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2boys and girls apart, 1boy, 1girl, two lovers separated, epic cinematic wide shot, fantasy film poster, painterly anime style, young man on far left, standing on dark rocks, shouting a song toward the horizon, mouth open, singing, long coat, coat whipping in storm wind, young woman on distant right shore, answering with voice raised, mouth open, calling out, long hair streaming in wind, dress streaming in wind, huge tumbling ocean waves, rough sea, spray rising like smoke, sea spray, sky torn between sunset orange and storm-grey, dusk, orange sky, grey clouds, crepuscular rays, single shaft of light connecting two silhouettes, dramatic backlight, rim light, silhouette, wind, detailed spray, back view, from below, wide shot, horizon, longing, cinematic lighting Rendered as an epic cinematic wide shot in the manner of a fantasy film poster: the frame is a broad horizontal panorama and the water owns most of it, two tiny human figures pinned to the far edges as the sea takes the centre. In the left third, a young man stands on a low shelf of dark wet basalt rocks at the very left edge of the frame, seen in back and near-profile with his body turned out toward the horizon, boots planted wide on a tilted slab, one hand gripping the rock shelf's lip and the other flung out at shoulder height, chin lifted, mouth wide open, throat stretched, an arm's span of his long coat bellied out horizontally behind him and its hem snarling past his hip in the gale; his face is almost entirely a dark shape against the glow, only the lit edge of a jawline and the open jaw visible. In the right third, across an unbridgeable reach of water, a young woman stands on a distant rocky spur seen nearly from behind and slightly above the wave tops, her back to the camera and her head thrown back as she calls out, one arm lifted and cupped at her mouth, the other flung down and back; her long hair tears sideways in a single flat sheet and her dress streams out past her knees in one direction, its fabric pulled taut, hem snapping. Between them the sea is a war of enormous tumbling swells, crests breaking into long white ropes of foam, spray bursting upward off the wave tops like grey smoke and carried sideways by the wind, the water black-green in troughs and copper where the light grazes it; the near foreground is a dark churning trough that fills the lower edge of the frame, softening into haze with distance, so the woman's shore sits in atmospheric blue-grey and the man's rocks in near-black. The sky splits along the middle: the left half low and molten, sunset orange grading up into ember and then deep indigo, the right half storm-grey and bruised with a wall of torn cloud; the sun itself is below the horizon and out of sight. A single narrow shaft of low orange light punches through the cloud break and lies diagonally across the frame, one end grazing the man's shoulder and coat and the other landing on the woman's hair and lifted arm, so their two silhouettes are the only things the beam touches; everything else is rimmed. Light comes only from that low post-sunset band behind them and the shaft, so both figures read as backlit silhouettes with hot orange edges on their windward sides, their faces in shadow, and the spray nearest the beam glows while the spray in shadow stays a dull slate. The wind is legible through the physics: spray flies only off the upwind faces of the crests and falls in the lee, the coat's fabric is pulled flat rather than billowing, and the woman's hair and hem both point the same way across the frame. Palette of ember orange, storm grey, deep indigo and black water, no colour admitted outside it. Painterly anime rendering with visible brush in the sea and cloud, fine detail reserved for the spray and the torn edges of the coat, distant elements simplified into haze. Longing, operatic.
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Two lovers separated by a raging sea at dusk: on the far left shore a young man stands on dark rocks shouting a song toward the horizon, coat whipping in the storm wind, and on the distant right shore a young woman answers his cry with her own voice raised, hair and dress streaming. Between them the ocean churns with huge tumbling waves, spray rising like smoke, the sky torn between sunset orange and storm-grey, a single shaft of light connecting their two silhouettes across the water. Epic cinematic wide shot, painterly anime style in the vein of a fantasy film poster, dramatic backlight, wind and spray rendered in fine detail, the emotional tone of longing voices carrying over an impossible distance.
