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[공지] 이미지 생성 지연 및 GPU 자원 부족에 관한 안내 — PixAI 커뮤니티 여러분, 안녕하세요. 항상 PixAI를 이용해 주시고 보내주시는 관심과 성원에 진심으로 감사드립니다. 최근 PixAI 서비스 전반에서 생성 속도가 저하되고 대기 시간이 평소보다 길어지는 현상이 발…

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Lan Heng

게시일 Nov 9, 2026

Наталья Шляпина

1boy, solo, long black hair, high ponytail, loose strands of hair, white headband, red eyes, calm smile, confident smile, serene expression, traditional chinese clothing, white robes, layered textures, billowing sleeves, blue cloud embroidery, ofuda, talisman, hand on chest, looking at viewer, upper body, from below, slight foreshortening, white background, detailed skin, beautiful eyes, lipstick, photorealistic fashion photography, natural lighting, global illumination, soft light, golden hour sunlight, sharp focus, high detail Shot from slightly below chest height, tilted up so the boy's chin lifts over the camera line while his eyes come down the lens: a fashion-editorial beauty portrait in which he is framed from the hips up against a seamless, completely empty white sweep, no props, no furniture, no horizon, the white field reading cooler at the top and faintly warm where the sun grazes him. His long black hair is cinched high at the crown inside a white headband whose band carries fine blue cloud embroidery curving with the fabric; the ponytail drops behind his left shoulder and out of sight, while five or six loose strands slip free at the brow, the temple and the nape and hang across his cheekbone, one strand lifted slightly off his jaw by a slow draft. His red eyes hold the lens directly, lids level and relaxed, irises catching a thin bright ring of light; the smile is calm and closed, the corners firm and confident, the lower lip a coated deep rose with a soft specular highlight. He wears layered traditional Chinese white robes: an inner collar standing close at the throat, an overlapping cross-collar of matte silk, a second looser layer of open-weave linen whose fibres read distinctly at the shoulder, and an outer robe of heavier white satin with a cool sheen; the blue cloud embroidery runs in a band along the collar edge and down the front placket, thread raised and slightly glossy. His right hand rests flat on his chest over the heart, fingers spread and relaxed, fingertips pressing a shallow depression into the satin and creasing the linen beneath, the cuff sliding back to bare his wrist; on the back of that hand lies a paper ofuda talisman, an ochre strip of paper with dark brushed markings, its edge lifting free in the draft and turning a translucent warm honey against the sun. His left arm hangs low, sleeve hanging in a deep billowing fold that balloons away from the body on the draft and drapes long past his hand. Key light comes warm from high left at a low golden-hour angle, skimming the blue embroidery, the ponytail's crown and the ofuda's lifted corner, wrapping his left cheek in a soft rim while a lighter fill keeps the white robes from blowing out; the only shadow is a short, soft core shadow under his jaw, inside the collar, and beneath the creased satin at his fingers. Palette stays white, black and blue, with red only in the eyes, the lip and the ink on the talisman. Serene, effortless.

Lan Heng

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