receding silhouette behind them, smaller and denser toward the right edge, some with caps blown askew, some bent low, one falling back with an arm up. Their rifles converge in a fan of diagonal black lines toward the upper right, giving the charge its momentum, and the trench's spoil edge breaks into a scatter of black clods and dust that stands in the red. Scale reads from the trench lip: the near soldiers are roughly a head taller than the demon soldier's visible bust, and the far ones shrink into flat black ticks. The composition is built on a single diagonal: the demon soldier's still, level stillness in the lower-left against the climbing, fanning surge in the right half, with a wedge of empty red opening between them -- the negative space that separates the one who has stopped from the many who have not moved yet. Lettering is laid on top of the art as part of the poster. In the upper left corner, the title "CENTAURA" is set in a tall, hard-edged, uppercase display face in solid white with a thin red offset shadow, spanning about a third of the frame width, sitting flat and horizontal. Directly beneath it, at roughly a quarter of the title's height and left-aligned to the C, the word "another" is set in a small lowercase serif, muted paler red, tight to the title's baseline gap. In the upper right corner, the narration line "ONLY THE DEAD HAVE SEEN THE END OF WAR" sits in a stacked, bold condensed uppercase block, split across three lines and right-aligned, in flat white with a slight worn edge, angled a few degrees with the dutch tilt of the frame, well clear of the fanning rifle barrels. All three text blocks sit on the red field, never over a figure, and all fine detail elsewhere is deliberately illegible. Palette is strictly three values -- the deep red ground, black silhouettes, and white lettering with its faint red-white tear streak -- nothing else admitted, with the red brightened behind the demon soldier's head and darkened toward the right-hand trench so the two halves of the poster separate. High contrast, graphic, bleak.

centaura fan art

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