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flash
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1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
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2boys and girls apart, 1boy, 1girl, two lovers separated, epic cinematic wide shot, fantasy film poster, painterly anime style, young man on far left, standing on dark rocks, shouting a song toward the horizon, mouth open, singing, long coat, coat whipping in storm wind, young woman on distant right shore, answering with voice raised, mouth open, calling out, long hair streaming in wind, dress streaming in wind, huge tumbling ocean waves, rough sea, spray rising like smoke, sea spray, sky torn between sunset orange and storm-grey, dusk, orange sky, grey clouds, crepuscular rays, single shaft of light connecting two silhouettes, dramatic backlight, rim light, silhouette, wind, detailed spray, back view, from below, wide shot, horizon, longing, cinematic lighting Rendered as an epic cinematic wide shot in the manner of a fantasy film poster: the frame is a broad horizontal panorama and the water owns most of it, two tiny human figures pinned to the far edges as the sea takes the centre. In the left third, a young man stands on a low shelf of dark wet basalt rocks at the very left edge of the frame, seen in back and near-profile with his body turned out toward the horizon, boots planted wide on a tilted slab, one hand gripping the rock shelf's lip and the other flung out at shoulder height, chin lifted, mouth wide open, throat stretched, an arm's span of his long coat bellied out horizontally behind him and its hem snarling past his hip in the gale; his face is almost entirely a dark shape against the glow, only the lit edge of a jawline and the open jaw visible. In the right third, across an unbridgeable reach of water, a young woman stands on a distant rocky spur seen nearly from behind and slightly above the wave tops, her back to the camera and her head thrown back as she calls out, one arm lifted and cupped at her mouth, the other flung down and back; her long hair tears sideways in a single flat sheet and her dress streams out past her knees in one direction, its fabric pulled taut, hem snapping. Between them the sea is a war of enormous tumbling swells, crests breaking into long white ropes of foam, spray bursting upward off the wave tops like grey smoke and carried sideways by the wind, the water black-green in troughs and copper where the light grazes it; the near foreground is a dark churning trough that fills the lower edge of the frame, softening into haze with distance, so the woman's shore sits in atmospheric blue-grey and the man's rocks in near-black. The sky splits along the middle: the left half low and molten, sunset orange grading up into ember and then deep indigo, the right half storm-grey and bruised with a wall of torn cloud; the sun itself is below the horizon and out of sight. A single narrow shaft of low orange light punches through the cloud break and lies diagonally across the frame, one end grazing the man's shoulder and coat and the other landing on the woman's hair and lifted arm, so their two silhouettes are the only things the beam touches; everything else is rimmed. Light comes only from that low post-sunset band behind them and the shaft, so both figures read as backlit silhouettes with hot orange edges on their windward sides, their faces in shadow, and the spray nearest the beam glows while the spray in shadow stays a dull slate. The wind is legible through the physics: spray flies only off the upwind faces of the crests and falls in the lee, the coat's fabric is pulled flat rather than billowing, and the woman's hair and hem both point the same way across the frame. Palette of ember orange, storm grey, deep indigo and black water, no colour admitted outside it. Painterly anime rendering with visible brush in the sea and cloud, fine detail reserved for the spray and the torn edges of the coat, distant elements simplified into haze. Longing, operatic.
どうするどうする？
AI artwork
ど
2boys and girls apart, 1boy, 1girl, two lovers separated, epic cinematic wide shot, fantasy film poster, painterly anime style, young man on far left, standing on dark rocks, shouting a song toward the horizon, mouth open, singing, long coat, coat whipping in storm wind, young woman on distant right shore, answering with voice raised, mouth open, calling out, long hair streaming in wind, dress streaming in wind, huge tumbling ocean waves, rough sea, spray rising like smoke, sea spray, sky torn between sunset orange and storm-grey, dusk, orange sky, grey clouds, crepuscular rays, single shaft of light connecting two silhouettes, dramatic backlight, rim light, silhouette, wind, detailed spray, back view, from below, wide shot, horizon, longing, cinematic lighting Rendered as an epic cinematic wide shot in the manner of a fantasy film poster: the frame is a broad horizontal panorama and the water owns most of it, two tiny human figures pinned to the far edges as the sea takes the centre. In the left third, a young man stands on a low shelf of dark wet basalt rocks at the very left edge of the frame, seen in back and near-profile with his body turned out toward the horizon, boots planted wide on a tilted slab, one hand gripping the rock shelf's lip and the other flung out at shoulder height, chin lifted, mouth wide open, throat stretched, an arm's span of his long coat bellied out horizontally behind him and its hem snarling past his hip in the gale; his face is almost entirely a dark shape against the glow, only the lit edge of a jawline and the open jaw visible. In the right third, across an unbridgeable reach of water, a young woman stands on a distant rocky spur seen nearly from behind and slightly above the wave tops, her back to the camera and her head thrown back as she calls out, one arm lifted and cupped at her mouth, the other flung down and back; her long hair tears sideways in a single flat sheet and her dress streams out past her knees in one direction, its fabric pulled taut, hem snapping. Between them the sea is a war of enormous tumbling swells, crests breaking into long white ropes of foam, spray bursting upward off the wave tops like grey smoke and carried sideways by the wind, the water black-green in troughs and copper where the light grazes it; the near foreground is a dark churning trough that fills the lower edge of the frame, softening into haze with distance, so the woman's shore sits in atmospheric blue-grey and the man's rocks in near-black. The sky splits along the middle: the left half low and molten, sunset orange grading up into ember and then deep indigo, the right half storm-grey and bruised with a wall of torn cloud; the sun itself is below the horizon and out of sight. A single narrow shaft of low orange light punches through the cloud break and lies diagonally across the frame, one end grazing the man's shoulder and coat and the other landing on the woman's hair and lifted arm, so their two silhouettes are the only things the beam touches; everything else is rimmed. Light comes only from that low post-sunset band behind them and the shaft, so both figures read as backlit silhouettes with hot orange edges on their windward sides, their faces in shadow, and the spray nearest the beam glows while the spray in shadow stays a dull slate. The wind is legible through the physics: spray flies only off the upwind faces of the crests and falls in the lee, the coat's fabric is pulled flat rather than billowing, and the woman's hair and hem both point the same way across the frame. Palette of ember orange, storm grey, deep indigo and black water, no colour admitted outside it. Painterly anime rendering with visible brush in the sea and cloud, fine detail reserved for the spray and the torn edges of the coat, distant elements simplified into haze. Longing, operatic.
