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アイラ
高野リオン님의 AI 작품 'アイラ'. PixAI에서 감상하세요. 태그: 비키니 아머, 갑옷, 황혼, 갈색 피부 여성. 사용 모델: Tsubaki.3.
PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
작성자에 의해 숨겨짐
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve,
A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip.
Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention.
Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
eg
1girl, solo, mature female, very long black hair, black hair, blue eyes, large breasts, necklace, hair ornament, bare shoulders, underboob, midriff, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from side, profile, looking down, dutch angle, cowboy shot, outdoors, ruined stone terrace, dusk, hair blowing, serious, quiet resolve,
A low three-quarter side view from slightly below, the camera canted a few degrees so the horizon of broken masonry runs off-kilter behind her: one mature woman stands on a ruined stone terrace at dusk, body turned three-quarters away from the lens in profile, weight settled onto her back leg with the front knee bent and her front foot turned out on the worn flagstones. Both bare shoulders catch the last low sun; her shoulders are square and uncovered, nothing at her neck but the necklace's single strand and pendant resting just below her collarbone. Her very long black hair pours down past her waist, lifting and streaming backward off her neck in the evening wind, and a carved hair ornament pins the top section at one temple. Her torso is turned so the side-on view reads the full sweep of her large breasts, the underboob bared above the wrap that crosses low beneath them, and the bare midriff running down to the hip.
Her front hand grips the polearm at chest height, knuckles wrapped around the dark shaft, the long weapon planted at a slant with its butt bruising into a flagstone seam; her other arm hangs back along her hip with the fingers loosely curled against the pelvic curtain. A heavy loincloth hangs between her legs from a leather belt, the pelvic curtain's fringed panels swinging across her thigh and shifting with her weight; black thighhighs cover her legs from mid-thigh down to the ankle, their tops cutting a clean line against bare skin, and her feet in strapped sandals press flat on the stone. Her chin is turned down and away from the viewer, eyes narrowed to the far edge of the terrace where the light fails, brow drawn, mouth set in a flat hard line -- she is looking at something beyond the frame and giving it her full attention.
Behind and around her the terrace breaks away into toppled blocks and cracked paving, stubby weeds in the joints; beyond it the ground drops away into a hazy valley and a low bank of cloud. The sun sits almost at the horizon on her side, warm amber striking the front of her shoulder, cheekbone, the underside of her breasts and the leading edge of her thigh, throwing a long hard shadow of the polearm and of her body diagonally across the flagstones toward the lower left; the whole reverse side of her falls into cool blue-violet shade, and the sky keeps that blue. A cold updraft pulls grit and loose dust skittering up the slope and past her ankles -- the dust streams sideways off the edge of the terrace while it stays close to the ground, revealing the wind's path. Palette held to black, warm amber and cold blue-violet, nothing else admitted; detail concentrated on the grip of her hand on the shaft, the cloth folds of the loincloth and pelvic curtain, and the strands whipping free of her hair. Quiet resolve, wind-still tension.
Emerson Gutierrez Palomino
eg
1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, black thighhighs, sandals, polearm, holding polearm, pelvic curtain, loincloth, from below, low angle, full body, standing, contrapposto, looking down, dutch angle, serious, wind, outdoors, ruins, dusk
A low-angle shot from below, tilted slightly off level, looking up the length of a tall mature woman who stands in contrapposto atop a broken stone plinth, her weight on her right leg, right hip pushed out, left foot angled forward with toes just clearing the ledge. Her very long black hair falls past her hips in heavy loose strands, and the wind shoves it back off her left shoulder so it streams behind her; a carved dark hair ornament pinned at the side of her crown catches the light. Her narrowed blue eyes look down along the shaft of the polearm toward the viewer, chin lowered, mouth a flat firm line, a faint crease at the brow. She holds the polearm in her left hand, the shaft running diagonally down from above the top edge of the frame to the plinth beside her boot, her fingers wrapped around the shaft, the butt of it planted and resting against the stone at her heel; her right arm hangs relaxed, knuckles just brushing the fabric of the pelvic curtain. The loincloth is cinched low at her hips beneath a ragged pelvic curtain of dark cloth panels, and the hard cut of the wind lifts one panel out to her right, exposing the bare slope of her midriff and the underside of her breasts where the wrap rides high; her shoulders and collarbones are bare, a simple pendant necklace resting on her sternum. Black thighhighs hug her legs from mid-thigh to ankle, the tops pressing a slight band into the skin, and her sandals are dusty leather with straps crossing over her instep, the sole biting into the grit of the plinth. The only light is a low dusk sun behind and to the left of her, so her front is mostly in shade except for a warm rim along her left arm, the edge of the polearm's blade, the curve of her thigh and the loose strands of hair; long shadows stretch down the ruined colonnade behind her, its broken columns receding into violet haze, and the deep dusk sky fills the top third of the frame above her head. Muted palette of cold stone grey, dusty violet and warm amber rim light, her hair and thighhighs reading as near-black. Dust drifts visibly in the wind, settling on the up-facing ledges of the ruins but never on the vertical faces. Quiet, imposing, wind-scoured.
Emerson Gutierrez Palomino
d4
1girl, solo, long hair, breasts, blush, black hair, dress, closed mouth, jewelry, very long hair, bare shoulders, medium breasts, brown eyes, braid, earrings, cowboy shot, sky, cloud, necklace, bracelet, looking to the side, orange eyes, dark-skinned female, expressionless, cloudy sky, hair tubes, looking away, armlet, circlet, bracer, gradient sky, dusk
Darkwarrior4116
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
4#설경
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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