どうするどうする？
AI artwork
ど
2boys and girls apart, 1boy, 1girl, two lovers separated, epic cinematic wide shot, fantasy film poster, painterly anime style, young man on far left, standing on dark rocks, shouting a song toward the horizon, mouth open, singing, long coat, coat whipping in storm wind, young woman on distant right shore, answering with voice raised, mouth open, calling out, long hair streaming in wind, dress streaming in wind, huge tumbling ocean waves, rough sea, spray rising like smoke, sea spray, sky torn between sunset orange and storm-grey, dusk, orange sky, grey clouds, crepuscular rays, single shaft of light connecting two silhouettes, dramatic backlight, rim light, silhouette, wind, detailed spray, back view, from below, wide shot, horizon, longing, cinematic lighting Rendered as an epic cinematic wide shot in the manner of a fantasy film poster: the frame is a broad horizontal panorama and the water owns most of it, two tiny human figures pinned to the far edges as the sea takes the centre. In the left third, a young man stands on a low shelf of dark wet basalt rocks at the very left edge of the frame, seen in back and near-profile with his body turned out toward the horizon, boots planted wide on a tilted slab, one hand gripping the rock shelf's lip and the other flung out at shoulder height, chin lifted, mouth wide open, throat stretched, an arm's span of his long coat bellied out horizontally behind him and its hem snarling past his hip in the gale; his face is almost entirely a dark shape against the glow, only the lit edge of a jawline and the open jaw visible. In the right third, across an unbridgeable reach of water, a young woman stands on a distant rocky spur seen nearly from behind and slightly above the wave tops, her back to the camera and her head thrown back as she calls out, one arm lifted and cupped at her mouth, the other flung down and back; her long hair tears sideways in a single flat sheet and her dress streams out past her knees in one direction, its fabric pulled taut, hem snapping. Between them the sea is a war of enormous tumbling swells, crests breaking into long white ropes of foam, spray bursting upward off the wave tops like grey smoke and carried sideways by the wind, the water black-green in troughs and copper where the light grazes it; the near foreground is a dark churning trough that fills the lower edge of the frame, softening into haze with distance, so the woman's shore sits in atmospheric blue-grey and the man's rocks in near-black. The sky splits along the middle: the left half low and molten, sunset orange grading up into ember and then deep indigo, the right half storm-grey and bruised with a wall of torn cloud; the sun itself is below the horizon and out of sight. A single narrow shaft of low orange light punches through the cloud break and lies diagonally across the frame, one end grazing the man's shoulder and coat and the other landing on the woman's hair and lifted arm, so their two silhouettes are the only things the beam touches; everything else is rimmed. Light comes only from that low post-sunset band behind them and the shaft, so both figures read as backlit silhouettes with hot orange edges on their windward sides, their faces in shadow, and the spray nearest the beam glows while the spray in shadow stays a dull slate. The wind is legible through the physics: spray flies only off the upwind faces of the crests and falls in the lee, the coat's fabric is pulled flat rather than billowing, and the woman's hair and hem both point the same way across the frame. Palette of ember orange, storm grey, deep indigo and black water, no colour admitted outside it. Painterly anime rendering with visible brush in the sea and cloud, fine detail reserved for the spray and the torn edges of the coat, distant elements simplified into haze. Longing, operatic.
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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